| Juanjo Puigcorbé | ... | Javier | |
| Lydia Bosch | ... | María Ramos | |
| Béatrice Dalle | ... | Elena | |
| Bud Spencer | ... | Elorza | |
| Mabel Lozano | ... | Candela | |
| José Manuel Lorenzo | ... | Vadillo | |
| Rafael Romero Marchent | ... | Judge 2 | |
| Manuel Gil | ... | The judge's secretary | |
| Etienne Draber | ... | Roberto | |
| Pilar Barrera | ... | Radio DJ | |
| Rosanna Yanni | ... | Rosario | |
| Patricia Pérez | ... | Victim | |
| Antonio Del Olmo | ... | Lawyer | |
| Alberto Cuadrado | ... | Coroner | |
| Rosanna Walls | ... | Puta Amiga | |
| Concha Rosales | |||
| Mercedes Montoliu | |||
| Enrique Escudero | |||
| Enrique Martínez | |||
| Izaskun Martínez | |||
| Antonio Castro | |||
| Federico Vergne | |||
| Charo Niso | |||
| Luchi López | |||
| Alicia Ramírez | |||
| Carmen Pardo | |||
| Maite Pastor | |||
| Álvaro Gómez | |||
| Bernardino Pérez Fitz | |||
| Agustín Sánchez | |||
| Fernando Ustarroz | |||
| Javier Lago | |||
| Paco Hernández | |||
| José Ángel de Juanes | |||
| José Fernández | |||
| rest of cast listed alphabetically: | |||
| Natalia Dicenta | ... | Elena (voice: Spanish version) | |
Directed by | |||
| Eduardo Campoy | |||
Writing credits(in alphabetical order) | ||
| Agustín Díaz Yanes | writer | |
| Luis Marías | writer | |
| Carlos Pérez Merinero | writer | |
Produced by | |||
| Eduardo Campoy | .... | producer | |
| Enrique Cerezo | .... | producer | |
Original Music by | |||
| Mario de Benito | |||
Cinematography by | |||
| Armand Marco | |||
Film Editing by | |||
| Luis Manuel del Valle | |||
Casting by | |||
| Pape Pérez | |||
Production Design by | |||
| Javier Fernández | |||
Set Decoration by | |||
| Marta Agulló | |||
Costume Design by | |||
| Alfonso Salcedo | |||
Makeup Department | |||
| Ana Honrubia | .... | makeup artist | |
Production Management | |||
| Rodrigo Fernández | .... | production manager | |
| Mikel Nieto | .... | production director | |
| Julio de la Plaza | .... | assistant production manager | |
| Pilar Roela | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Eusebio Graciani | .... | first assistant director | |
| Ángel Lafuente | .... | second assistant director | |
| Freddy Perez | .... | assistant director trainee | |
| Jean Philippe Wilbons | .... | assistant director trainee | |
Art Department | |||
| Antonio Alarcón | .... | props | |
| Federico del Cerro | .... | props | |
| Vázquez Hermanos | .... | property master | |
| Laura López | .... | props | |
| Leandro Muslera | .... | property master | |
| Juan Antonio Torrijos | .... | props | |
Sound Department | |||
| Vianney Aube | .... | sound editor | |
| Vianney Aube | .... | sound effects editor | |
| Carlos Bonmatí | .... | boom operator | |
| Luis Castro | .... | sound effects | |
| Frank Gonzalez | .... | sound editor trainee | |
| Gilles Ortion | .... | sound editor | |
Special Effects by | |||
| Ana Leiva | .... | assistant production special effects | |
| Antonio Molina | .... | special effects | |
| Juan Ramón Molina | .... | special effects | |
| Alfonso Nieto | .... | special effects | |
| Alberto Nombela Núñez | .... | special effects | |
Camera and Electrical Department | |||
| Javier Aguado | .... | electrician | |
| José Ramón Delgado | .... | assistant camera | |
| Sonia Eguren | .... | assistant camera | |
| Philippe Elusse | .... | assistant camera | |
| Manolo García | .... | assistant camera | |
| José Antonio García Merelo | .... | electrician (as José A. García Merelo) | |
| Carlos López | .... | electrician | |
| Manuel Luque Quero | .... | grip (as Manuel Luque) | |
| Joaquín Manchado | .... | camera operator | |
| Ramón Muñoz Bravo | .... | key grip | |
| Miguel Ángel Muñoz | .... | assistant camera | |
| Domingo Pereira | .... | grip | |
| Ricardo Rodríguez | .... | electrician | |
| Martín Sacristán | .... | electrician | |
| José Luis Santalla | .... | still photographer | |
Costume and Wardrobe Department | |||
| Humberto Cornejo | .... | wardrobe | |
| Alfonso Salcedo | .... | wardrobe | |
Editorial Department | |||
| José Ares | .... | assistant editor | |
Music Department | |||
| José Fernández | .... | musical engineer | |
| José Manuel Morell | .... | musical engineer | |
| Eduardo Pinilla | .... | musician: guitar solo | |
Transportation Department | |||
| Juan Manuel Aranda | .... | driver | |
| Pepe Bouzas | .... | driver | |
| Juan Embiz | .... | driver | |
| Eusebio Galindo | .... | driver | |
| Mariano Gutiérrez | .... | driver | |
| Hermínio Pablos | .... | driver | |
| Manuel Palos | .... | driver | |
| Alejandro Pavón | .... | driver | |
| Miguel Velasco | .... | driver | |
| Bernardino Villanueva | .... | driver | |
Other crew | |||
| Carmen Aguirre | .... | title designer | |
| Humberto José Almonte | .... | production assistant | |
| Chus Bures | .... | jewellery | |
| Sergio Díaz | .... | production assistant | |
| Rafa Fernández | .... | unit publicist | |
| Hans García | .... | production assistant | |
| Rafael Hostelería | .... | caterer | |
| Alfonso Jadraque | .... | location manager | |
| Gonzalo Liras | .... | advisor | |
| César López | .... | technical advisor | |
| Juan Carlos Lozano | .... | advisor | |
| Carlos Machi | .... | security officer | |
| Javier Mampaso | .... | general manager | |
| Mayte Mendiri | .... | production secretary | |
| María José Muslera | .... | production accountant | |
| Pilar Pérez | .... | production assistant | |
| Elvira M. Sales | .... | script supervisor | |
| Manuel Soria | .... | administrator | |
| Nicolás Tapia | .... | production assistant | |
Thanks | |||
| Mila Bentabol | .... | special thanks | |
| Ramón Lillo | .... | special thanks | |
| María José Navarro | .... | special thanks | |
| Nano de la Peña | .... | special thanks | |
| Antonio Pernas | .... | special thanks | |
| Pilar Ruiz | .... | special thanks | |
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| Demasiado corazón | A solas contigo | Barbacoa sangrienta | El espinazo del diablo | El día de la bestia |
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| Full cast and crew | Company credits | IMDb Horror section |
| IMDb Spain section | Add this title to MyMovies |
Cine noir in the purest style with nothing innovative in either the story or how it is played out on the screen. Apart from being filmed in Madrid and mostly at night, there is no way of differentiating this film from any other product made in the USA. The story is as unoriginal as a stale pizza. During a late night radio programme with telephone call-ins, a sinister type announces he is about to kill a girl. Through more telephone calls leaving `clues' as to what he is going to do next, the film slithers murkily to its predictable end. It has no clout. It is rather like so many other regurgitated cinema or made for TV productions of this ilk.
Lydia Bosch hammers out her dialogues in flat toneless onslaughts and sounds as false as a $33 bill; Beatrice Dalle is somewhat better as she struggles with her tones of urgency so as to lend some kind of character and personality to the proceedings; Juanjo Puigcorbé seems so stereotyped as to not be real, and the appearance of Bud Spencer did nothing to enhance any of the other three main actors, mostly because none of them were cast for this film but miscast for this film. However, if you are a glutton for these kinds of thrillers, you will bear with it and not get very excited about anything; even the music will leave you wondering what it was trying to do.
No, if you want to see a really good Spanish thriller I suggest you try `99.9' (qv) which is far superior in all aspects.