8.2/10
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532 user 114 critic

Lock, Stock and Two Smoking Barrels (1998)

R | | Comedy, Crime | 28 August 1998 (UK)
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.

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1,092 ( 112)

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Top Rated Movies #143 | Nominated for 1 BAFTA Film Award. Another 13 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Tom
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...
...
...
...
J
Nick Marcq ...
Charles Forbes ...
Willie (as Charlie Forbes)
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Lenny McLean ...
Peter McNicholl ...
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Dog
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Huggy Leaver ...
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Storyline

Four Jack-the-lads find themselves heavily - seriously heavily - in debt to an East End hard man and his enforcers after a crooked card game. Overhearing their neighbours in the next flat plotting to hold up a group of out-of-their-depth drug growers, our heros decide to stitch up the robbers in turn. In a way the confusion really starts when a pair of antique double-barrelled shotguns go missing in a completely different scam. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

They lost half a million at cards but they've still got a few tricks up their sleeve See more »

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for strong violence, pervasive language, sexuality and drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 August 1998 (UK)  »

Also Known As:

Juegos, trampas y dos armas humeantes  »

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Box Office

Budget:

£960,000 (estimated)

Opening Weekend:

£941,638 (United Kingdom), 30 August 1998, Limited Release

Opening Weekend USA:

$143,321, 7 March 1999, Limited Release

Gross USA:

$3,650,677, 23 May 1999
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The scene where Nick the Greek breaks the glass in the coffee table was not in the original script. It was, in fact, an accident that happened during filming and was written in by Guy Ritchie as an afterthought. See more »

Goofs

The position of Gloria's head changes when Plank, after accidentally sitting on her, asks if Gloria is 'compis' and moves in toward her face for a closer look. See more »

Quotes

[first lines]
Bacon: Right. Let's sort the buyers from the spyers, the needy from the greedy, and those who trust me from the ones who don't, because if you can't see value here today, you're not up here shopping. You're up here shoplifting. You see these goods? Never seen daylight, moonlight, Israelite. Fanny by the gaslight. Take a bag, c'mon take a bag. I took a bag home last night. Cost me a lot more than ten pound, I can tell you. Anyone like jewelry? Look at that one there. Handmade in Italy, ...
[...]
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Crazy Credits

In the closing credits, the character names in the cast list are shown entirely in lower-case letters with no initial capital letters. See more »

Connections

Followed by Lock, Stock... (2000) See more »

Soundtracks

Police and Thieves
Performed by Junior Murvin
Courtesy of Island Records Inc.
Licensed by kind permission of The Polygram Commercial Marketing Division
Written by Junior Murvin and Lee 'Scratch' Perry
© 1977 Island Music Ltd.
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Frequently Asked Questions

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User Reviews

Comedy Noir well done
15 February 2000 | by See all my reviews

I'm not sure whether to call this a black comedy or a comedy-noir. The story is about four working class lads who have each managed to save up 25,000 pounds to spot their card-shark friend for a high-stakes poker game with "Hatchet" Harry, the local gangster.

Unfortunately, Harry's game is rigged and the four end up owing Harry half a million pounds, with just one week to come up with the cash. What ensues is a set of schemes, counter-schemes, rip-offs, and bad/good luck that demand you pay attention. On several occasions I had to pause the video just to take stock of which gang was planning what.

The final thirty minutes of the film, as the plots all collide and overlap, turn set-piece shoot outs into comedic punchlines. The comedy is driven by exploding our expectations of what are otherwise pretty standard scenes from the film-noir genre.

The acting is strong and the script very tight. Although I am not normally a fan of voice overs, this one informs without spoiling the action. And I liked the use of the slow-motion to disrupt the action and keep me paying attention.

While this film may not be for everyone, if you enjoy a darker pallette, this may be right up your alley.


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