eXistenZ (1999)

User Rating:

6.8/10   

Director:

David Cronenberg

Writer:

David Cronenberg (written by)

Release Date:

23 April 1999 (USA)

Genre:

Horror | Sci-Fi | Thriller

Tagline:

Play it. Live it. Kill for it.

Plot:

A game designer on the run from assassins must play her latest virtual reality creation with a marketing trainee to determine if the game has been damaged.

Plot Keywords:

Reality | Virtual Reality | Gun | Alternative Reality | Shot In The Back

Awards:

3 wins & 7 nominations

Cast

Jennifer Jason Leigh	...	Allegra Geller
Jude Law	...	Ted Pikul
Ian Holm	...	Kiri Vinokur
Willem Dafoe	...	Gas
Don McKellar	...	Yevgeny Nourish
Callum Keith Rennie	...	Hugo Carlaw
Christopher Eccleston	...	Seminar Leader
Sarah Polley	...	Merle
Robert A. Silverman	...	D'Arcy Nader
Oscar Hsu	...	Chinese Waiter
Kris Lemche	...	Noel Dichter
Vik Sahay	...	Male Assistant
Kirsten Johnson	...	Female Assistant
James Kirchner	...	Landry
Balázs Koós	...	Male Volunteer

Also Known As:

Crimes of the Future (Canada: English title) (working title)
Varolus (Turkey: Turkish title) [tr]
eXistenZ (Portugal) [pt]
eXistenZ (Greece) [el]
eXistenZ (France) [fr]
eXistenZ (Spain) [es]
eXistenZ: Mundo virtual (Argentina) (video title) [es]

MPAA:

Rated R for strong sci-fi violence and gore, and for language.

Runtime:

97 min

Country:

Canada | UK

Language:

English

Color:

Color

Aspect Ratio:

1.78 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:16 | Spain:18 | Argentina:13 | Australia:M | Belgium:KNT | Finland:K-16 | France:-12 | Germany:16 | Hong Kong:IIB | Netherlands:16 | New Zealand:M | Norway:15 | Peru:14 | Portugal:M/16 | Singapore:PG | South Korea:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Rockwood Conservation Area, Ontario, Canada

Company:

Alliance Atlantis Communications

Trivia:

The lubricant Allegra uses for Pikul's port is called XE-60, which is only one letter in the alphabet up from WD-40.

Goofs:

Continuity: When Pikul is extracting the tooth from Allegra's shoulder, the sleeve of her top is rolled down. In the next shot after it comes out, her shoulder is covered again, but Pikul's hand resting on it hasn't moved. (There are deliberate costume discontinuities in this movie, when the characters shift in and out of eXistenZ, but this isn't one of them.)

Quotes:

[first lines]
Seminar Leader: eXistenZ. Written like this. One word. Small 'E', capital 'X', capital 'Z'. 'eXistenZ'. It's new, it's from Antenna Research, and it's here... right now.

Movie Connections:

Featured in De la guerre (2008)

A well-crafted film deflated by the Matrix-sodden expectations of an effects-obsessed audience.

I feel compelled to speak up for this film against the spoilt ravings of the it-said-it-was-like-the-Matrix-but-I-didn't-see-any-cool-computer-graphics-a nywhere crowd that have dominated these pages.

There seem to be two schools of thought on the use of special effects in movies. The prevalent theory - depressingly common among film goers and film-makers alike - seems to be that a good effect should stand out of a film and make the audience coo like a pigeon. If you subscribe to that theory, fine, watch the Matrix and be happy. If you think that a special effect is a means to an end, a way to portray a fictional vista as a believable realism, then watch eXistenZ and marvel at how a grotesque and visceral world can be made so engrossingly real and intriguing. This film has its fair share of effects, but they are so well grafted into the ethos the film evokes that you just won't notice them on first viewing. And in contrast with the current trend towards computer-generated effects, Cronenburg knows the value of his tactile world; the physical creativity involved in the gristle-gun building scene is a fantastic example.

Okay, so virtual reality has been used many times as a concept - and by films that actually came BEFORE the Matrix too - but the totality with which this film portrays its own organic brand of VR is truly engrossing. Jude Law and Jennifer Jason Leigh are utterly watch-able and the chemistry between them is the perfect vehicle to lead an audience through the admittedly gruesome situations the film describes.

There is an element of old-fashioned escapist fantasy in this film that manages to be strangely endearing despite the gore and I suggest that this is where the film triumphs - a triumph that can be attributed to clever writing, intelligent acting and characterisation, a compelling story, charismatic leads, a vivid and disciplined imagination and the discerning use of effects and visual style.

If the Matrix is an `oooh, aaah' sort of film, then this is more an `oooh, eeugh' movie - but don't allow the glare of the Matrix to dull your senses to the darker appeal of eXistenZ.