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Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Arthur Schnitzler | (novel "Traumnovelle") | |
| Stanley Kubrick | (screenplay) and | |
| Frederic Raphael | (screenplay) | |
Produced by | |||
| Brian W. Cook | .... | co-producer | |
| Jan Harlan | .... | executive producer | |
| Stanley Kubrick | .... | producer | |
Original Music by | |||
| Jocelyn Pook | |||
Cinematography by | |||
| Larry Smith | (lighting cameraman) | ||
Film Editing by | |||
| Nigel Galt | |||
Casting by | |||
| Denise Chamian | |||
| Leon Vitali | |||
Production Design by | |||
| Leslie Tomkins | (as Les Tomkins) | ||
| Roy Walker | |||
Art Direction by | |||
| John Fenner | |||
| Kevin Phipps | (supervising art director) | ||
Set Decoration by | |||
| Lisa Leone | |||
| Terry Wells | (as Terry Wells Snr) | ||
Costume Design by | |||
| Marit Allen | |||
Makeup Department | |||
| Robert McCann | .... | makeup artist | |
| Kerry Warn | .... | hair stylist | |
Production Management | |||
| Margaret Adams | .... | production manager | |
| Lisa Leone | .... | production manager: second unit | |
Second Unit Director or Assistant Director | |||
| Brian W. Cook | .... | first assistant director | |
| Rhun Francis | .... | third assistant director | |
| Becky Hunt | .... | third assistant director | |
| Adrian Toynton | .... | second assistant director | |
| Michael Neumann | .... | second assistant director (uncredited) | |
| Ian Stone | .... | third assistant director (uncredited) | |
Art Department | |||
| Ken Bacon | .... | property storeman | |
| Sophie Batsford | .... | production buyer | |
| Jon Billington | .... | draughtsperson | |
| Steve Clarke | .... | stand-by painter (as Steve Clark) | |
| Stephen Dobric | .... | draughtsperson | |
| Roy Hansford | .... | stand-by carpenter | |
| Samantha Jones | .... | art department assistant | |
| Michael King | .... | production buyer | |
| Christiane Kubrick | .... | original paintings | |
| Katharina Kubrick | .... | original paintings (as Katharina Hobbs) | |
| John Maher | .... | construction manager | |
| Desmond O'Boy | .... | stand-by stagehand | |
| John O'Connell | .... | stand-by propman | |
| Gerald O'Connor | .... | dressing propman | |
| Kira-Anne Pelican | .... | art department assistant | |
| Todd Quattromini | .... | dressing propman | |
| Pippa Rawlinson | .... | assistant draughtsperson | |
| Jeanne Vertigan | .... | production buyer | |
| Jake Wells | .... | chargehand stand-by props | |
| Terry Wells Jr. | .... | property master (as Terry Wells Jnr.) | |
| Graham Caulfield | .... | drapesmaster (uncredited) | |
| Robin Heinson | .... | painter (uncredited) | |
| James Hunt | .... | scenic artist (uncredited) | |
| Tony Marks | .... | carpenter (uncredited) | |
| Tom Still | .... | set designer (uncredited) | |
| Thomas R. Wagner | .... | property assistant (uncredited) | |
Sound Department | |||
| Tony Bell | .... | sound maintenance | |
| Michael A. Carter | .... | sound re-recording mixer | |
| Anthony Cleal | .... | sound re-recording mixer | |
| Paul Conway | .... | supervising sound editor | |
| Iain Eyre | .... | assistant sound editor | |
| Nigel Galt | .... | sound re-recording mixer | |
| Graham V. Hartstone | .... | sound re-recording mixer | |
| Becki Ponting | .... | foley editor | |
| Edward Tise | .... | sound recordist | |
| Sandy Buchanan | .... | adr mixer (uncredited) | |
| Mark Sheffield | .... | mix recordist (uncredited) | |
| Ruth Sullivan | .... | foley artist (uncredited) | |
Special Effects by | |||
| Charles Staffell | .... | back projection supervisor | |
Visual Effects by | |||
| Paddy Eason | .... | supervising digital compositor: CFC (uncredited) | |
| Sally Goldberg | .... | visual effects (uncredited) | |
| Matt Kasmir | .... | digital effects artist (uncredited) | |
| Chris Monks | .... | digital modeller (uncredited) | |
| Steve Tizzard | .... | digital film scanning (uncredited) | |
Costume and Wardrobe Department | |||
| Jacqueline Durran | .... | wardrobe mistress | |
| Nancy Thompson | .... | costume supervisor | |
| Melissa Layton | .... | additional costume assistant (uncredited) | |
Editorial Department | |||
| Trevor Collins | .... | negative cutter | |
| Claire Ferguson | .... | assistant editor | |
| Melanie Viner-Cuneo | .... | first assistant editor (as Melanie Viner Cuneo) | |
| Claus Wehlisch | .... | assistant editor: avid | |
Music Department | |||
| Riccardo Chailly | .... | conductor: "Jazz Suite, No 2" | |
| Didier de Cottigniers | .... | music consultant | |
| Roy Gerson | .... | musician: "If I Had You" | |
| Uwe Gronostay | .... | conductor: "Requiem K626, Rex Tremendae" | |
| Dominic Harlan | .... | musician: piano, "Musica Ricercata II: Mesto, Rigido e Cerimonale" | |
| Peter Hughes | .... | music contractor | |
| Peter Hughes | .... | musician: "Strangers in the Night" | |
| Brad Mehldau | .... | musician: "Blame It on My Youth" | |
| Jocelyn Pook | .... | musician: "Naval Officer", "Masked Ball", "Migrations" and "The Dream" | |
| Tommy Sanderson | .... | musician: "It Had to Be You" | |
| The Sandman | .... | musician: "It Had to Be You" | |
| Manickam Yogeswaran | .... | musician: "Migrations" | |
Transportation Department | |||
| Martin Ward | .... | action vehicle coordinator | |
| Tom Watson | .... | mechanic: action vehicle | |
Other crew | |||
| Larry Celona | .... | journalistic advisor | |
| Tracey Crawley | .... | production assistant | |
| Emilio D'Alessandro | .... | assistant: Mr. Kubrick | |
| Matt Dalton | .... | accounting assistant (as Matthew Dalton) | |
| Kerry David | .... | assistant: Ms. Kidman | |
| Barbara Del Greco | .... | researcher: Venetian masks | |
| Andrea Doven | .... | assistant: Ms. Kidman | |
| Michael Doven | .... | production associate | |
| Chester Eyre | .... | laboratory consultant | |
| Anthony Frewin | .... | assistant: Stanley Kubrick | |
| Nick Frewin | .... | computer assistant | |
| Kate Garbett | .... | production coordinator | |
| Andrew Haddock | .... | video coordinator | |
| Manuel Harlan | .... | location researcher | |
| Elizabeth Himelstein | .... | dialect coach: Ms. Kidman | |
| Tobin Hughes | .... | location assistant | |
| Rachel Hunt | .... | secretary | |
| David Jones | .... | facilities supervisor | |
| Claire Litchfield | .... | unit nurse | |
| Simon McNair Scott | .... | location manager | |
| Angus More Gordon | .... | location manager | |
| Nelson Peña | .... | production assistant: second unit | |
| Alan Reid | .... | security officer | |
| Ian Robinson | .... | laboratory contact | |
| Lara Sargent | .... | assistant accountant | |
| C.J. Scheiner | .... | medical advisor (as Dr. C.J. Scheiner MD PhD) | |
| Ann Simpson | .... | script supervisor | |
| Yolande Snaith | .... | choreographer | |
| John Trehy | .... | production accountant | |
| Leon Vitali | .... | assistant to director | |
| Stella Wycherley | .... | accounting assistant | |
| Matthew Alexander | .... | computer playback supervisor (uncredited) | |
| Sue Field | .... | additional script supervisor (uncredited) | |
| Richard Gold | .... | stand-in (uncredited) | |
| Stephen L'Heureux | .... | assistant to director (uncredited) | |
| Douglas Milsome | .... | focus advisor (uncredited) | |
| Rebecca Peters | .... | video coordinator (uncredited) | |
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I admit that I'm part of the Kubrick cult(people that follow his movies like a religion), and I was first in line to see this movie. Being a huge movie fan I've seen a wide variety of movies, and have walked away from them with a wide variety of emotions. This was the first movie to put me in a trance, or dream, like state. The way the movie was shot, lighted, and so on gave the feel of a dream (to me at least). I believe that this feel is just what was needed and what Kubrick wanted. Everyone has to admit to thinking about the dark side of sex, and I believe that in this movie we see that a person can explore the buried desires of their sexual id and still come away a good person.
I'm guessing that this was a very personal movie for Kubrick. He seemed to take Cruise's character to places that he, personally, wished he could explore. Places, like a prostitute or an orgy, that he'd like to visit, but not want to stay at very long.
Praise has to go to Cruise and Kidman for their performances. Cruise was able to strip away his movie star veneer that seems to protect him in all of his other movies, and bring through the clouded, tormented, and unsure heart of a jealous man. Kidman must have known that part of her role was to be eye candy, but she fought through that and gave the movie's best performance.
To anyone out there thinking about seeing the movie.....I say go. Some will hate it and others will love it, but half the fun of the movie lies in the discussions that will blossom from this great movie experience.