| Videos |
| Nicole de Boer | ... | Leaven | |
| Nicky Guadagni | ... | Holloway | |
| David Hewlett | ... | Worth | |
| Andrew Miller | ... | Kazan | |
| Julian Richings | ... | Alderson | |
| Wayne Robson | ... | Rennes | |
| Maurice Dean Wint | ... | Quentin |
Directed by | |||
| Vincenzo Natali | |||
Writing credits | ||
| André Bijelic | (written by) (as Andre Bijelic) & | |
| Vincenzo Natali | (written by) and | |
| Graeme Manson | (written by) | |
Produced by | |||
| Colin Brunton | .... | executive producer | |
| Mehra Meh | .... | producer | |
| Betty Orr | .... | producer | |
Original Music by | |||
| Mark Korven | |||
Cinematography by | |||
| Derek Rogers | |||
Film Editing by | |||
| John Sanders | |||
Production Design by | |||
| Jasna Stefanovic | |||
Art Direction by | |||
| Diana Magnus | |||
Costume Design by | |||
| Wendy May Moore | |||
Makeup Department | |||
| Susann Greenwood | .... | hair stylist | |
| Susann Greenwood | .... | makeup artist | |
| Louise Mackintosh | .... | hair designer | |
| Louise Mackintosh | .... | makeup designer | |
| Cheryl Ross | .... | hair consultant | |
| Patty White | .... | additional hair stylist | |
| Patty White | .... | additional makeup artist | |
Production Management | |||
| William Phillips | .... | post-production supervisor | |
| Norah Wakula | .... | production manager | |
Art Department | |||
| Gene Alexander | .... | property master | |
| Peter Atto | .... | art department assistant | |
| Luke Ballon | .... | daily carpenter | |
| John Cameron | .... | daily carpenter | |
| Bob Ceh | .... | scenic artist | |
| Mario D'Amaral | .... | art department assistant | |
| Darren Doyle | .... | art department assistant | |
| Mike Fearnall | .... | daily carpenter | |
| Brian Fowler | .... | head carpenter | |
| Lino Frutti | .... | daily carpenter | |
| Rod James | .... | daily carpenter | |
| Brian Jones | .... | daily carpenter | |
| Marty Kay | .... | daily carpenter | |
| Dana Kearns | .... | on-set props | |
| Jane Kim | .... | art department assistant | |
| Cheryl Ladrillo | .... | scenic artist | |
| Allan MacIssac | .... | daily carpenter | |
| Joe Madziak | .... | construction head (as Joe Madziuk) | |
| Raoul Martinez | .... | daily carpenter | |
| Anastasia Masaro | .... | assistant art director | |
| Evelyn Mitsou | .... | on-set props | |
| Sue Motahedin | .... | art department assistant | |
| Mark Newman | .... | art department assistant | |
| Jesse O'Connor | .... | daily carpenter | |
| Hubert Peddle | .... | first assistant carpenter | |
| John Rice | .... | daily carpenter | |
| Grant Rowland | .... | daily carpenter | |
| Andrew Rucklidge | .... | assistant art director | |
| Greg Sigurdson | .... | assistant art director | |
| Cathy Smith | .... | daily carpenter | |
| Doug Stensrud | .... | daily carpenter | |
| Susan Tanton | .... | scenic artist (as Susan E. Tanton) | |
| Stephen Willetts | .... | scenic artist (as Steve Willetts) | |
| Jamie Williamson | .... | art department assistant | |
Special Effects by | |||
| Russell Cate | .... | special makeup & physical effects: Caligari | |
| Louise Mackintosh | .... | special makeup & physical effects: Caligari | |
| Raymond Mackintosh | .... | special makeup & physical effects: Caligari (as Ray Mackintosh) | |
Visual Effects by | |||
| Lisa Bechard | .... | digital effects producer: C.O.R.E. | |
| Derek Grime | .... | digital artist: C.O.R.E. | |
| John Mariella | .... | digital effects director | |
| Moris Molino | .... | digital artist: C.O.R.E. | |
| Bob Munroe | .... | digital effects director | |
| Emily Roach | .... | digital animator: C.O.R.E. | |
| Costa Roussakis | .... | digital systems guy: C.O.R.E. | |
| Stephen Segal | .... | digital effects producer: C.O.R.E. | |
| Ralph Sevazlian | .... | digital artist: C.O.R.E. | |
| Brian A. Smeets | .... | digital artist: C.O.R.E. | |
| Claude Theriault | .... | digital paint artist: C.O.R.E. | |
| Yves Therrien | .... | digital animator: C.O.R.E. | |
| Tracey Vaz | .... | digital paint artist: C.O.R.E. | |
| David Willows | .... | digital artist: C.O.R.E. | |
| Dennis Berardi | .... | digital film technician (uncredited) | |
| Jamie Hallett | .... | optical cameraman (uncredited) | |
Stunts | |||
| Regan Moore | .... | stunt double | |
| Regan Moore | .... | stunt rigger | |
| John Stoneham Jr. | .... | stunt coordinator | |
| Rebecca Stoneham | .... | stunt double (as Rebecca Moore) | |
Casting Department | |||
| Deirdre Bowen | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Tamara Rigby-Funke | .... | wardrobe mistress | |
| Madelaine Vieira | .... | wardrobe graphic designer | |
Editorial Department | |||
| Davina A. Bailey | .... | apprentice editor | |
| Elizabeth E. Bailey | .... | apprentice editor | |
| Jason PJ Deschamps | .... | apprentice editor | |
| Debbie Holland | .... | video colorist | |
| Chuck Kahn | .... | apprentice editor | |
| Frank Leone | .... | color timer | |
| Rob MacKinnon | .... | first assistant editor | |
| Mark Stokes | .... | second assistant editor | |
| Geoff Tunnard | .... | first assistant editor | |
| Wiebke von Carolsfeld | .... | associate editor | |
| Steve Weslak | .... | consulting film editor | |
| Catherine Rankin | .... | negative cutter (uncredited) | |
| Joanne Rourke | .... | colorist (uncredited) | |
Other crew | |||
| Dennis Angel | .... | title search and clearance: Joan Pearce Research Association | |
| Monica Babic | .... | mechanical effects: JJamb | |
| Doug Barrett | .... | lawyer: McMillan Binch | |
| Lisa Burling | .... | script supervisor | |
| Diana Cafazzo | .... | lawyer: McMillan Binch | |
| Linda Darras | .... | production secretary | |
| Ion Dumitrescu | .... | mechanical effects: JJamb | |
| Hugh Graham | .... | story editor | |
| Michelle Howes | .... | nurse | |
| John Jackson | .... | mechanical effects: JJamb | |
| Lisa Jackson | .... | on-set craft | |
| Patricia Joyes | .... | daily script supervisor (as Pat Joyes) | |
| Rob Kingston | .... | unit publicist | |
| Deborah Kiss | .... | production coordinator | |
| Kim Kurchinsky | .... | nurse | |
| Samuel Lee | .... | location production assistant | |
| James C. Novak | .... | business affairs: The Feature Film Project | |
| Jae Pak | .... | location production assistant | |
| William Phillips | .... | second unit supervisor | |
| William Phillips | .... | the door doctor | |
| David W. Pravica | .... | math consultant | |
| Nick Seary | .... | production accountant | |
| Becky Slocombe | .... | video sync transfers | |
| Mari Vepsalainer | .... | on-set craft | |
| Patty White | .... | key nurse on set | |
| Justine Whyte | .... | project manager: The Feature Film Project | |
| Liz Wolfe | .... | production assistant: second unit | |
| Kevin Chassie | .... | craft service (uncredited) | |
Thanks | |||
| Kelley Alexander | .... | thanks | |
| Melissa Amer | .... | thanks | |
| Shahin Assayesh | .... | thanks | |
| Dennis Berardi | .... | thanks | |
| Thomas Berner | .... | thanks (as Tom Berner) | |
| Bob Bonnell | .... | thanks | |
| Fred Brennan | .... | thanks | |
| Frank C. Carere | .... | thanks (as Frank Carere) | |
| Robin Cass | .... | thanks | |
| Semi Chellas | .... | thanks | |
| Milan Cheylov | .... | thanks | |
| Lorraine Clark | .... | thanks | |
| Wayne Clarkson | .... | thanks | |
| Carol Clusiau | .... | thanks | |
| Judi Cooper-Sealy | .... | thanks (as Judy Cooper Sealy) | |
| Kevin Crothers | .... | thanks | |
| Dr. Imre G. Csizmadia | .... | thanks | |
| Brock Davis | .... | thanks | |
| Lisa deWilde | .... | thanks | |
| Jenna Donohue-Bourdeau | .... | thanks | |
| Kathryn Emsue | .... | thanks | |
| Ron Estey | .... | thanks | |
| Alison Evans | .... | thanks | |
| John Fawcett | .... | thanks | |
| Karen Lee Hall | .... | thanks | |
| Steven Hoban | .... | thanks | |
| Lillian Hodge | .... | thanks | |
| Kim Hogan | .... | thanks | |
| Moira Holmes | .... | thanks | |
| Judy Holm | .... | thanks | |
| Jill Hopkins | .... | thanks | |
| Prof. Robert C. Jackson | .... | thanks | |
| Christina Jennings | .... | thanks | |
| Norman Jewison | .... | thanks | |
| Walter Klassen | .... | thanks | |
| Greg Klymkiw | .... | thanks | |
| Katherine Kossuth | .... | thanks | |
| Randy 'Shaky Boy' Koufalis | .... | thanks | |
| Lori Lansens | .... | thanks | |
| Steve Lucas | .... | thanks (as Steven Lucas) | |
| Allan Magee | .... | thanks (as Al Magee) | |
| Dezsö Magyar | .... | thanks (as Dezso Magyar) | |
| Negar Mahdavian | .... | thanks | |
| Julian Marks | .... | thanks | |
| Anita Mazic | .... | thanks | |
| Nasser Meh | .... | thanks | |
| Reza Meh | .... | thanks | |
| Jim Murphy | .... | thanks | |
| Andrei Natali | .... | thanks | |
| Enrico Natali | .... | thanks | |
| Francesca Natali | .... | thanks | |
| Gale Natali | .... | thanks | |
| Marica Natali | .... | thanks | |
| Nadia Natali | .... | thanks | |
| Peter O'Brien | .... | thanks | |
| Rose Orr | .... | thanks | |
| Jeremy Podeswa | .... | thanks | |
| Stephen Price | .... | thanks | |
| David Ransley | .... | thanks | |
| Ronald Sanders | .... | thanks (as Ron Sanders) | |
| Regine Schmid | .... | thanks | |
| Rachel Sutherland | .... | thanks | |
| Karen Walton | .... | thanks | |
| Elizabeth Yake | .... | thanks | |
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If you were to think about what situation would terrify you the most, Cube would be the ultimate challenge. In a way, it is a predecessor to TV's "Survivor" in which the people each have a skill that can help them survive and possibly get them out. It all comes down to human emotions and confrontations that get in the way of progress. It's a talky film, but that's the point-- figuring situations and dealing with different personalities is inevitable to any group. The solving of problems becomes very complex, but the viewer doesn't have to worry...let the characters figure it out as we go along for the ride. While so many sci-fi films want to wow you with effects, this film does something more challenging--it makes you think. With its limited budget and digital effects in use even before Titanic glorified them, Cube still proves itself as one of the more original and intelligent sci-fi films of the last decade, with a cult status already going strong. It is truly a nail-biter.