| Sten Ljunggren | ... | Birger Andersson | |
| Cecilia Frode | ... | Mahapadu | |
| Erich Hörtnagl | ... | Ernst | |
| Sara Ragnarsson | ... | Girl on the bus | |
| Graizyna Göransson | ... | Woman | |
| Stig Gustavsson | ... | Worker at Volvo | |
| Ahmet Berisha | |||
| Anna Greta Ahrenberg | |||
| Johanne Brochmann | |||
| Sture Eklund | |||
| Fredrik Fornänger | |||
| Andreas Grönqvist | |||
| Yvonne Hellgren | |||
| Sanna Jordansson | |||
| Rebecca Mjölnevik | |||
| Ari Mustonen | |||
| Emma Kristina Sahlén | |||
| Johnny Nylund | |||
| Christer Renberg | |||
| Emma Solberg | |||
| Robert Kyabalema |
Directed by | |||
| Lukas Moodysson | |||
Writing credits(in alphabetical order) | ||
| Lukas Moodysson | writer | |
Produced by | |||
| Lars Jönsson | .... | producer | |
Cinematography by | |||
| Ulf Brantås | |||
Film Editing by | |||
| Michal Leszczylowski | |||
Production Design by | |||
| Kia Nordqvist | |||
Costume Design by | |||
| Kia Nordqvist | |||
Production Management | |||
| Anna Anthony | .... | post-production manager | |
| Erich Hörtnagl | .... | production manager | |
Art Department | |||
| Peter Boccard | .... | assistant production designer | |
| Catarina Schiffer | .... | props | |
Sound Department | |||
| Steen K. Andersen | .... | sound engineer | |
| Jens Bønding | .... | sound mixer | |
Stunts | |||
| Lars Lundgren | .... | stunt coordinator | |
| Martin Zetterlund | .... | stunt instructor | |
Camera and Electrical Department | |||
| Peter Boccard | .... | assistant electrician | |
| Bengt Grewin | .... | electrician | |
| Joakim Jalin | .... | assistant camera (as Joakim Johansson) | |
| Ola Kjelbye | .... | still photographer | |
| Börje Sundberg | .... | lighting technician | |
Editorial Department | |||
| Marianne Andersson | .... | negative editor | |
| Mia Eriksson | .... | assistant editor | |
Other crew | |||
| Jessica Cederholm | .... | mask | |
| Malte Forsell | .... | budget coordinator | |
| Annika Hellström | .... | continuity clerk | |
| Erich Hörtnagl | .... | location manager | |
| Madeléine Jacktéus | .... | economist | |
| Janne Lundkvist | .... | title designer | |
| Anna Malini Ahlberg | .... | production assistant | |
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| Fucking Åmål | A Clean, Well-Lighted Place | Lilja 4-ever | The Station Agent | Sexy Beast |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Sweden section | Add this title to MyMovies |
Birger works at Volvo and tries to talk to people as he gets the bus to work. However he doesn't work at Volvo anymore as he has retired but has nothing to do but hang around. His loneliness is very hard for him and he is grateful when a knock on the door brings a girl preaching about Hare Krishna to his home. He invites her in but his desire for even a conversation is intimidating to her.
The title of this film in English is 'Talk' and it sums up the content pretty well even if the film goes further than it should have done. In essence the film is quite moving and very real as we see Birger struggling to find anyone who will spend time with him. At my job we have a similar guy who retired years ago but continues to hang around even though many just feel sorry for him this film has a similar guy in the lead. He tries to talk on the bus and, even in the early scene before we know much about him, he seems lonely and desperate. The film extends this idea well but, in the last few minutes it goes somewhere that I didn't expect and didn't fit with the tangible reality that I felt it had built up till that point.
This is a complaint but it is not one that takes away what it had done in the 10 minutes or so up till this point. The character of Birger is well written but succeeds because of very good delivery from Ljunggren. His natural and pained performance is spot on and he is the cornerstone of the film. Frode is annoying and the film doesn't treat her very well but it's easy not to really notice her part in the end of the film as Ljunggren is pretty dominant.
Overall this is a great little film that blows it a bit at the end by losing touch with the reality that it had set up so well but this is not enough to make this a bad short film, just a lesser one than it should have been. But the material, the direction and Birger makes it well worth seeing.