| Photos (see all 73 | slideshow) | Videos (see all 8) |
| Hugh Jackman | ... | Logan / Wolverine | |
| Patrick Stewart | ... | Professor Charles Xavier | |
| Ian McKellen | ... | Eric Lensherr / Magneto | |
| Famke Janssen | ... | Jean Grey | |
| James Marsden | ... | Scott Summers / Cyclops | |
| Halle Berry | ... | Ororo Munroe / Storm | |
| Anna Paquin | ... | Rogue / Marie D'Ancanto | |
| Tyler Mane | ... | Sabretooth | |
| Ray Park | ... | Toad | |
| Rebecca Romijn | ... | Mystique (as Rebecca Romijn-Stamos) | |
| Bruce Davison | ... | Senator Kelly | |
| Matthew Sharp | ... | Henry Gyrich | |
| Rhona Shekter | ... | Magneto's Mother | |
| Kenneth McGregor | ... | Magneto's Father | |
| Shawn Roberts | ... | Rogue's Boyfriend | |
| Donna Goodhand | ... | Rogue's Mother | |
| John Nelles | ... | Rogue's Father (as John E. Nelles) | |
| George Buza | ... | Trucker | |
| Darren McGuire | ... | Contender | |
| Carson Manning | ... | Waterboy #1 | |
| Scott Leva | ... | Waterboy #2 | |
| Aron Tager | ... | Emcee | |
| Kevin Rushton | ... | Stu | |
| Doug Lennox | ... | Bartender | |
| David Nichols | ... | Newscaster #1 | |
| Malcolm Nefsky | ... | Stu's Buddy | |
| Sumela Kay | ... | Kitty Pryde / Shadowcat | |
| Shawn Ashmore | ... | Bobby Drake / Iceman | |
| Katrina Florece | ... | Jubilation Lee / Jubilee | |
| Alex Burton | ... | John Allerdyce / Pyro (as Alexander Burton) | |
| Quinn Wright | ... | Lily Pond Kid | |
| Daniel Magder | ... | Boy on Raft | |
| Matt Weinberg | ... | Tommy | |
| Madison Lanc | ... | Tommy's Sister | |
| Stan Lee | ... | Hot Dog Vendor | |
| Marsha Graham | ... | Newscaster #2 | |
| Amy Leland | ... | Cerebro | |
| Adam Robitel | ... | Guy on Line | |
| David Brown | ... | Lead Cop (as Dave Brown) | |
| Ben Jensen | ... | Sabretooth Cop (as Ben P. Jensen) | |
| Tom DeSanto | ... | Toad Cop | |
| Todd Dulmage | ... | Coast Guard | |
| Dan Duran | ... | Newscaster #3 | |
| Elias Zarou | ... | U.N. Secretary General | |
| David Black | ... | President | |
| Robert R. Snow | ... | Secret Service | |
| David Hayter | ... | Museum Cop | |
| Cecil Phillips | ... | Security Guard | |
| Dave Allen Clark | ... | Newscaster #4 | |
| Deryck Blake | ... | Plastic Prison Guard | |
| Ilke Hincer | ... | Translator | |
| Ron Sham | ... | Translator | |
| Jay Yoo | ... | Translator | |
| Grigori Miakouchkine | ... | Translator (as Gregori Miakouchkine) | |
| Eleanor Comes | ... | Translator | |
| Giuseppe Gallaccio | ... | Translator | |
| Rupinder Brar | ... | Translator | |
| Abi Ganem | ... | Translator | |
| Joey Purpura | ... | German Soldier | |
| Manuel Verge | ... | German Soldier | |
| Wolfgang Müller | ... | German Soldier | |
| Ralph Zuljan | ... | German Soldier | |
| Andy Grote | ... | German Soldier | |
| rest of cast listed alphabetically: | |||
| Denis Bellingham | ... | Man in Bar (uncredited) | |
| Eric Bryson | ... | Police Officer (uncredited) | |
| Cheryl De Luca | ... | Mother on train (uncredited) | |
| Kyler Fisher | ... | Additional Voices (uncredited) | |
| Marc Gagne | ... | Bar Patron (uncredited) | |
| Gary Goddard | ... | Man at Beach (uncredited) | |
| Matthew Granger | ... | Weapon X Program Surgeon (uncredited) | |
| Donald Mackinnon | ... | Student at Xavier School (uncredited) | |
| Brian Peck | ... | Hot Dog Stand Customer (uncredited) | |
| Quentin Wright | ... | Student at Xavier School (uncredited) | |
Directed by | |||
| Bryan Singer | |||
Writing credits(WGA) | ||
| Tom DeSanto | (story) & | |
| Bryan Singer | (story) | |
| David Hayter | (screenplay) | |
Produced by | |||
| Avi Arad | .... | executive producer | |
| Tom DeSanto | .... | executive producer | |
| Richard Donner | .... | executive producer | |
| Matthew Edelman | .... | associate producer (as Matthew E. Edelman) | |
| Kevin Feige | .... | associate producer | |
| Stan Lee | .... | executive producer | |
| Scott Nimerfro | .... | associate producer | |
| Lauren Shuler Donner | .... | producer | |
| Joel Simon | .... | co-producer | |
| Bill Todman Jr. | .... | co-producer (as William S. Todman Jr.) | |
| Ralph Winter | .... | producer | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| Newton Thomas Sigel | (director of photography) | ||
Film Editing by | |||
| Steven Rosenblum | |||
| Kevin Stitt | |||
| John Wright | |||
Casting by | |||
| Roger Mussenden | |||
Production Design by | |||
| John Myhre | |||
Art Direction by | |||
| Paul D. Austerberry | (as Paul Denham Austerberry) | ||
| Tamara Deverell | |||
Set Decoration by | |||
| James Edward Ferrell Jr. | (as James Edward Ferrell) | ||
Costume Design by | |||
| Louise Mingenbach | |||
Makeup Department | |||
| Ann Brodie | .... | chief makeup artist (as Ann E. Brodie) | |
| Inge Klaudi | .... | makeup artist | |
| Jay McClennen | .... | key prosthetics | |
| Patricia Medina | .... | hair stylist | |
| Jennifer Bower O'Halloran | .... | key hair stylist (as Jennifer O'Halloran) | |
| Kelly Shanks | .... | hair stylist | |
| Gordon J. Smith | .... | special makeup designer (as Gordon Smith) | |
| Sandra Wheatle | .... | personal makeup artist: Halle Berry | |
| Dorota Zajac | .... | key makeup artist: second unit | |
| Joel Harlow | .... | special makeup effects artist (uncredited) | |
| Kenny Myers | .... | makeup department head: additional photography (uncredited) | |
Production Management | |||
| Whitney Brown | .... | production manager: Toronto | |
| Charlie Davis | .... | post-production supervisor | |
| Ross Fanger | .... | unit production manager | |
| Dara Weintraub | .... | production manager | |
Art Department | |||
| Greg Beale | .... | second assistant art director | |
| Brian Beck | .... | set dresser | |
| Deryck Blake | .... | co-property master | |
| Adam Brockbank | .... | illustrator | |
| Brenton Brown | .... | on-set dresser | |
| J. Tracy Budd | .... | lead set dresser | |
| Michael Bunt | .... | assistant head carpenter (as Michael A. Bunt) | |
| Steve Burg | .... | conceptual artist | |
| Thomas Carnegie | .... | set designer | |
| James Coppella | .... | second head painter (as James 'Coco' Coppella) | |
| John Coven | .... | storyboard artist | |
| Gerry Deschenes | .... | set dresser | |
| David G. Fremlin | .... | first assistant art director | |
| Christopher Geggie | .... | property master | |
| Jason Graham | .... | third assistant art director | |
| Bill Harman | .... | construction coordinator | |
| David Jaquest | .... | set dresser | |
| Daniel R. Jennings | .... | set designer | |
| Henry Jesiak | .... | assistant property master | |
| Murray Keith | .... | assistant head carpenter (as Murray R. Keith) | |
| Mayumi Konishi | .... | apprentice set designer | |
| Mayumi Konishi | .... | art department apprentice | |
| Jonathan Kovacs | .... | set dresser | |
| Fireball Tim Lawrence | .... | conceptual artist (as Timothy Lawrence) | |
| Tom Lawson | .... | carpenter | |
| Lara MacInnis | .... | art department apprentice (as Lara Joy MacInnis) | |
| Jim Magdaleno | .... | storyboard artist | |
| I.R. McEune | .... | assistant head plasterer (as Rob McEune) | |
| Andrew Menzies | .... | set designer | |
| John Morrison | .... | on-set dresser | |
| Brian N. Murray | .... | head carpenter (as Brian Murray) | |
| Ian Nelmes | .... | key scenic artist | |
| Sarah O'Malley | .... | props | |
| Sheri O'Rourke | .... | set decoration buyer | |
| Tony Parkin | .... | location head carpenter (as Anthony Parkin) | |
| Greg Pelchat | .... | prop buyer | |
| Michael G. Ploog | .... | storyboard artist (as Michael Ploog) | |
| Aeschylus Poulos | .... | art department coordinator | |
| Raymond Prado | .... | storyboard artist | |
| Henry Ranger | .... | painter | |
| Barton Rendulic | .... | illustrator | |
| David Ritchie | .... | assistant buyer | |
| David Ritchie | .... | second set decoration buyer | |
| Randy Ross | .... | head painter | |
| Ken Samaroo | .... | on-set painter | |
| Werner Schlatter | .... | painter | |
| Rando Schmook | .... | assistant art director: Los Angeles | |
| Nathan Schroeder | .... | illustrator | |
| Kino Scialabba | .... | concept artist: Cinesite | |
| Charles Sharun | .... | scenic artist | |
| Tom Sheehan | .... | carpenter | |
| Michael Sherwin | .... | head mold maker (as Mike Sherwin) | |
| Michael Shocrylas | .... | set designer | |
| Tom Southwell | .... | storyboard artist | |
| Rpin Suwannath | .... | illustrator | |
| Ron Trost | .... | scenic artist (as Ron Troost) | |
| Helen Utsal | .... | painter | |
| Grant Van Der Slagt | .... | first assistant art director | |
| Jim Veale | .... | carpenter (as James Veale) | |
| Brian Weir | .... | carpenter | |
| Gordon White | .... | set designer | |
| Dan Wladyka | .... | set decorator: Canada (as Daniel 'Deke' Wladyka) | |
| Andrew Yurkiv | .... | location head carpenter | |
| Aprile Lanza Boettcher | .... | scenic artist (uncredited) | |
| Warren Manser | .... | illustrator (uncredited) | |
Special Effects by | |||
| Monica Babic | .... | production manager: miniature unit | |
| Colin Chilvers | .... | special effects coordinator | |
| Trevor Cripps | .... | special effects | |
| Babak Forutanpour | .... | technical director | |
| Mike Kavanagh | .... | special effects technician | |
| Tony Kenny | .... | special effects supervisor | |
| Christopher Kiso | .... | special effects: additional photography | |
| Kaz Kobielski | .... | special effects supervisor | |
| Brad Larkin | .... | special effects technician | |
| Tim Lidstone | .... | special effects key | |
| Ian Locke | .... | special effects engineer | |
| Drew Longland | .... | special effects technician | |
| David Loveday | .... | model builder | |
| David Loveday | .... | special effects | |
| Ray McMillan | .... | rear projection supervisor | |
| Marcus Rait | .... | special effects technician | |
| Tania Richard | .... | special effects makeup | |
| Troy Rundle | .... | special effects 1st | |
| Dean Stewart | .... | special effects office administrator | |
| Derek Vanlint | .... | director of photography: miniature photography | |
| Sophie Vertigan | .... | special effects props builder | |
Visual Effects by | |||
| Nancy Adams | .... | 3D integration artist: Digital Domain | |
| Douglas Aiken | .... | digital compositor: Kleiser-Walczak | |
| David Altenau | .... | CGI supervisor | |
| Jonathan Alvord | .... | Avid editor | |
| Ted Andre | .... | visual effects compositor | |
| Christian Aubert | .... | technical director: Digital Domain | |
| Jeffrey Edward Baksinski | .... | motion tracking supervisor: Cinesite | |
| Denise Ballantyne | .... | digital development producer | |
| Scott Ballard | .... | character technical director | |
| Berj Bannayan | .... | R&D: C.O.R.E. Digital Pictures | |
| Craig Barron | .... | visual effects supervisor: Matte World Digital | |
| Lynn Basas | .... | digital artist | |
| Kelly Bechtle-Woods | .... | 3D tracking | |
| Mimoun Ben | .... | digital matte painter | |
| Susana Bentsen | .... | digital artist | |
| Nancy Bernstein | .... | visual effects executive producer: Digital Domain | |
| Allen Blaisdell | .... | matchmover | |
| S. Kai Bovaird | .... | digital artist (as Steven Bovaird) | |
| Constance Bracewell | .... | CGI animator | |
| Terry Bradley | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Jesse Bradstreet | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Jonah Brennan | .... | visual effects | |
| Melissa Brockman | .... | digital effects producer | |
| Kelly Bumbarger | .... | digital compositor | |
| Melissa Carter | .... | first visual effects assistant editor | |
| Daniel Chuba | .... | visual effects executive producer: Hammerhead Productions (as Dan Chuba) | |
| Thomas Clary | .... | visual effects coordinator: Digital Domain | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Tim 'Timco' Conway | .... | digital artist | |
| John Cornejo | .... | digital compositor: Digital Domain | |
| Filippo Costanzo | .... | compositor | |
| Glenn Cotter | .... | 3D artist & modeler | |
| John D.B. Cox | .... | visual effects coordinator | |
| Darren Cranford | .... | pre-viz & digital screens: Keyframe Digital Prod. | |
| Erin M. Cullen | .... | roto artist | |
| Sean C. Cunningham | .... | technical director: Digital Domain | |
| Ken Dackermann | .... | digital compositor | |
| Andy Davis | .... | digital compositor: Asylum | |
| Denise Davis | .... | visual effects producer | |
| Krystyna Demkowicz | .... | visual effects producer: Matte World Digital | |
| Mitch Deoudes | .... | technical director | |
| Sean Devereaux | .... | digital effects coordinator: Digital Domain | |
| Jamie Dixon | .... | visual effects: Hammerhead Productions | |
| Tommy Dorsett | .... | visual effects editor: POP Film | |
| Christina Drahos | .... | digital compositor: Digital Domain | |
| Greg Duda | .... | technical director | |
| Gus Duron | .... | visual effects editor: Digital Domain | |
| Kevin Edwards | .... | visual effects | |
| Jonathan Egstad | .... | compositing supervisor: Digital Domain | |
| Michelle Eisenreich | .... | Visual Effects Production Assistant | |
| Kevin Elam | .... | visual effects producer | |
| Theresa Ellis | .... | visual effects supervisor: Hammerhead Productions | |
| Ben Farris | .... | systems administrator: Cinesite | |
| Kirsten Fazio | .... | visual effects coordinator | |
| Deak Ferrand | .... | senior matte painter/designer: R!OT Pictures | |
| Sara Fillmore | .... | production manager: C.O.R.E. Digital Pictures | |
| Michael L. Fink | .... | visual effects supervisor | |
| Alyssa Fong | .... | visual effects | |
| Steve Fong | .... | visual effects artist | |
| Eric Gambini | .... | camera tracker | |
| Brian Gardner | .... | animation sequence lead | |
| Ted Gervan | .... | visual effects | |
| Deborah Giarratana | .... | visual effects executive | |
| Tim Gibbons | .... | digital compositor | |
| John Gibson | .... | digital artist | |
| Bryan Godwin | .... | digital artist | |
| Julie Goldberg | .... | visual effects coordinator: Digital Domain | |
| John Goodson | .... | model maker | |
| Randy Goux | .... | lead animator: POP Film | |
| Mark Gutterud | .... | camera assistant video: effects unit | |
| Martin Hall | .... | paint/roto artist | |
| Brian Hanable | .... | digital effects compositor | |
| Michael S. Harbour | .... | digital artist | |
| John Hart | .... | digital matte painter (as John Patrick Hart) | |
| G.G. Heitmann Demers | .... | digital compositing sequence lead: Kleiser-Walczak | |
| Tom Hendrickson | .... | render manager | |
| Claas Henke | .... | lead compositor: Digital Domain | |
| Garman Herigstad | .... | digital effects animator: Digital Domain | |
| Brad Herman | .... | digital artist: Digital Domain | |
| Phil Holland | .... | scanning & recording operator | |
| Amy Hollywood Wixson | .... | visual effects producer | |
| Andrew Honacker | .... | previz supervisor | |
| Nick Hsieh | .... | 2D artist: C.O.R.E. Digital Pictures | |
| Robert Hubbard | .... | digital effects artist | |
| Rusty Ippolito | .... | digital effects artist | |
| Manu Ittina | .... | digital compositor | |
| Beau Janzen | .... | lead animator | |
| Michael Johnson | .... | digital effects artist | |
| Justin Jones | .... | visual effects | |
| Karin Joy | .... | bidding producer: visual effects | |
| Bruce Jurgens | .... | visual effects lead modeler | |
| Jeffrey Kalmus | .... | digital imaging supervisor | |
| Alan Kapler | .... | digital artist | |
| John Karner | .... | pre-visualization animator | |
| Piotr Karwas | .... | character animator: Digital Domain | |
| Kristopher Kasper | .... | visual effects assistant editor: Cinesite | |
| Darren Kiner | .... | lighting technical director: Cinesite | |
| Shane Kinnear | .... | executive producer: C.O.R.E. Digital Pictures | |
| Alisa Loren Klein | .... | animator: Kleiser-Walczak | |
| Alisa Loren Klein | .... | digital compositor: Kleiser-Walczak | |
| Karen Klein | .... | rotoscope artist | |
| Jeffrey Kleiser | .... | creative advisor: Kleiser-Walczak | |
| David Krause | .... | technical coordinator | |
| Bridgitte Krupke | .... | visual effects coordinator (as Bridgitte Nance) | |
| Ken Lam | .... | digital compositor | |
| Mark Larranaga | .... | compositor: Digital Domain | |
| Vincent Lavares | .... | digital asset manager: Cinesite Hollywood | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Warren J.W. Leathem | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Jeff Lew | .... | 3D animator: Kleiser-Walczak | |
| Rebecca Lilienfeld | .... | visual effects editor: Digital Domain | |
| David Lingenfelser | .... | digital compositor | |
| Kevin Lingenfelser | .... | digital effects supervisor: Cinesite | |
| Patrick Lin | .... | motion control camera operator: Matte World Digital | |
| Scott Lord | .... | senior systems administrator | |
| Brian Lui | .... | digital compositor | |
| Anthony Mabin | .... | senior digital effects compositor: Digital Domain | |
| Bill Maher | .... | visual effects wrangler | |
| Joe Mandia | .... | compositor | |
| Stacie Manning | .... | digital artist | |
| Stephen Mann | .... | digital artist: Kleiser Walczak | |
| James Marbas | .... | production supervisor | |
| John Mariella | .... | animation director | |
| Marcel Martinez | .... | digital compositor | |
| S. Scott McCaulley | .... | facilities supervisor: Digital Domain | |
| Valerie McMahon | .... | digital compositor | |
| Brandon McNaughton | .... | digital compositor | |
| Daniel Mellitz | .... | digital artist | |
| Tim Miller | .... | Inferno artist | |
| Steve R. Moore | .... | visual effects editor | |
| Steve R. Moore | .... | visual effects sequence supervisor | |
| Eroc Moralls | .... | digital compositor | |
| Bob Munroe | .... | on-set supervisor: C.O.R.E. Digital Pictures | |
| Myles Murphy | .... | digital effects artist | |
| Robert Nederhorst | .... | digital compositor | |
| Evan A. Nesbitt | .... | visual effects unit director of photography | |
| Davy Nethercutt | .... | digital compositor: Digital Domain | |
| Andrew Nguyen | .... | motion graphics | |
| Jaime Norman | .... | visual effects coordinator | |
| Brett Northcutt | .... | lead digital matte artist | |
| Sean Nowlan | .... | data wrangler | |
| Melanie Okamura | .... | digital artist | |
| George Oliver | .... | rotoscope | |
| Ken Ouellette | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Scott Palleiko | .... | lead animator: Kleiser-Walczak | |
| Hans Payer | .... | senior CG artist: POP Animation | |
| Brian Peyatt | .... | scanning and recording operator | |
| Brett Phillips | .... | model maker: Digital Domain | |
| Ethan Phillips | .... | visual effects CLT: Digital Domain | |
| Patrick Phillips | .... | visual effects | |
| David Prescott | .... | CG supervisor: Digital Domain | |
| Nordin Rahhali | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Michael Ramirez | .... | digital artist | |
| John Rauh | .... | digital compositor | |
| Olun Riley | .... | computer animator: Cinesite | |
| Daniel Roizman | .... | technical effects consultant: Kleiser-Walczak | |
| César Romero | .... | Inferno artist | |
| Michael Root | .... | digital compositor | |
| Kody Sabourin | .... | lead animator: Kleiser-Walczak | |
| Ryo Sakaguchi | .... | CG effects animator: Digital Domain | |
| Ramprasad Sampath | .... | visual effects | |
| Mark Sawicki | .... | optical camera | |
| Carl Seibert | .... | visual effects producer | |
| Craig Seitz | .... | digital compositor: Rhythm & Hues | |
| Fred Simon | .... | systems support: Rhythm & Hues | |
| Ken Sjogren | .... | digital compositor | |
| Rickard Soderstrom | .... | 3D animator | |
| David Sosalla | .... | digital effects supervisor: POP Film | |
| Rob Stauffer | .... | digital artist | |
| George Stevens | .... | model maker crew chief: Digital Domain | |
| David Stump | .... | effects director of photography | |
| Ji Hyung Sung | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Rpin Suwannath | .... | previsualization art director | |
| Kenji Sweeney | .... | visual effects: technical director | |
| Tracy Takahashi | .... | visual effects associate producer: Cinesite | |
| Tracy Takahashi | .... | visual effects coordinator: Cinesite | |
| Andy Tamandl | .... | animator: Hammerhead Productions | |
| Peter Alun Thomas | .... | film scanning and recording technician | |
| Rich Thorne | .... | production executive | |
| Morgan Trotter | .... | 3D artist | |
| Allison Troxell | .... | visual effects producer: Hammerhead | |
| Zachary Tucker | .... | digital effects artist | |
| John T. Van Vliet | .... | animation supervisor: Cinesite | |
| Frank Vitz | .... | visual effects supervisor: Kleiser Walczak | |
| Erika Walczak | .... | visual effects producer: Kleiser-Walczak | |
| John B. Wallace | .... | digital artist | |
| Richard Wardlow | .... | digital artist: Digital Domain | |
| Gordon Weiske | .... | visual effects | |
| Scott Whitworth | .... | digital effects coordinator: Digital Domain | |
| Bob Wiatr | .... | senior digital effects compositor | |
| Andy Wilkoff | .... | digital artist: Team Lead for Digital Domain | |
| Jeffery A. Williams | .... | technical advisor: Kleiser-Walczak | |
| Kieran Woo | .... | production controller: pre-production, Digital Domain | |
| Xye | .... | visual effects | |
| Keiji Yamaguchi | .... | digital artist | |
| Yuichiro Yamashita | .... | CG animator | |
| Chris Y. Yang | .... | digital artist: Digital Domain | |
| Dustin Zachary | .... | modeler | |
| Ian Britton | .... | computer displays: Nerve FX (uncredited) | |
| Scot Byrd | .... | publicist: Rhythm & Hues (uncredited) | |
| Jeff Campbell | .... | digital compositor (uncredited) | |
| Wally Chin | .... | 3D technical assistant (uncredited) | |
| Bill Coffin | .... | digital compositor (uncredited) | |
| Robert Coquia Jr. | .... | 3D technical assistant (uncredited) | |
| Brandon Craig | .... | render supervisor (uncredited) | |
| Feliciano di Giorgio | .... | digital artist: Digital Domain (uncredited) | |
| Christian M. Elsensohn | .... | render coordinator: Digital Domain (uncredited) | |
| Frank Gallego | .... | model maker (uncredited) | |
| Fred Jimenez | .... | 2D technical assistant (uncredited) | |
| Richard Karnes | .... | visual effects avid editor: Digital Domain (uncredited) | |
| Kevin LaNeave | .... | video editor (uncredited) | |
| Mike Leben | .... | motion control operator (uncredited) | |
| Joel Román Mendías | .... | visual effects coordinator (uncredited) | |
| Kama Moiha | .... | digital effects (uncredited) | |
| Chad Owen | .... | digital artist (uncredited) | |
| Anthony Paterson | .... | computer displays: Nerve FX (uncredited) | |
| Tim Pyle | .... | previsualization animator (uncredited) | |
| Dante Quintana | .... | technical assistant supervisor (uncredited) | |
| Marc D. Rienzo | .... | conceptual art: PDI/Dreamworks (uncredited) | |
| Paul Rivera | .... | chief technical artist (uncredited) | |
| Scott Ross | .... | general manager: Digital Domain (uncredited) | |
| Jason Shea | .... | systems administrator (uncredited) | |
| Kevin Tengan | .... | systems administrator (uncredited) | |
| Terrance Tornberg | .... | tech services: Digital Domain (uncredited) | |
| Juan Carlos Vargas | .... | previs artist (uncredited) | |
Casting Department | |||
| Elizabeth Boykewich | .... | casting associate | |
| Ross Clydesdale | .... | casting: Toronto | |
| Aric Dupere | .... | extras casting assistant | |
| Donna Dupere | .... | extras casting (as Donna Dupere-Taylor) | |
| Brad Gerstl | .... | extras casting representative | |
| Juli-Ann Kay | .... | casting: Toronto | |
| Mandy Sherman | .... | casting assistant (as Amanda Sherman) | |
Costume and Wardrobe Department | |||
| Robert Allsopp | .... | costume prop | |
| Tarah Burke | .... | wardrobe assistant | |
| Cathy Crandall | .... | assistant costume designer | |
| Patricia Hanley Cumming | .... | key set costumer (as Pat Hanley-Cumming) | |
| Kristin Dangl | .... | assistant costume designer (as Kristin M. Dangl) | |
| Jay Du Boisson | .... | costume supervisor | |
| Loreen Lightfoot | .... | costume cutter/stitcher | |
| Susan MacLeod | .... | key set costumer | |
| Trelawnie Mead | .... | costume production assistant | |
| Nadia Ongaro | .... | extras costumer | |
| Sheila E. Pruden | .... | costume administrator | |
| Bob Ringwood | .... | costume consultant | |
| Anita Simard | .... | set costumer | |
| Anita Simard | .... | wardrobe truck supervisor | |
| Soo Luen Tom | .... | wardrobe assistant | |
Editorial Department | |||
| Matt Boatright-Simon | .... | editorial assistant | |
| Gary Burritt | .... | negative cutter | |
| Todd Busch | .... | additional editor | |
| Dale Caldwell | .... | color timer | |
| Shannon Carey | .... | assistant editor: USA | |
| Chris Dowell | .... | post-production assistant | |
| Barbara Dunning | .... | first assistant editor: USA | |
| Russell Langille | .... | assistant editor: Canada | |
| Sheila MacDowell | .... | assistant editor: USA (as Sheila Macdowell) | |
| Bob McMillian | .... | color timer | |
| Peter McNulty | .... | first assistant editor: USA | |
| Steve R. Moore | .... | visual effects editor | |
| Sonja Obljubek | .... | assistant editor: Canada | |
| Eric Putz | .... | telecine colorist: dailies | |
| Dov Samuel | .... | first assistant editor | |
| Cynthia E. Thornton | .... | associate editor | |
| Brian Ufberg | .... | assistant editor | |
| Jonny Winograd | .... | assistant editor: avid | |
| Benjamin Winter | .... | assistant editor | |
| Todd Zongker | .... | assistant editor: avid | |
| David Tarnawsky | .... | second assistant editor (uncredited) | |
Music Department | |||
| James Seymour Brett | .... | music co-producer | |
| Christopher Brooks | .... | music consultant | |
| Robert Elhai | .... | orchestrator | |
| Robert Fernandez | .... | additional score recordist | |
| Joel Franklin | .... | music preparation | |
| Joel Iwataki | .... | additional score recordist | |
| Duane Jarvis | .... | composer: song "Still I Long for Your Kiss" | |
| Michael Kamen | .... | conductor | |
| Michael Kamen | .... | orchestrator | |
| Daryl B. Kell | .... | supervising music editor (as Daryl Kell) | |
| The L.A. Allstar Orchestra | .... | music performers | |
| Dylan Maulucci | .... | orchestrator | |
| Stephen McLaughlin | .... | score mixer | |
| Stephen McLaughlin | .... | score recordist | |
| Michael Price | .... | music co-producer | |
| John Rodd | .... | orchestral scoring recordist | |
| Curtis Roush | .... | music editor | |
| Curt Sobel | .... | music editor: temp music | |
| Brad Warnaar | .... | orchestrator | |
Transportation Department | |||
| Bill Boyd | .... | picture car mechanic | |
| Lee Bryan | .... | picture car captain | |
| Dan Marjanovich | .... | transportation captain: second unit | |
| Michael Sean Ryan | .... | transportation captain: Los Angeles | |
| Frank Tenaglia | .... | transportation captain | |
| Robert Tenaglia | .... | transportation coordinator | |
Thanks | |||
| Jack Kirby | .... | special thanks | |
| Stan Lee | .... | special thanks | |
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| X2 | X-Men: The Last Stand | X-Men Origins: Wolverine | GoldenEye | Spider-Man |
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If this film had been given to the wrong director it could have been incredibly cheesy. Being a reader of the comics I know that there are a few things that works on the page of a comic book but not in a film and let me say that the costumes is one of these things that in all probability wouldn't work. Singer chose to go with black leather outfits and I, for one, am very thankful for this choice. There are many things in this film that works but unfortunately there are a few things as well that prevent the film from being truly great.
Lets start with the things that work. Acting wise the film is very good. This is above all attributed to some excellent casting. Hugh Jackman is simply perfect as Wolverine and brings out the duality of the character in a very satisfactory manner. Also the scenes were we see a glimpse of the rage in the character work remarkably well. The only thing that could be said about him is that he is too tall but it seems most people, including myself, have accepted this fact. I think also that it was a wise choice to let a relatively unknown actor play the part because in that way we have no preconceived notions about him. As for Professor X no other man than Patrick Stewart could/should play him. Stewart simply becomes Xavier both in presence, voice and looks. An example of perfect casting. Ian McKellen is brilliant as Magneto and succeeds in creating a human villain rather than the usual cliché like villains we see in Hollywood productions. The acting aside from the ones mentioned above is pretty good. Not spectacular but good. The only one who does not look and act like the character we know from the comics is Anna Paquin who plays Rogue. The character is nothing like in the comics and Paquin's performance doesn't help the character.
When it comes to music and sound effects in general the film is a notch above average. The musical score has a very grand, even epic, feel to it and this suits the film very well. The score is not as memorable as the score from Batman (1989) but it is very adequate. As for the general sound effects they are both very fitting and believable adding to the overall credibility of the film which is considerable. The sound Wolverine's claws make when they come out is exactly as I imagined it. Very well done. The effects in general are also very well made. Not as good as in Spider-Man but still very good. A lot of care has been taken to make the effects seem as believable as possible and from where I'm standing they work. The only character whose powers I did not fully believe in was Toad's. Ray Park is an excellent athlete but many of his stunts look like obvious wire work. This is a pretty general complaint I have as some of the action look rehearsed. There is, however, some interesting action scenes and overall the action is acceptable.
The story is pretty well written and the dialog is both witty and sharp. Especially much of the dialog between Wolverine and Cyclops (James Marsden) is very entertaining and true to the comic books. Where I feel the story is lacking is in the climax which I am afraid to say is a little silly. Magneto's plan for world domination is actually pretty stupid when you think about it and that is a shame because much of the exposition is very well done. Generally, however, the first film is all about setting the stage for the films to come and it does do that in a satisfactory manner.
All in all X-Men is definitely one of the better super hero movies out there and although it was surpassed by the sequel it still stands as a true testament to Singer's skill.
8/10