Gasman (1997)

Director:

Lynne Ramsay

Writer:

Lynne Ramsay (writer)

Genre:

Short | Drama

Plot Keywords:

Independent Film

Awards:

Nominated for BAFTA Film Award. Another 4 wins & 1 nomination

Cast

Lynne Ramsay Jr.	...	Lynne
Martin Anderson	...	Steven
James Ramsay	...	Da
Denise Flannagan	...	Ma
Jackie Quinn	...	Woman
Lisa Taylor	...	Girl
Robert McEwan	...	Boy

Also Known As:

Isän salaisuus (Finland) [fi]

Runtime:

15 min

Country:

UK

Language:

English

Color:

Color

Company:

British Broadcasting Corporation (BBC)

Trivia:

This short film is featured on the Criterion Collection DVD for Ratcatcher (1999).

Movie Connections:

Edited into Cinema16: British Short Films (2003) (V)

'Gasman'

I've never been a fan of short films for their 'art-school' and 'experimental' qualities. Simply being a product of those two is not enough. They are almost always too personal, too opaque, and too much obviously serving as 'stepping-stones'.

I was therefore happy to see Lynne Ramsay's short films as the chrysalis for her superb feature films. I was also impressed to learn that she won the Cannes short-film prize, *twice*. And now I can see what others saw in her, for _Gasman_ is the best short film I have ever seen.

Available on the Criterion DVD with _Small Deaths_ and the less good _Kill the Day_, _Gasman_ is a fully-fledged, visionary film that translates directly into the skill and grace of _Ratcatcher_.

_Gasman_ moves directly from the first piece of _Short Deaths_, with the distant father and Lynne Ramsay Jr. again taking centre screen. But _Gasman_ comes to a kind a fruition--a full story with many of the same themes and techniques of _Ratcatcher_: closely observed yet elliptical human behaviour, housing projects, slum-beauty, children's natures, a jumbled impressionistic world caught in partial body closeups and shots from behind people.

The film 'tells' nothing, but the story is dead clear and builds slowly to an emotional pitch that is almost unbearable.

This is a film of jaw-dropping beauty. Sounds trite, but that's how I feel. When the Da and two kids walk on the tracks, the camera is set to a partially closed iris which intensifies the available light and colour in an otherworldly sheen--one that is gone when they return on the same tracks at night, in disappointment. Beauty in service of story is the key.

This *is* the best short film I have ever seen.