4.2/10
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104 user 62 critic

The Mod Squad (1999)

Three minor delinquints (Danes, Ribisi, and Epps) are recruited by a cop (Farina) working undercover to bust a cop/drug ring. When the officer who recruited them is killed, they go above ... See full summary »

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(characters), | 2 more credits »

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7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mothershed
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Lionel Mark Smith ...
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Bald Dude (as Stephen T. Kay)
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Gilbert - Skinny Freak (as Bodhi Pine Elfman)
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Storyline

Three minor delinquints (Danes, Ribisi, and Epps) are recruited by a cop (Farina) working undercover to bust a cop/drug ring. When the officer who recruited them is killed, they go above and beyond the call of duty to solve the murder; and bust the drug ring. Suffering the jibes, and ridicule of fellow officers; they struggle to save their names, and that of their deceased benefactor. Written by J. D. Keith <jkeith@compunet.net>

Plot Summary | Add Synopsis

Taglines:

First they broke the law. Now they are the law. See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for language, violence and some sexuality | See all certifications »
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Details

Country:

Language:

Release Date:

26 March 1999 (USA)  »

Also Known As:

Brigade spéciale  »

Filming Locations:

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$6,064,716 (USA) (28 March 1999)

Gross:

$13,260,050 (USA) (27 June 1999)
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Technical Specs

Runtime:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Sarah Michelle Gellar and Milla Jovovich were among the actresses considered for the role of Julie Barnes. See more »

Goofs

In the scene where Pete gets blood splattered on his face from the guy near him getting shot in the head, the splatter is repeated three times for dramatic effect. However, on the 3rd shot, the amount of blood splattered on his face (and the amount that stays on him in the scene) is less than the other two shots. See more »

Quotes

[Julie hits Pete across the head]
Julie: Nice job.
Pete: Okay, I really did not like that at all, all right? Let me just explain somethin'. I was blending.
Julie: You just blended your ass right out of the club, man
Pete: Oh, come on! They're gonna let me back in the club.
Julie: Oh no, I believe the words were "you're gone for-f*cking-ever." Greer's gonna kick your ass
Pete: Hey you know what? Eat me.
Julie: Come on. Lets go. You wanna lose another fight, Petey?
Pete: No. Who was the guy that you were talkin' to all night?
Julie: What guy?
[...]
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Soundtracks

Party Is Goin' on Over Here
Written by Busta Rhymes (as Trevor Smith) and DJ Scratch (as George Spivey)
Performed by Busta Rhymes
Courtesy of Flipmode Entertainment/Elektra Entertainment Group
By Arrangement with Warner Special Products
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User Reviews

A confusing screenplay, disappointingly directed, with performances only as good as the writing allowed.
23 July 1999 | by See all my reviews

I was extremely disappointed with Mod Squad as a movie. There were a number of points which were never explored fully in respect to the character development. The script jumped from point to point without ever clearly explaining the real direction of the plot or the characters. Neither I nor the three people with me ranging from 18 to 85, could work out why the three young 'Mod Squad' members were recruited. We had no idea what they'd done to land themselves in hot water to begin with so they could have been murderers (no sympathy there). The action was minimal the highlight being an old car crashing through a metal door. "When was that film set?" my eighteen year old daughter asked me. The clever young actor from the "Other Sister" relied on the most basic of performance tricks such as shouting, to even be noticed. Long lingering shots of the female lead became dull. The young black actor had little to work on in his scripted characterisation. I found myself confused between the good and the bad cops and why a call to the police precinct, which had set up the criminal "bust" finale , was so obligingly received and acted on so promptly. The police were called to the scene as backup for our hero who was then an escaped felon (or was he????). The direction in my opinion was experimental to the point of distraction. One scene had our three protagonists in the front seat of a car plotting their next move. This was the bench mark. We saw the camera pan left, right, right, left, right, left then left again so continuously I became dizzy. The recording quality of the hand held reporters cassette recorder, the contents of which wrapped up the entire Mod Squad case was "studio quality" amazing!!! I see a minimum of sixty films a year. This was one of the least effective in a decade. my vote is 2 out of 10.


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