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Directed by | |||
| George Armitage | |||
Writing credits(WGA) | ||
| Tom Jankiewicz | (story) | |
| Tom Jankiewicz | (screenplay) and | |
| D.V. DeVincentis | (screenplay) & | |
| Steve Pink | (screenplay) & | |
| John Cusack | (screenplay) | |
Produced by | |||
| Brent Armitage | .... | associate producer | |
| Susan Arnold | .... | producer | |
| Roger Birnbaum | .... | producer | |
| John Cusack | .... | co-producer | |
| Jonathan Glickman | .... | executive producer | |
| Steve Pink | .... | co-producer | |
| Donna Roth | .... | producer (as Donna Arkoff Roth) | |
| Jackie Rubin | .... | associate producer | |
| Lata Ryan | .... | executive producer | |
Cinematography by | |||
| Jamie Anderson | (director of photography) | ||
Film Editing by | |||
| Brian Berdan | |||
Casting by | |||
| Junie Lowry-Johnson | (as Junie Lowry Johnson) | ||
| Ron Surma | |||
Production Design by | |||
| Stephen Altman | |||
Art Direction by | |||
| Scott Meehan | |||
Set Decoration by | |||
| Chris L. Spellman | (as Chris Spellman) | ||
Costume Design by | |||
| Eugenie Bafaloukos | |||
Makeup Department | |||
| Colleen Callaghan | .... | hair stylist | |
| Todd Masterson | .... | prosthetic makeup effects designer | |
| Cindy J. Williams | .... | makeup artist (as Cindy Jane Williams) | |
Production Management | |||
| Steven Brown | .... | unit production manager | |
| Pat Rand | .... | post-production manager: Caravan Pictures | |
Art Department | |||
| Matthew R. Altman | .... | on-set dresser (as Matthew Altman) | |
| Aneikit Bonnel | .... | art department coordinator | |
| Anthony Maccario | .... | property master | |
| Michael Reinhart | .... | construction coordinator | |
| Tim Snowber | .... | leadman | |
| R. Lucas Stewart | .... | construction foreman | |
| Thomas R. Wagner | .... | assistant property master (as Thomas Geraci-Wagner) | |
| Cliff Carothers | .... | general foreman construction (uncredited) | |
| Bryan Corbett | .... | foreman (uncredited) | |
| Beth Emerson | .... | set dresser (uncredited) | |
| Ted Haigh | .... | assistant art director (uncredited) | |
| Timothy O'Brien | .... | carpenter (uncredited) | |
| Fred O'Connor | .... | propmaker (uncredited) | |
| Tim Park | .... | set dresser (uncredited) | |
| Fred Seibly | .... | sign supervisor (uncredited) | |
Special Effects by | |||
| Paul Hickerson | .... | special effects foreman | |
| Ron Trost | .... | special effects coordinator | |
Visual Effects by | |||
| Steven Davis | .... | computer graphics (as Steve Davis) | |
| John C. Bush | .... | computer graphic artist (uncredited) | |
| Michael Curtis | .... | digital trailer effects (uncredited) | |
Stunts | |||
| Jeff Brockton | .... | stunts | |
| William H. Burton Jr. | .... | stunts (as William Burton Jr.) | |
| Jeffrey J. Dashnaw | .... | stunts (as Jeff Dashnaw) | |
| Lisa Dempsey | .... | stunts | |
| Eddy Donno | .... | stunts | |
| Richard M. Ellis | .... | stunts (as Richard Ellis) | |
| Tom Harper | .... | stunts | |
| Greg Harris | .... | stunts | |
| Billy Hank Hooker | .... | stunts (as William H. Hooker) | |
| Buddy Joe Hooker | .... | stunt coordinator | |
| Kevin L. Jackson | .... | stunts (as Kevin Jackson) | |
| Anthony Kleeman | .... | stunts | |
| Stacy Logan | .... | stunts | |
| Ronnie Rondell Jr. | .... | stunts (as Ronnie Rondell) | |
| David Welch | .... | stunts | |
| David Barrett | .... | stunts (uncredited) | |
| Christian J. Fletcher | .... | stunts (uncredited) | |
| Bill H. Schwocho | .... | stunt double (uncredited) | |
| Benny Urquidez | .... | fight coordinator (uncredited) | |
Camera and Electrical Department | |||
| Michael J. Bailey | .... | best boy electric (as Michael Bailey) | |
| Greg Banta | .... | electrician | |
| Ken Berkhout | .... | electrician | |
| Randy Berrett | .... | grip | |
| Tom Campau | .... | camera operator: second unit | |
| Billy Clevenger | .... | first assistant camera | |
| James D. Doherty | .... | best boy grip (as James Doherty) | |
| Daniel Duggan | .... | grip (as Danny Duggan) | |
| Jimmy Ferguson | .... | loader | |
| Jay Galbo | .... | electrician | |
| Carlos M. Gallardo | .... | dolly grip (as Carlos 'Coco' Gallardo) | |
| Melinda Sue Gordon | .... | still photographer | |
| Conrad W. Hall | .... | camera operator | |
| Suzanne Hanover | .... | still photographer | |
| John Haskell | .... | electrician | |
| John Layne | .... | electrician | |
| Ted Lewis | .... | grip | |
| Karl Linde | .... | second assistant camera | |
| Robert W. Morgenroth | .... | video supervisor (as Robert Morgenroth) | |
| David Morton | .... | gaffer (as Dave Morton) | |
| Peter Wagner | .... | key grip | |
| Jay M. Huntoon | .... | video assist operator (uncredited) | |
| David Katz | .... | video assist operator (uncredited) | |
Casting Department | |||
| Justine Baddeley | .... | casting assistant | |
| Libby Goldstein | .... | casting assistant | |
| Kathy Mooney | .... | extras casting (as Kathy Mooney-Ellis) | |
| Dixie Webster | .... | extras casting (as Dixie Webster-Davis) | |
Costume and Wardrobe Department | |||
| Adrienne Childers | .... | costumer | |
| Maurice Palinski | .... | costumer | |
| Scheris Shephard | .... | costumer | |
| Barcie Waite | .... | costume supervisor | |
Editorial Department | |||
| Joanne Abrams | .... | post-production associate | |
| Marisa Johnston | .... | post-production coordinator: Caravan Pictures | |
| Gloria Kaiser | .... | color timer | |
| Blake Maniquis | .... | first assistant editor | |
| Alan Z. McCurdy | .... | second assistant editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Blake Danforth | .... | assistant editor (uncredited) | |
Music Department | |||
| Bob Badami | .... | music consultant | |
| Brian Carrigan | .... | score consultant | |
| D.V. DeVincentis | .... | music consultant | |
| Chris Douridas | .... | music consultant | |
| Parker Logan | .... | assistant music editor | |
| Jill Meyers | .... | music clearance | |
| Kathy Nelson | .... | music supervisor | |
| Angie Rubin | .... | music editor | |
| Sharlotte Blake | .... | soundtrack executive producer: London Records (uncredited) | |
| Bryan Carrigan | .... | music programmer (uncredited) | |
| Bryan Carrigan | .... | music scoring mixer (uncredited) | |
| Elvis Costello | .... | song producer (uncredited) | |
| Michael Fey | .... | music executive (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Good movie. Particularly the part where John Cusack is using the frying pan to put his point across to the bad guy on the kitchen floor. It's hard not to belly laugh. I thought it took cues from 'Blue Velvet', with its uncommon blend of humour and ultra-violence.
I read that parts of the dialogue were contributed by Cusack and a couple of [real-life] school friends, though cannot confirm this. It's believeable though - for example when he meets the legal guy propping up the bar at the re-union. His offering of the pen, the aside that Cusack should 'read the cap' and asking to use the funny quip - 'they all seem kinda related' - must have been based on a real person. Too sad to be fiction.
Minnie [cab] Driver, Joan Cusack and Dan Ackroyd personalise their performances very well. The support cast were excellent too. The music was an oddly enjoyable mix and the fight sequence with the pen was the most realistic (and exhausting) I'd seen. It was the attention to small detail which swung it in the end though. Cusack's buddy's coke-fuelled, paranoid banter was spot on ("Jenny Slater, Jenny Slater") as was the burning the fingers on the furnace, to name just two random details. The effect of this, is that they all add up to a movie which you can enjoy watching many times. And that makes it a rare gem.