| Photos (see all 14 | slideshow) |
| Sophie Marceau | ... | Elisabeth Laurier | |
| Stephen Dillane | ... | Charles Godwin | |
| Dominique Belcourt | ... | Louisa Godwin | |
| Kevin Anderson | ... | John Taylor | |
| Lia Williams | ... | Constance | |
| Joss Ackland | ... | Lord Clare | |
| Sally Dexter | ... | Molly Holland | |
| Emma Amos | ... | Ellen | |
| Maggie McCarthy | ... | Mrs. Jago | |
| Wolf Kahler | ... | Sussman | |
| Annabel Giles | ... | Amy Godwin | |
| John Flanagan | ... | Robert Ames | |
| Valerie Minifie | ... | Hannah | |
| Diana Payan | ... | Mrs. Maidment | |
| John Hodgkinson | ... | Carlo | |
| Anthony Dutton | ... | Dodds | |
| Hugh Walters | ... | Dr. Geddes | |
| Peter Needham | ... | Rector | |
| Melissa Knatchbull | ... | Mrs. Hurst | |
| Frank Rozelaar-Green | ... | Dancemaster | |
| Trevor St. John Hacker | ... | Fashionable Guest (as Trevor St. John-Hacker) | |
| Katharine Levy | ... | French Maid | |
| Valerie Sarruf | ... | French Patronne | |
| rest of cast listed alphabetically: | |||
| Ian Crowe | ... | Thomas | |
| Harry Jones | ... | William | |
| Tom Fisher | ... | Davey (uncredited) | |
Directed by | |||
| William Nicholson | |||
Writing credits(WGA) | ||
| William Nicholson | (written by) | |
Produced by | |||
| Susan Cartsonis | .... | co-executive producer | |
| Brian Eastman | .... | producer | |
| Carmen Finestra | .... | executive producer | |
| Rick Leed | .... | executive producer | |
| David McFadzean | .... | executive producer | |
| Ted Morley | .... | associate producer | |
| Matt Williams | .... | executive producer | |
Original Music by | |||
| Christopher Gunning | |||
Cinematography by | |||
| Nic Morris | (director of photography) | ||
Film Editing by | |||
| Chris Wimble | |||
Casting by | |||
| John Hubbard | |||
| Ros Hubbard | |||
Production Design by | |||
| Rob Harris | |||
Art Direction by | |||
| Peter Wenham | |||
Set Decoration by | |||
| Caroline Smith | |||
Costume Design by | |||
| Andrea Galer | |||
Makeup Department | |||
| Suzan Broad | .... | hair styles supervisor | |
| Suzan Broad | .... | makeup supervisor | |
| Françoise Cresson | .... | hair stylist (as Francoise Cresson) | |
| Françoise Cresson | .... | makeup artist (as Francoise Cresson) | |
| Fernando Mendes | .... | hairdresser: Miss Marceau | |
| Lisa Pickering | .... | hair stylist | |
| Lisa Pickering | .... | makeup artist | |
Production Management | |||
| Jean-Philippe Blime | .... | unit manager: France (as Jean-Phillippe Blime) | |
Second Unit Director or Assistant Director | |||
| Connie Boylan | .... | third assistant director | |
| Edward Brett | .... | first assistant director | |
| Adam Goodman | .... | second assistant director | |
Art Department | |||
| Charmian Adams | .... | stand-by art director | |
| Robert Allen | .... | construction stand-by (as Rob Allen) | |
| Barry Arnold | .... | props | |
| John Bohan | .... | construction | |
| Nicky Chandler | .... | art department runner | |
| Frank Cullen | .... | props | |
| Judy Ducker | .... | buyer | |
| Paul Duff | .... | construction stand-by | |
| Michael Finlay | .... | construction stand-by | |
| Larne Hampson | .... | props | |
| Peter Hawkins | .... | construction | |
| Mickey Lennon | .... | property master (as Micky Lennon) | |
| Brian Neighbour | .... | construction | |
| John O'Connell | .... | props | |
| Adrian Start | .... | supervisor painter | |
| Tom Still | .... | draughtsman | |
| Bob Thorne | .... | props | |
| Paul Turner | .... | props | |
| James Walker | .... | props | |
| Nick Walker | .... | props | |
| David Weller | .... | construction stand-by (as Dave Weller) | |
| David Wescott | .... | construction | |
| Helen Xenopoulos | .... | assistant art director | |
Sound Department | |||
| Paul Botham | .... | boom operator | |
| Tim Cavagin | .... | assistant sound re-recording mixer | |
| Peter Elliott | .... | footsteps editor | |
| Ian Fuller | .... | supervising sound editor | |
| Joe Gallagher | .... | assistant sound editor | |
| Dean Humphreys | .... | sound re-recording mixer | |
| Nick Lowe | .... | dialogue editor | |
| Sandy MacRae | .... | sound mixer (as Sandy Macrae) | |
| Grahame Peters | .... | sound effects editor | |
| Chris Pickhaver | .... | sound technician | |
| Dan Edelstein | .... | supervising sound editor: US release (uncredited) | |
| Mike Wood | .... | sound editor (uncredited) | |
Special Effects by | |||
| David Ford | .... | effects technician | |
| Terry Schubert | .... | effects technician | |
| Martin Gutteridge | .... | special effects (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| Jeremy Lovett | .... | special effects technician (uncredited) | |
| Martin Neill | .... | special effects (uncredited) | |
| Dominic Tuohy | .... | special effects (uncredited) | |
| Steven Warner | .... | special effects technician (uncredited) | |
Camera and Electrical Department | |||
| Paul Cave | .... | focus puller: second unit | |
| Ian Coffey | .... | clapper loader | |
| Graham Cussell | .... | electrician | |
| Robert Gavigan | .... | generator operator | |
| Bob Gomme | .... | generator operator | |
| Graham Hall | .... | focus puller | |
| Keith Hamshere | .... | still photographer | |
| Paul Harris | .... | practical electrician | |
| Susan Jacobson | .... | video assistant | |
| Steve Kitchen | .... | gaffer | |
| Don Lord | .... | camera operator: second unit | |
| Tom Maslen | .... | grip | |
| Roger Pearce | .... | camera operator | |
| Bernie Pochetty | .... | electrician | |
| Paul Shirley | .... | practical electrician | |
| Tom Shirley | .... | electrician | |
| Mike Valentine | .... | underwater camera operator | |
| Nigel Woods | .... | best boy | |
Casting Department | |||
| Nancy Klopper | .... | casting: USA | |
| Lisa-Anne Porter | .... | assistant casting: UK | |
Costume and Wardrobe Department | |||
| Theresa Allflatt | .... | assistant costumer | |
| Amanda Derby | .... | wardrobe assistant | |
| Tim Guthrie | .... | wardrobe assistant | |
| Di Murphy | .... | wardrobe mistress | |
Editorial Department | |||
| Mike Fraser | .... | negative cutter | |
| Tony Tromp | .... | assistant editor | |
| Jeremy Wimble | .... | second assistant editor | |
| Daryl Jordan | .... | first assistant editor: lightworks (uncredited) | |
Music Department | |||
| Mark Tucker | .... | assistant scoring engineer | |
Transportation Department | |||
| Brian Baverstock | .... | unit driver (as Bryan Baverstock) | |
| Willie Fonfe | .... | transportation coordinator | |
| Frank Hogan | .... | unit driver | |
| Keith Horsley | .... | unit driver | |
Other crew | |||
| Alex Boden | .... | production runner | |
| Marilyn Clarke | .... | production coordinator | |
| Piers Dunn | .... | assistant locations | |
| Sarah Garner | .... | script supervisor | |
| Jane Gibson | .... | choreographer | |
| Nigel Gostelow | .... | location manager | |
| Christopher Gunning | .... | polka arranger | |
| Nicki Gunning | .... | assistant to producer | |
| Joanna Hook | .... | secretary to producer | |
| Andrew Jack | .... | dialogue coach | |
| Kris Jaggs | .... | floor runner | |
| Patricia Johnson | .... | unit publicist | |
| Jack Murphy | .... | assistant choreographer | |
| David Oliver | .... | stand-in | |
| Cyril Prentout | .... | location manager: France | |
| Sya Russell | .... | stand-in | |
| Tony Smart | .... | horse master | |
| Bernard Spence | .... | accountant | |
| Yvonne Spence | .... | assistant accountant | |
| Pauline Hume | .... | title designer (uncredited) | |
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| Jane Eyre | Angels and Insects | Gone with the Wind | Immortal Beloved | Pride & Prejudice |
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Just by chance, I selected this film at a time of night when I'm ready for sleep. I watched it once.... then, again but fell asleep thru part of it. Two days later, I watched it again (wide awake this time) and that's when I fell in love with it. The first time.... I admit, it was the titillating story... the child was secondary. The second time.... I wanted to watch Sophie Marceau's delivery of her character. The third time.... I realized that Stephen Dillane's delivery of his character was so nuanced, I missed it the first 2 times. He is what makes this story so wonderful.
Because I am a big fan of British film, I wondered why I was not familiar with Stephen Dillane's name. After some research, I found that I have seen him in some character roles, but nowhere is he as handsome as in this film. Sophie Marceau is so accomplished that together, some of their scenes unfold as a dance.
This film is so delicate, with exquisite timing and phrases, that I can truly say it is as well-done as Campion's The Piano. Elisabeth's shout when she opens the doors to the lake. Godwin's face from recognition to omigod to sweet smile when he sees Elisabeth again. Godwin's explanation that a month with Elisabeth in the house would be an eternity. Their dance at the door when Louisa is screaming to be let out. And many more.
If you love stories of heart-felt deep love, this is it. Just be sure to watch it closely and more than once.