| Photos (see all 4 | slideshow) |
| Mike Nichols | ... | Jack | |
| Miranda Richardson | ... | Judy | |
| David de Keyser | ... | Howard (as David De Keyser) |
Directed by | |||
| David Hare | |||
Writing credits | ||
| Wallace Shawn | (play) | |
| Wallace Shawn | (written by) | |
Produced by | |||
| Simon Curtis | .... | executive producer | |
| Donna Grey | .... | producer | |
| David Hare | .... | producer | |
| Mike Nichols | .... | producer | |
| Mark Shivas | .... | executive producer | |
Original Music by | |||
| Richard Hartley | |||
Cinematography by | |||
| Oliver Stapleton | (director of photography) | ||
Film Editing by | |||
| George Akers | |||
Production Design by | |||
| Bob Crowley | |||
Art Direction by | |||
| John Ralph | |||
Makeup Department | |||
| Tina Earnshaw | .... | chief makeup artist | |
| Simon Thompson | .... | chief hair stylist | |
Production Management | |||
| Catherine Jardine | .... | post-production supervisor | |
| Sheila Fraser Milne | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Toby Hefferman | .... | third assistant director | |
| Tim Lewis | .... | assistant director | |
Art Department | |||
| Graham Barford | .... | stand-by carpenter | |
| Michael Bartlett | .... | dressing props | |
| Gary Gleeson | .... | stand-by painter | |
| Harry Metcalfe | .... | construction manager | |
| Paul Purdy | .... | property master | |
| Gary Reynolds | .... | stand-by stagehand | |
Sound Department | |||
| Jason Adams | .... | foley editor | |
| Matthew Desorgher | .... | boom operator | |
| Dominic Lester | .... | sound re-recording mixer | |
| Dennis McTaggart | .... | sound editor | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Rosie Straker | .... | boom operator | |
| Clive Winter | .... | sound | |
Camera and Electrical Department | |||
| Roderick Barron | .... | camera operator | |
| Ray Brown | .... | electrician | |
| Liam Daniel | .... | still photographer | |
| Barney Davis | .... | second assistant camera | |
| John Fletcher | .... | focus puller | |
| Michael Green | .... | focus puller | |
| Vic Hammond | .... | camera grip | |
| Jamie Harcourt | .... | camera operator | |
| Gerry Higgins | .... | rigger | |
| Roger Lowe | .... | best boy | |
| Mike Miller | .... | camera operator | |
| Terence Montague | .... | electrician (as Terry Montague) | |
| Ron Nicholls | .... | grip | |
| Charlie Panayi | .... | electrician | |
| Chris Pinnock | .... | focus puller | |
| Larry S. Prinz | .... | gaffer (as Larry Prinz) | |
| Miles Proudfoot | .... | clapper loader | |
| Severin Woxholt | .... | clapper loader | |
Costume and Wardrobe Department | |||
| Howard Rayner | .... | costume assistant | |
Editorial Department | |||
| Keith Mason | .... | assistant editor | |
Music Department | |||
| Chris Dibble | .... | music recordist | |
Other crew | |||
| Angela Allen | .... | script supervisor | |
| Con Cremins | .... | production accountant | |
Thanks | |||
| Jenne Casarotto | .... | special thanks | |
|
|
|
|
|
| Sister My Sister | American Buffalo | Ruby | Salome's Last Dance | One Flew Over the Cuckoo's Nest |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
I happened by complete accident on this film late last night on BBC 2; and although I had to arise early the next morning, there was NO WAY I could do anything but watch it to the end. I'll have to watch it again - maybe more than once - to discover all the nuances in the wonderful dialogue, but for me the performance of Mike Nichols (whom I remember as half of the wildly funny Nichols and May) was amazing and totally riveting. For that alone - and the complex and all-too-human nature of the character he plays - it was well worth viewing and re-viewing (and reviewing!). This is not to denigrate the other actors' contributions; It's just that Nichols' was so memorable. So September's license fee is already justified . . .