Massage Parlor Wife (1975)

Director:

Barry J. Spinello

Writer:

Barry J. Spinello (written by)

Genre:

Comedy

Tagline:

We'll move our tails for you

Plot Keywords:

Dream Sequence | Housewife | Sex | Male Full Frontal Nudity | Dominatrix

Cast

Serena	...	Melanie Rogers (as Jen Gillian)
Steve Rogers	...	Tom Rogers
Brandy Saunders	...	Ethel Porsche
Susan Snow
Martha Del Rio
Yvonne Delacroix
Solly Stoner
Hurst Vincent
rest of cast listed alphabetically:
David Book	...	Second Massage Client (uncredited)
Tyler Reynolds	...	Mr. Edwards (uncredited)

Directed by
Barry J. Spinello		(as Barry Spinello)

Writing credits
Barry J. Spinello		(written by) (as Barry Spinello)

Produced by
Barry J. Spinello	....	producer (as Barry Spinello)
Harry H. Novak	....	executive producer (uncredited)

Set Decoration by
Bruce Wetmore

Production Management
Carol Wikarska	....	production manager

Sound Department
Bill Gazzeri	....	assistant sound
Stephen Stept	....	sound (as Steven Stept)

Camera and Electrical Department
Ken Blakey	....	camera operator (as Kenny Blakey)
Steve Hoge	....	best boy
Joy Miracle	....	assistant camera

Other crew
Bonnie Walker	....	caterer

Production Companies

• Boxoffice International Pictures (BIP)

Distributors

• Boxoffice International Pictures (BIP)
• Cinépix Film Properties (CFP) (1976) (Canada)
• Something Weird Video (SWV) (video)

Also Known As:

"Massage Parlour Wife" - Australia
"Pleasure Parlor Wives" - USA (bowdlerized title)

Runtime:

81 min

Country:

USA

Language:

English

Color:

Color

Sound Mix:

Mono

Company:

Boxoffice International Pictures (BIP)

Movie Connections:

References Paths of Glory (1957)

Entertaining softcore porn that pushes the envelope

When Maxim magazine debuted in America, I couldn't understand how such a soft-soft format, namely a men's magazine without nudity, could compete. But its tremendous success proved me wrong, and so too does MASSAGE PARLOR WIFE, a well-made softcore porn film competing well after hardcore porn had taken over the marketplace.

The answer is obviously quality; just as Maxim delivered an entertaining package for the younger demographic of the male audience, who weren't impressed with the explicitness of a Penthouse or a Hustler offering, MPW is stimulating adult entertainment without the explicitness (and boredom) of XXX content. I enjoyed this film at the drive-in during the '70s and it holds up extremely well on DVD-R from Something Weird.

Serena, in probably her first starring role, is the title character Melanie Rogers, who defies her husband and decides to go to work, getting a job in a massage parlor. Film makes hay with the comic antics of her interactions with the customers there, while remaining highly erotic -achieving a good balance.

Key subplot is her husband's worker at his gas station, the lovely Brandy Saunders, having the hots for her boss. She challenges him to have sex with her if in fact she can prove that wife Melanie is cheating on him, leading to a hilarious and still-novel scene of him catching Melanie in flagrante delecto.

What makes this film so unusual is that it skirts the line separating softcore from hardcore cinema, at a time (1975) when the two were quite distinct forms, from an exhibition and distribution point-of-view. At the massage parlor we are shown hand jobs, there is a suggestion of actual sex scenes (fellatio) but always out of camera range, but the coup de grace occurs in the fateful "ah-hah!" scene.

Steve Rogers bursts into the room from his hiding place to confront Serena and not only does he dramatically display an erect penis, but it is bobbing and dripping (semen?) in the frame. This most unusual shot is quite a shocker, especially in a softcore film, and puts MSW in a category all its own.

Filmmaker Barry Spinello directs his cast with great skill and the film's production values, particularly in an elaborate dream sequence are quite good, considering the Harry Novak budget level. I wonder if he had a legit film career based on the talent demonstrated here -in IMDb his only other credit is a very serious Oscar-nominated short documentary.