| Photos (See all 11 | slideshow) | Videos (see all 2) |
| Rosie Perez | ... | Perdita Durango | |
| Javier Bardem | ... | Romeo Dolorosa | |
| Harley Cross | ... | Duane | |
| Aimee Graham | ... | Estelle | |
| James Gandolfini | ... | Willie 'Woody' Dumas | |
| Screamin' Jay Hawkins | ... | Adolfo | |
| Demián Bichir | ... | Catalina | |
| Carlos Bardem | ... | Reggie San Pedro | |
| Santiago Segura | ... | Shorty Dee | |
| Harry Porter | ... | Ford | |
| Carlos Arau | ... | Phillips | |
| Don Stroud | ... | Santos | |
| Alex Cox | ... | Doyle | |
| Miguel Galván | ... | Doug | |
| Regina Orozco | ... | Lilly | |
| Roger Cudney | ... | Herbert | |
| Erika Carlsson | ... | Glory Ann (as Erika Carlson) | |
| William G. Stamper | ... | Charly Park | |
| Gabriel Berthier | ... | Technician | |
| César Rodríguez | ... | Dedo Peralta | |
| David Villalpando | ... | Skinny | |
| Forrie J. Smith | ... | Armendariz (as Forrie Smith) | |
| Paco Pharrez | ... | Nicky Bigfoot | |
| Will 'Nahkohe' Strickland | ... | Provinio Momo 'The Fist' | |
| Josefina Echánove | ... | Romeo's Grandmother | |
| Miguel Iglesias | ... | Danny Mestiza | |
| Dewey Kellogg | ... | Montana | |
| Marco Bacuzzi | ... | Tony | |
| Abel Woolrich | ... | Old Man in Cementery | |
| James Gooden | ... | Manny Flynn | |
| Emily Blanton | ... | Airport Waitress | |
| Maya Zapata | ... | Mexican Girl #1 | |
| Vadira Zapata | ... | Mexican Girl #2 | |
| Andaluz Russell | ... | Juana | |
| Salvador Gómez | ... | Mexican Border Guard | |
| Kenny Jacobs | ... | Driver | |
| Pam Risner | ... | Woman | |
| Cheli Godínez | ... | Vicky | |
| Katie Barberi | ... | Stewardess | |
| Norman Stone | ... | Old Man 'Toquez' | |
| Gerardo Zepeda | ... | La Florida Barman (as Gerardo Zepeda 'Chiquilin') | |
| Lazaro Paterson | ... | Babalawo Priest | |
| Jessie Faller | ... | Bank Teller | |
| Adelina Sinohui | ... | Beautiful Woman | |
| Roberto Lopez | ... | Susie Street Man | |
| Paul Dapra | ... | Policeman #1 | |
| Craig Vincent | ... | Policeman #2 | |
| Steve Kennedy | ... | Paramedic | |
| rest of cast listed alphabetically: | |||
| Ben Caron | ... | Concerned Citizen (uncredited) | |
| Marco López | ... | Extra in Las Vegas (uncredited) | |
| Jay So | ... | SWAT (uncredited) | |
Directed by | |||
| Álex de la Iglesia | |||
Writing credits(WGA) | ||
| Barry Gifford | (novel "59 Degrees and Raining: The Story of Perdita Durango") | |
| Barry Gifford | (screenplay) and | |
| David Trueba | (screenplay) and | |
| Álex de la Iglesia | (screenplay) & | |
| Jorge Guerricaechevarría | (screenplay) (as Jorge Guerricaechevarria) | |
Produced by | |||
| Pablo Barbachano | .... | executive producer | |
| Fernando Bovaira | .... | executive producer | |
| Blanca Escobosa | .... | assistant producer | |
| José Luis Escolar | .... | line producer | |
| Andrés Vicente Gómez | .... | producer | |
| Marco Gómez | .... | associate producer | |
| Miguel Necoechea | .... | executive producer | |
| Max Rosenberg | .... | executive producer | |
Original Music by | |||
| Simon Boswell | |||
Cinematography by | |||
| Flavio Martínez Labiano | |||
Film Editing by | |||
| Teresa Font | |||
Casting by | |||
| Nicole Arbusto | |||
| Joy Dickson | |||
Production Design by | |||
| José Luis Arrizabalaga | |||
| Biaffra | (as Arturo García Biafra) | ||
Art Direction by | |||
| Andrew Bernard | |||
| Salvador Parra | |||
| Ana Solares | |||
Set Decoration by | |||
| Helen Britten | |||
| Claudio Contreras | |||
Costume Design by | |||
| María Estela Fernández | |||
| Glenn Ralston | |||
Makeup Department | |||
| Mercedes Guillot | .... | makeup artist | |
| José Quetglás | .... | makeup artist | |
Production Management | |||
| Anne McCaffrey | .... | unit production manager | |
| Sandra Solares | .... | unit production manager | |
| Martín Torres | .... | unit manager | |
Art Department | |||
| Christine Alexander | .... | lead woman | |
| Star Fields | .... | construction coordinator | |
| Greg Finnin | .... | assistant property master | |
| Bill Garber | .... | greensman | |
| Joel S. Griffith | .... | lead scenic artist | |
| Larry D. Koszakovszky | .... | set dresser | |
| Brenton L. Lane | .... | property master: USA | |
| René Marquéz | .... | assistant property master | |
| Zaida Monteforte | .... | art department coordinator | |
| John M. Oswald | .... | prop builder | |
| John M. Oswald | .... | set dresser | |
| Ozcar Ramírez | .... | on-set dresser | |
| Tomas Rodriguez Tovar | .... | set dresser | |
| Carlos Salom | .... | art assistant | |
| Mirko von Berner | .... | computer animation | |
| Lynny Warner | .... | set dresser | |
| Jorge Siller | .... | prop fabrication man (uncredited) | |
Sound Department | |||
| Salvador de la Fuente | .... | location sound mixer | |
| Jaime Fernández | .... | sound re-recording mixer | |
| Ray Gillon | .... | sound designer | |
| Ray Gillon | .... | sound re-recording mixer | |
| Juan Carlos Prieto | .... | location sound mixer | |
| Jaime Puig | .... | stereo sound consultant: Dolby | |
| Leon Sandoval | .... | boom operator | |
| Oliver Tarney | .... | sound designer | |
| Santiago Thévenet | .... | sound editor | |
Special Effects by | |||
| Jackson Burns | .... | special effects supervisor | |
| Jackson Burns | .... | special effects (as Jackson Earl Burns) | |
| Danny Lester | .... | special effects supervisor (as Dan Lester) | |
Visual Effects by | |||
| Gabe Ibáñez | .... | animator | |
| Bernardo Jasso | .... | motion control operator | |
| Tim Sassoon | .... | visual effects | |
| Jim Wheelock | .... | visual effects supervisor | |
Stunts | |||
| Julian Bucio | .... | stunt coordinator | |
| Jackson Burns | .... | stunt double: James Gandolfini | |
| Oscar Carles | .... | stunts | |
| Charlie Carpenter | .... | utility stunts | |
| David Sanders | .... | stunt coordinator | |
| Rafael Valdez | .... | stunts | |
Camera and Electrical Department | |||
| Dean Anthony | .... | electrician | |
| Steven Aquilino | .... | second assistant camera (as Steve Aquilino) | |
| Gloria Avila | .... | camera trainee | |
| Carlos Cabeceran | .... | Steadicam operator | |
| Drew Carolan | .... | still photographer | |
| Kenny S. Christiansen | .... | best boy grip | |
| Mansur Johnson | .... | grip | |
| Gary A. Kilgore | .... | rigging grip | |
| Gary W. Shaw | .... | key grip | |
| Oscar H. Stevens II | .... | video assist playback | |
| John Trapman | .... | camera operator: Wescam camera | |
| Steven J. Winslow | .... | assistant camera: Wescam camera | |
| Steven J. Winslow | .... | camera technician | |
| Jon Yirak | .... | first assistant: "b" camera | |
Casting Department | |||
| Rudy Joffroy | .... | extras casting: Tijuana | |
Costume and Wardrobe Department | |||
| Adela Cortázar | .... | costume assistant | |
| Gabriela Fernandez | .... | assistant costume designer | |
Editorial Department | |||
| José María Bello | .... | post-production coordinator | |
| Irene Blecua | .... | second assistant editor | |
| Igor Iglesias | .... | third assistant editor | |
| Alejandro Lázaro | .... | assistant editor | |
Music Department | |||
| Terry Davies | .... | conductor | |
| Terry Davies | .... | orchestrator | |
| Geoff Foster | .... | score recordist | |
| Chucho Merchan | .... | musician: percussion soloist (as Chucho Merchán) | |
| Julius Wechter | .... | composer: song "Spanish Flea" | |
Transportation Department | |||
| Jason LaFountain | .... | driver | |
| Carlos Ponce de León | .... | transportation captain | |
| David Carlton White | .... | transportation co-captain | |
| Alfonso Paredes | .... | driver (uncredited) | |
Other crew | |||
| Laura Alemán | .... | location manager | |
| Beatriz Anda | .... | script supervisor | |
| Alejandro Arriaga | .... | production staff (as Alejandro Lopez) | |
| Marc Bedia | .... | production coordinator | |
| Amaya Díez | .... | assistant: Álex de la Iglesia (as Amaya Diez 'Fany') | |
| Ray Gillon | .... | adr director | |
| Liz Graham | .... | script supervisor | |
| Rhonda Hyde | .... | script supervisor | |
| Maggie Mancuso | .... | location manager | |
| Jon Proudstar | .... | stand in/photo double | |
| Ivor Shier | .... | helicopter pilot | |
| Douglas Stuart Wilson | .... | international coordinator | |
| Tod Swindell | .... | location manager | |
| Farron Kempton | .... | photo double (uncredited) | |
| Jennifer Scott | .... | lead stand-in (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Mexico section |
Right after the success of his masterpiece, the dark comedy "El Dia De la Bestia", Spanish director Alex De la Iglesia took a stab at Hollywood with this wild ride of marvelous insanity and bizarre entertainment. Sadly, the resulting movie was severely cut in the U.S. and the U.K. and didn't had the expected results as many labeled as another Tarantino-style film. While at first sight "Perdita Durango" indeed looks like a rip off of the movies by the Tarantino-Rodriguez tandem, this really black comedy is more a witty satire than a serious action flick.
The film is the story of Perdita Durango (Rosie Perez), a young criminal who one night meets Romeo Dolorosa (Javier Bardem), a crazed priest of an extreme form of Santeria who makes a life doing jobs for the mob. They fall in love and Perdita comes along in Romeo's latest job: the traffic of human fetuses for the cosmetic industry. On their trip, they kidnap two American teenagers for Romeo's human sacrifices. However, things go wrong as a DEA agent (James Gandolfini) follows them closely and the kidnapped teens try to escape.
Based on Barry Gifford's novel of the same name, the movie follows the criminal couple's adventure in the style of a road trip movie with the two couples (the criminals and their victims) as main characters. I can't tell how faithful the movie is to the novel, but it is definitely closer to Gifford's previous film adaptation, David Lynch's "Wild at Heart" than to the Tarantino films that are often compared to it. The movie is charged with black humor and disturbing violence, and is a brilliant satire of modern society.
Alex De la Iglesia crafts a film that is at the same time disturbing and funny, and he plays with those two very different emotions with very good results. The pacing of the movie is very good although it is true that at times it feels a bit disjointed. Still, De la Iglesia manages to tell an intelligent and different story than what we are used to. On a side note, the edited A-Pix version is missing what is probably the most important moment of the film due to copyright troubles, so to fully appreciate the film, the 125 version is the way to go.
The acting is good for the most part, with Javier Bardem showing exactly why is he considered the best Spanish actor of his generation; his Romeo Delarosa is one of the best performances of his career. Rosie Perez is effective, but at times it feels as if she weren't up to the challenge, something that hurts the film badly, as she is the main character. Harley Cross and Aimee Graham are very believable as the kidnapped teens and show potential for comedy, but the real joy comes from supporting actors Gandolfini and a surprising Screamin' Jay Hawkins.
Personally, I liked the film a lot and it is a personal favorite, but I must be fair and point out that it is not a perfect film. Alex De la Iglesia's main mistake is to focus too much on Romeo Delarosa's character, almost to the point where Rosie Perez almost becomes a supporting actress. The fact that Bardem's acting is enormously superior doesn't really help Perez' performance. On another point, the movie seems to lose steam at the last point, and while it does recover some of its initial power, the edited versions definitely take out this final improvement.
As written above, this is a personal favorite, and while I wouldn't recommend it to everybody (due to its disturbing images), I would definitely recommend it to fans of black comedies, disturbing thrillers and overall bizarre film-making in general. 8/10