U.S. Army Private Witt (AWOL) is found and imprisoned on a troop carrier by his company First Sergeant, Welsh.The men of C Company,1st Battalion,27th Infantry Regiment,25th Infantry Division have been brought to Guadalcanal as reinforcements in the campaign to secure Henderson Field and seize the island from the Japanese. They arrive near Hill 210, a key Japanese position. Their task is to capture the hill at all cost. What happens next is a story developing about redemption and the meaningless of war. Regardless the outcome. Written by
Hans Zimmer's score would inform the direction he would take in style for the rest of his career. Many directors (especially Christopher Nolan) would employ him based on their love for the film and the desire for its similar ambience. More specifically based on the track "Journey to the Line". Ironically, with the exception of "Journey to the Line", most of Zimmer's score did not make the final cut. What was used was often sampled with various other music chosen by Terrence Malick to create an intricate work that is very often mistakenly credited to Zimmer. See more »
When Welsh is talking to the scared young soldier in the shaving quarters at the beginning of the film, the soldier says, "Only two things that are permanent is dying and the Lord," and the camera and the operator's hand are reflected in the far left mirror (visible only in the widescreen release). See more »
Private Edward P. Train:
What's this war in the heart of nature? Why does nature vie with itself? The land contend with the sea? Is there an avenging power in nature? Not one power, but two?
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Composer Wrangler. . . Moanike'ala Nakamoto See more »
The Thin Red Line has no real hero and no real plot to speak of. Due to its release the same year as Saving Private Ryan it will forever be linked to Spielberg's anti-war opus. Yet, "TRL" deserves to be compared to Stanley Kubrick's 2001 due to it's style and distance from the audience. The film's only character is the Charlie Company and the conflict is between humankind itself. Director Terrance Malik asks profound questions and unlike "Ryan," doesn't expect them to be answered because they simply can't be answered. Like 2001, the viewer is left with more questions than answers at the end of the film and is told in stunning visual fashion. Some critics have pointed out various flaws in the film; however, these traits are what sets TRL apart form it's peers. The stars like John Travolta and George Clooney have little screen time. They are the officers who command attention and are larger than life to the simple GI's who do the real work (and most of the acting in the film.) The characters are mostly unrecognizable and you know little about them save the main characters like Pvt. Bell. But, the faces are meant to be unrecognizable; to paraphrase the film they are simply flesh and meat made from the earth simply to return back to it. Those who criticise the lack of violence in some scenes while labeling the other scenes intense don't realize the intensity the fight scenes generalize are due to the fact that the soldiers don't know when their next battle will be and when their last breath will take place. The main character, Charlie Company, is fighting to stay alive, the only real driving force of the plot. All of the characters have different views of the war, shown through the use of random spoken narrative. There is no easy conclusion to the war and the film starts off where it began, among the animals of the pacific. Life is one huge circle and one could guess the battle for the bunker on top of the hill could be fought again and there is no possible way to stop it, (At least that is what I was able to muster of the film itself.) For myself the most haunting image was the scene when the Americans stare at their Japanese enemy after capturing the hill. Both sides seem to realize that they could be on the other side of the battle and that in war there really is no good vs. bad scenario, just what nation you're from and who you are trying to kill. Yet the question asked is why war occurs and why we must fight each other. On that note, we still have no answers. The acting and sound are superb. The direction, editing, and score are all Oscar caliber. I don't shrink from saying that TRL is the best film of 1998 and one of the greatest war films of all time; (and contrary to what some are trying to say it is a war film, that is at its core.) TRL is the only film to ever make my knees tremble and haunt me days after I saw it. If you see it, I'm sure your opinions will be just as strong as mine.
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