| Photos (see all 5 | slideshow) |
| Charis Michelsen | ... | Keri Boyer (voice) (as Charis Michaelson) | |
| Tom Larson | ... | Grant Boyer (voice) | |
| Richard Spore | ... | Larson P. Giles (voice) | |
| Chris Cooke | ... | Col. Ferguson (voice) | |
| Ruth Ray | ... | Keri's Mom (voice) | |
| J.B. Adams | ... | Keri's Dad (voice) | |
| John Russo Jr. | ... | Bud Sweeny (voice) | |
| Jennifer Senko | ... | Smiley | |
| John Holderried | ... | Jackie Jason | |
| Etta Valeska | ... | Sex Video Model (voice) | |
| Bill Martone | ... | Announcer | |
| rest of cast listed alphabetically: | |||
| Tony Rossi | ... | (voice) | |
Directed by | |||
| Bill Plympton | |||
Writing credits(in alphabetical order) | ||
| Bill Plympton | writer | |
| P.C. Vey | writer | |
Produced by | |||
| John Donnelly | .... | line producer | |
| John Holderried | .... | associate producer | |
| Bill Plympton | .... | producer | |
Original Music by | |||
| Maureen McElheron | |||
Cinematography by | |||
| John Donnelly | |||
Film Editing by | |||
| Anthony Arcidi | |||
Production Design by | |||
| Signe Baumane | |||
Production Management | |||
| Signe Baumane | .... | production manager | |
Sound Department | |||
| David Rovin | .... | sound | |
Editorial Department | |||
| Michael Yetter | .... | negative cutter | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Animation section | IMDb USA section | Add this title to MyMovies |
After newlywed businessman Grant Boyer is electrocuted by his satelite dish, he develops a strange lump on the back of his neck that gives him the power to bring his crazy thoughts and fantasies into reality. Of course, since this is a Plympton film, you can safely assume that this is merely an excuse to load the movie with lots of blood, sex, talking animals, bulging eyeballs, and more detached limbs than you can count. While extremely imaginative, well-animated, and generally fun to watch, the film runs its course within the first half-hour or so. Plympton is an amazing artist, but his art is best viewed in short-film form.