| Lynne Ramsay Jr. | ... | Lynne | |
| Martin Anderson | ... | Steven | |
| James Ramsay | ... | Da | |
| Denise Flannagan | ... | Ma | |
| Jackie Quinn | ... | Woman | |
| Lisa Taylor | ... | Girl | |
| Robert McEwan | ... | Boy |
Directed by | |||
| Lynne Ramsay | |||
Writing credits | ||
| Lynne Ramsay | (writer) | |
Produced by | |||
| Gavin Emerson | .... | producer | |
| Barbara McKissack | .... | executive producer | |
| Oscar van Heek | .... | executive producer | |
Cinematography by | |||
| Alwin H. Kuchler | |||
Film Editing by | |||
| Lucia Zucchetti | |||
Production Design by | |||
| Jane Morton | |||
Art Direction by | |||
| Chris Cull | |||
| Robina Nicholson | |||
Costume Design by | |||
| Gill Horn | |||
Makeup Department | |||
| Nikki Brannan | .... | makeup designer | |
Production Management | |||
| Karen McConnel | .... | production manager | |
Art Department | |||
| Andy Drummond | .... | art department assistant | |
| Vivien Mackay | .... | assistant art director | |
| Jamie MacWilliam | .... | art department assistant | |
| Tim Munro | .... | art department assistant | |
Sound Department | |||
| Kenny Allan | .... | boom operator | |
| Stuart Bruce | .... | sound recordist | |
Camera and Electrical Department | |||
| Lucien Grieve | .... | grip | |
| Ian Jackson | .... | gaffer | |
| Henrietta Larkin | .... | clapper loader | |
| Drew Mansell | .... | electrician | |
| David Taylor | .... | electrician (as Dave Taylor) | |
| Scott Ward | .... | focus puller | |
Other crew | |||
| Margaret Graham | .... | continuity | |
| Leigh Hurst | .... | production assistant | |
| Joan Johnston | .... | production assistant | |
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| Ratcatcher | Lion's Mouth | The Man Who Held His Breath | Burn Your Phone | Space Invaders |
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| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb UK section | Add this title to MyMovies |
Gasman is a proper short film - little plot, none of it told explicitly, but a larger story going on around the camera. Like most of Lynne Ramsey's stuff (Ratcatcher being the best and most enjoyable example, because it isn't a short)it feels like and probably is 1970s/80s East-end Glasgow, the struggling classes and a fairly grim outlook, but you see the little sparks of interest in real lives, and being a small story told very much from a child's point of view, it's much more hopeful, interesting and happy than it could have been. The characters, so few, and so little seen in the short still have immense believability and completeness. Most people will find this dull, but if you're the kind of person who knows how to get hold of a copy, you're probably the type of person who'd enjoy it. Arty, but not impenetrable, simple but thought-provoking.