| Photos (see all 33 | slideshow) | Videos |
| Jennifer Jason Leigh | ... | Allegra Geller | |
| Jude Law | ... | Ted Pikul | |
| Ian Holm | ... | Kiri Vinokur | |
| Willem Dafoe | ... | Gas | |
| Don McKellar | ... | Yevgeny Nourish | |
| Callum Keith Rennie | ... | Hugo Carlaw | |
| Christopher Eccleston | ... | Seminar Leader | |
| Sarah Polley | ... | Merle | |
| Robert A. Silverman | ... | D'Arcy Nader | |
| Oscar Hsu | ... | Chinese Waiter | |
| Kris Lemche | ... | Noel Dichter | |
| Vik Sahay | ... | Male Assistant | |
| Kirsten Johnson | ... | Female Assistant | |
| James Kirchner | ... | Landry | |
| Balázs Koós | ... | Male Volunteer | |
| Stephanie Belding | ... | Female Volunteer | |
| Gerry Quigley | ... | Trout Farm Worker |
Directed by | |||
| David Cronenberg | |||
Writing credits | ||
| David Cronenberg | (written by) | |
Produced by | |||
| Bradley Adams | .... | co-producer | |
| Damon Bryant | .... | co-producer | |
| David Cronenberg | .... | producer | |
| Andras Hamori | .... | producer | |
| Robert Lantos | .... | producer | |
| Michael MacDonald | .... | co-producer | |
| Sandra Tucker | .... | associate producer | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Peter Suschitzky | |||
Film Editing by | |||
| Ronald Sanders | |||
Casting by | |||
| Deirdre Bowen | |||
Production Design by | |||
| Carol Spier | |||
Art Direction by | |||
| Tamara Deverell | |||
Set Decoration by | |||
| Elinor Rose Galbraith | |||
Costume Design by | |||
| Denise Cronenberg | |||
Makeup Department | |||
| Carol Davidson | .... | assistant makeup artist | |
| Stephan Dupuis | .... | special makeup designer | |
| Réjean Goderre | .... | hair stylist: Ms. Leigh (as Rejean Goderre) | |
| Mary-Lou Green-Benvenuti | .... | hair stylist (as Mary Lou Green) | |
| Debra Hawkes | .... | assistant hair stylist | |
| Shonagh Jabour | .... | makeup artist | |
| Micheline Trépanier | .... | makeup artist: Ms. Leigh (as Micheline Trepanier) | |
| Doug Morrow | .... | special makeup effects lab technician (uncredited) | |
Production Management | |||
| Michael MacDonald | .... | production manager | |
| Tammy Quinn | .... | assistant production manager | |
| Lori A. Waters | .... | post-production supervisor (as Lori Waters) | |
Second Unit Director or Assistant Director | |||
| Penny Charter | .... | second assistant director | |
| Cassandra Cronenberg | .... | third assistant director | |
| Walter Gasparovic | .... | first assistant director | |
| Kirsteen McLean | .... | third assistant director | |
| Leo Scherman | .... | trainee assistant director | |
Sound Department | |||
| Eric Apps | .... | adr recordist | |
| Tom Bjelic | .... | sound effects editor | |
| Gregory Martin Clayton | .... | cable operator (as Greg Clayton) | |
| Ed Colyer | .... | adr mixer | |
| Graham Daniel | .... | sound re-recording mixer | |
| Joseph Doane | .... | assistant sound effects editor | |
| David Evans | .... | supervising sound effects editor | |
| Glen Gauthier | .... | sound mixer | |
| Paul Germann | .... | assistant sound effects editor | |
| Mark Gingras | .... | adr editor | |
| Mark Gingras | .... | dialogue editor | |
| Wayne Griffin | .... | supervising dialogue editor | |
| Punam Khosla | .... | assistant sound effects editor | |
| Goro Koyama | .... | foley artist | |
| John Laing | .... | dialogue editor | |
| Mishann Lau | .... | assistant dialogue editor | |
| Andy Malcolm | .... | foley artist | |
| Ron Malligers | .... | foley mixer (as Ron Mellegers) | |
| Ray Merrin | .... | sound re-recording mixer | |
| Lyle Scott-Darling | .... | assistant sound re-recording mixer | |
| Paul Shikata | .... | sound effects editor | |
| Steve Switzer | .... | boom operator | |
| David Tyler | .... | assistant adr mixer | |
| Tony Van den Akker | .... | foley mixer | |
| Nick Watson | .... | stereo sound consultant: Dolby, UK | |
| Rebecca Wright | .... | foley assistant | |
| Sharon Zupancic | .... | foley assistant | |
| Gren-Erich Zwicker | .... | assistant dialogue editor | |
| Ryan Shore | .... | sound (uncredited) | |
Visual Effects by | |||
| Jerry Andrews | .... | motion control specialist: Toybox | |
| Alex Boothby | .... | digital effects compositor: Toybox | |
| Jeff Campbell | .... | digital effects compositor: Toybox | |
| John Coldrick | .... | compositor: opening titles | |
| Kenn Elliott | .... | additional scanning: Toybox | |
| Mike 'Fuzzy' Ellis | .... | digital film supervisor: Toybox (as Mike Ellis) | |
| Raymond Gieringer | .... | 3D animator: Toybox | |
| Mark Goldberg | .... | digital effects compositor: Toybox | |
| Derek Grime | .... | 3D animator: Toybox | |
| Rob Gyorgy | .... | digital effects compositor: Toybox | |
| James Isaac | .... | visual and special effects supervisor (as Jim Isaac) | |
| Shawn Maher | .... | camera operator: Toybox | |
| Michael Manza | .... | 3D animator: Toybox | |
| Jesh Murthy | .... | 3D animator: Toybox | |
| Josa Leah 'SDB' Porter | .... | in-house coordinator: Toybox | |
| Paul Rigg | .... | digital effects compositor: Toybox | |
| Jim Rutherford | .... | lead 3D creature animator: Toybox | |
| Ralph Sevazlian | .... | 3D animator: Toybox | |
| Chris Stoyan | .... | motion control grip: Toybox | |
| Andy Sykes | .... | executive producer: Toybox | |
| Tony Willis | .... | motion control supervisor: Toybox | |
| Emily Wong | .... | production coordinator: Toybox | |
| Nelson Yu Lik-wai | .... | 3D technical support: Toybox | |
| Kenn Elliott | .... | film assistant: Toybox (uncredited) | |
Stunts | |||
| Peter Cox | .... | stunts | |
| Jamie Jones | .... | stunts | |
| Alison Reid | .... | stunt coordinator | |
| Alison Reid | .... | stunts | |
| Regan Moore | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Jonathan Billings | .... | dolly grip | |
| Don Cochrane | .... | electrician | |
| Christopher Dean | .... | key grip | |
| Ava Gerlitz | .... | still photographer | |
| Dianne L. Haggarty | .... | grip (as Dianne Haggarty) | |
| Michael Hall | .... | first assistant camera | |
| Jeff Heintzman | .... | best boy grip | |
| Robert Hicks | .... | best boy | |
| Vanessa Ireson | .... | second assistant camera | |
| Delroy P. Jarrett | .... | electrician (as Delroy Jarrett) | |
| Chris Kalbfleisch | .... | camera trainee | |
| Martin Lake | .... | grip | |
| Philip Lanthier | .... | grip (as Philip 'Buck' Lanthier) | |
| Jim MacCammon | .... | electrician (as James MacCammon) | |
| Steven Morrisson | .... | rigging gaffer (as Steve Morrisson) | |
| David Moxness | .... | gaffer | |
| Andrew W. Peart | .... | video playback operator (as Andrew Peart) | |
| Adam Pill | .... | grip | |
| Michael Plant | .... | generator operator | |
| Peter Suschitzky | .... | camera operator | |
| Frank Teunissen | .... | rigging grip | |
| Mark D. Acheson | .... | grip (uncredited) | |
| Cinar Eryasar | .... | electrician (uncredited) | |
| Clement Lush | .... | tape operator (uncredited) | |
Casting Department | |||
| Elizabeth Gray | .... | casting assistant | |
| Eleanor Lavender | .... | extras casting | |
Costume and Wardrobe Department | |||
| Christina Cattle | .... | assistant costume supervisor | |
| Brenda Gilles | .... | costume supervisor | |
| Christopher Hargadon | .... | assistant costume designer (as Chris Hargadon) | |
| Lisette Lefevre | .... | seamstress | |
| Angie Vastagh | .... | wardrobe assistant | |
Editorial Department | |||
| Christopher Donaldson | .... | first assistant editor: film | |
| Gary Fluxgold | .... | first assistant editor: film | |
| Andrew MacRitchie | .... | assistant editor: UK | |
| Aaron Marshall | .... | trainee assistant editor | |
| Sean Moriarity | .... | post-production assistant | |
| Ricardo Olivero | .... | color timer | |
| Catherine Rankin | .... | negative cutter | |
| Tad Seaborn | .... | first assistant editor: avid | |
| Peter Watson | .... | first assistant editor: film | |
| Bill Holley | .... | colorist (uncredited) | |
Music Department | |||
| Nancy Allen | .... | associate music editor | |
| Rowan Collier | .... | assistant music recording engineer | |
| Robert Cotnoir | .... | score mixer | |
| Jennifer L. Dunnington | .... | assistant music editor (as Jennifer Dunnington) | |
| Dan Evans Farkas | .... | music editor | |
| Isobel Griffiths | .... | music contractor | |
| Lydia Kavina | .... | musician: theremin | |
| Dick Lewzey | .... | music recording engineer | |
| Suzana Peric | .... | music editor | |
| Howard Shore | .... | conductor | |
| Howard Shore | .... | orchestrator | |
| Ryan Shore | .... | music copyist | |
| Susan Shufro | .... | assistant music editor (as Sue Shufro) | |
| Ruth Cornes | .... | orchestra contractor: LPO (uncredited) | |
Transportation Department | |||
| Matthew Garland | .... | driver | |
| Bill Hagan | .... | transportation captain | |
| Richard Higgins | .... | driver | |
| Bill Leeking | .... | head driver | |
| Don Morley | .... | driver | |
| Joe Norris | .... | driver | |
| Dave Puddister | .... | driver: construction department | |
| Don Retzer | .... | transportation coordinator | |
| Brad Winans | .... | driver | |
| Dean Wittaum | .... | driver | |
| John Bekavac | .... | driver (uncredited) | |
Other crew | |||
| Debra Beers | .... | location manager | |
| John 'Frenchie' Berger | .... | gun wrangler | |
| Deanna Bolton | .... | assistant: Mr. Hamori | |
| Bruce Buchanan | .... | technical advisor | |
| Mark Bukator | .... | production accountant | |
| Cherri Campbell | .... | executive assistant to Robert Lantos | |
| Jane Conway | .... | animal wrangler | |
| Robert Cotnoir | .... | synclavier programmer | |
| Chris Cozens | .... | auricle operator | |
| Tony Desmond | .... | assistant production accountant | |
| Katherine Doyle | .... | accountant: special effects unit | |
| Prudence Emery | .... | unit publicist | |
| Tammy Fitzgerald | .... | stand-in: Ms. Leigh | |
| Andrea Franks | .... | assistant production coordinator | |
| Vic Fraser | .... | librarian | |
| David Garnett | .... | office assistant | |
| Simon Goldberg | .... | legal services: Natural Nylon, UK | |
| Anthony F. Grani | .... | office assistant (as Anthony Grani) | |
| Bob Hall | .... | shop foreman | |
| Tomas Hartl | .... | purchasing agent | |
| Linda Kang | .... | assistant: Mr. Hamori | |
| Beverley Kolbe | .... | assistant location manager | |
| Lacia Kornylo | .... | head of production: Alliance Atlantis | |
| Jeff Krebs | .... | technical advisor: avid (as Jeffrey Krebs) | |
| Jeff Kulbak | .... | finance | |
| Margaret Lee | .... | assistant title designer: opening titles | |
| Mark Logan | .... | location scout | |
| Luz Magcawas | .... | payroll clerk | |
| Kevin Mahonchak | .... | copyist | |
| Rafal Mickiewicz | .... | stand-in: Mr. Law | |
| Cathy Moore | .... | studio manager | |
| John Nelles | .... | dialect coach | |
| Rob Pilichowski | .... | title designer: opening titles | |
| Teresa Rogers | .... | production legal affairs | |
| Andrew Rosen | .... | production assistant: Alliance Atlantis | |
| Dug Rotstein | .... | script supervisor | |
| Marlene Schmidt | .... | producer: opening titles | |
| Elizabeth Senyi | .... | production coordinator (as Elizabeth Senyi-Potechin) | |
| Tracey Seward | .... | head of production: Natural Nylon | |
| Adam Shaheen | .... | executive producer: opening titles | |
| Kitty Stanbrook | .... | production coordinator: Natural Nylon | |
| James Steven | .... | location production assistant | |
| Vay Trong | .... | post-production accountant | |
| Ben Tucker | .... | office manager | |
| Andrea Wood | .... | business and legal affairs: Alliance Atlantis | |
| Ray McMillan | .... | rear projection supervisor (uncredited) | |
| Nick Veziris | .... | gun wrangler (uncredited) | |
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David Cronenberg's `eXistenZ' is a well designed reflection of the philosophy of existentialism. It addresses the problems of a culture that is plugged into technology that it can no longer distinguish between fantasy and reality or between the organic and the mechanical. The movie shocks the audience with its replacement of mechanical technology with organic, metabolismic one. In this context the technology is able to be part of human body. After playing the virtual reality game of `eXistenZ', the real world feels like a game and as a result, human behavior change in order to apply violent game-urges even when the game is over. In eXistenZ, technology has evolved from machinery to biological organisms that plug directly into the human nervous system; an idea that reflects Marshall McLuhan's belief who is a well known media theorist, that computers are extensions of human consciousness. Like telephone is an extention of the ear, television is an extention of the eye, telegram is an extention of the central nervous system high-tech virtual reality is an extention of human consciousness. In eXistenZ, technology is biological and thus more human than it is in our world. But as technology becomes organic, humans become more mechanical and therefore less free, unable to resist their game-urges. eXistenZ is a virtual realty simulation of man's existence. Jean Baudrillard describes a mediated society in his book of Simulacra and Simulation, which all power to act has been transformed to appear. The world has passed into a pure simulation of itself. In eXistenZ it is obvious to see Baudrillard's mediated society with the themes of the invasion of the body, the loss of control and the transformation of the self into other.
While you are in the eXistenZ, consciousness slowly replaces with another identity, your role in the game, which is a reflection each individual's real life subconscious. While you gain the control of your hyperreal life step by step, the aura of your real life disappers. For Baudrillard, `.simulations or simulacra, have become hyperreal, more than real.' Our hyperreality, like Cronenberg's world of computer simulation, `.now feels, and, for all intents and purposes is, more real than what we call the real world.' (Baudrillard) The purpose of the game which can basically be called 'experience' is quite metaphorical. Because you can not even know what is experience unless you experience it. As existentialists say that, life without an exact explanation is absurd, the game of eXistenZ is absurd too. Cronenberg, ironically reflects the absurdity of our lives. For instance, in the game, the other roles just stand still unless you ask them a pre-programmed question. And when you put their aimless funny looking state of being into the representation of our lifes, the exposed absurdity really shocks.
The theme of the game is to understand what it is for? This hidden metaphorical question creates anguish over the people who play eXistenZ. They have no doubt about their existence, however they do not know the underlying reason of their existence. The essence.
Existentialists have held that human beings do not have a fixed nature, or essence, as other animals and plants do; each human being makes choices that create his or her own nature. In the formulation of the 20th-century French philosopher Jean Paul Sartre, existence precedes essence. `Choice is therefore central to human existence, and it is inescapable; even the refusal to choose is a choice. Freedom of choice entails commitment and responsibility. Because individuals are free to choose their own path, existentialists have argued, they must accept the risk and responsibility of following their commitment wherever it leads.' Perhaps I should mention, `eXistenZ' deals with the concept of freedom of choice too. You achieve your final role in the game by taking right decisions. If you don't than the game becomes irrevelant and boring. So, you begin to interrogate the game, your existence rather than your essence. You suddenly become schzopfrenically alianated from the game and realize your position outside the game. Well as a last word, eXistenZ is a well designed reverse simulation of life thus existentialism.