6.8/10
240,698
251 user 73 critic

Liar Liar (1997)

PG-13 | | Comedy, Fantasy | 21 March 1997 (USA)
A fast-track lawyer can't lie for 24 hours due to his son's birthday wish after he turns his son down for the last time.

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1,328 ( 460)

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Nominated for 1 Golden Globe. Another 4 wins & 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Jason Bernard ...
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Kenneth Falk (as Chip Mayer)
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Richard Cole
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SW Fisher ...
Pete
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Storyline

Fletcher Reede, a fast talking attorney, habitual liar, and divorced father is an incredibly successful lawyer who has built his career by lying. He has a habit of giving precedence to his job and always breaking promises to be with his young son Max, but Fletcher lets Max down once too often, for missing his own son's birthday party. But until then at 8:15 Max has decided to make an honest man out of him as he wishes for one whole day his dad couldn't tell a lie. When the wish comes true all Fletcher can do is tell the truth and cannot tell one lie. Uh-oh for Fletcher! Written by Anthony Pereyra <hypersonic91@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

Coming soon. Honest. See more »

Genres:

Comedy | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for sex related humor and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

21 March 1997 (USA)  »

Also Known As:

Menteur menteur  »

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Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend USA:

$31,423,025, 23 March 1997, Wide Release

Gross USA:

$181,410,615

Cumulative Worldwide Gross:

$302,710,615
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This was Don Keefer's final acting role before his death on September 7, 2014 at the age of 98. See more »

Goofs

When Fletcher picks up Max to go to the wrestling match, Fletcher quotes that they're going to see "Rick Rude and Randy "Macho Man" Savage in the cage of death." This could've never happened as Savage was in WCW at the time and Rude was in WWF (now WWE) and had retired as an active wrestler in 1994. The only explanation would be that Fletcher was recounting his own memories of seeing live wrestling. Also neither WWF or WCW have ever called their cage matches a "Cage of Death," only "steel cage" and "hell in a cell." See more »

Quotes

Miranda: [coming up behind Fletcher] Fletcher.
Fletcher: [shouts] Holy hell!
See more »

Crazy Credits

Outtakes are shown during the credits. See more »

Connections

Referenced in Film Club (2000) See more »

Soundtracks

Mighty Mouse Theme (Here I Come To Save The Day)
(uncredited)
Written by Marshall Barer & Philip A. Scheib
Performed by Jim Carrey
See more »

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User Reviews

 
Pants on fire
20 October 2002 | by See all my reviews

Jim Carrey puts so much energy and pure comedic brilliance into this movie that we hardly noticed how corny and hackneyed was the plot or how wearily didactic was the moral lesson for all fathers who neglect their children for the goddess of success. And really we didn't care. What we loved almost as much as Carrey's rubber mouth and oral blockage (like an overheated boiler fighting not to explode) was the premise: a lawyer that can't lie. Now there's an oxymoron! As Carrey tries to explain to his son Max, lawyers need to lie. Actually he says grownups need to lie, which is a truth that we really do not need to exam too closely here. To laugh at something deeply troubling in our nature is a way of dealing with it.

So the genius of this movie is first the talent of Jim Carrey, but second, for kids who come to the realization of adult mendacity for the first time, it is the discovery of comedy as a way to cope. Why do adults need to lie? is a question that a kid can never figure out, and then by the time he is an adult himself (or actually a teenager), he can no longer comprehend how important the question once was. Call it innocence lost, or the socialization process.

My favorite part of the movie is the courtroom scene with Jennifer Tilly dressed oh so sluttily and her adulterous beaux looking like a model for the cover of a romance novel and Carrey in tatters in his $900 suit. Second would be the bathroom scene in which Carrey tries to tear himself apart (and seems to almost succeed). His flapping mouth between the toilet seat and the bowl was inspired. Give some credit to director Tom Shadyac, who managed to steer the vehicle with Carrey at the controls, and to writers, Paul Guay and Stephen Mazur, who wrote some funny lines.

The great comedians totally let themselves go. They are totally on. They go to extremes and beyond. It's like transcending not just the ordinary, but even the imagined. See this obviously for Jim Carrey, one of the great comedic talents of our time, an original who would have delighted Charlie Chaplin with his extraordinary muggings, his blatant audacity and his suburb timing.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)


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