| Christine Boisson | ... | Cora | |
| André Dussollier | ... | Bony | |
| Gérard Lanvin | ... | Léo | |
| Jean-Pierre Sentier | ... | Charles | |
| Marie Keime | ... | La femme | |
| Elisabeth Margoni | ... | Véronique | |
| Lydie Pruvot | ... | La fille du club de Jazz | |
| Henri-Jacques Huet | ... | Un musicien | |
| rest of cast listed alphabetically: | |||
| Christian Delauneux | |||
| Roland Dufau | |||
| Jean-Francis Gondre | ... | Le premier client (as Jean-François Gondre) | |
| Christian Lete | ... | Un musicien | |
| Didier Levallet | ... | Un musicien | |
| Sylvie Pinel | ... | Le faux témoin | |
| Jean Querlier | ... | Un musicien | |
| Ivan Todorovic | |||
Directed by | |||
| Jacques Bral | |||
Writing credits(in alphabetical order) | ||
| Jacques Bral | dialogue | |
| Jacques Bral | screenplay | |
| Noël Burch | idea | |
| Jean-Paul Leca | dialogue | |
| Julien Lévi | dialogue | |
Original Music by | |||
| Karl-Heinz Schäfer | |||
Cinematography by | |||
| Pierre-William Glenn | |||
Film Editing by | |||
| Jacques Bral | |||
| Anna Ruiz | |||
Makeup Department | |||
| Monique Granier | .... | makeup artist | |
Production Management | |||
| Patrick Delauneux | .... | production manager | |
Second Unit Director or Assistant Director | |||
| François Crozade | .... | assistant director | |
| Fabienne Faudot-Bel | .... | assistant director | |
| Yves-Noël François | .... | assistant director | |
Sound Department | |||
| Anne Boissel | .... | sound editor | |
| Dirk Bombey | .... | second boom operator | |
| Antoine Bonfanti | .... | sound | |
| Laure Budin | .... | assistant sound editor | |
| Denis Carquin | .... | sound assistant | |
| Dominique Hennequin | .... | sound mixer | |
| Bruno Lecoeur | .... | assistant sound | |
| Dominique Levert | .... | sound assistant | |
| Noun Serra | .... | sound editor | |
Camera and Electrical Department | |||
| Albert Bonomi | .... | key grip | |
| Marc Casi | .... | grip | |
| Jean-Francis Gondre | .... | camera operator | |
| Pascal Lebègue | .... | assistant camera | |
| Rene Rochera | .... | gaffer (as René Rochera) | |
| Jean-Claude Vicquery | .... | assistant camera | |
Editorial Department | |||
| Anne Boissel | .... | assistant editor | |
Other crew | |||
| Pauline Montel | .... | administrator | |
| Yvette Prayer | .... | administrator | |
Thanks | |||
| Edith Cottrell | .... | thanks | |
| Monita Derrieux | .... | thanks | |
| Pierre Edelman | .... | thanks | |
| Nicole Flipo | .... | thanks | |
| Charly Koubesserian | .... | thanks | |
| Pierre Roitfeld | .... | thanks | |
| Serge Rousseau | .... | thanks | |
|
|
|
|
|
| La science des rêves | 2 Days in Paris | CQ | Balzac | New York, I Love You |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section |
*** This review may contain spoilers ***
Leo, a Parisian jazz musician, has reached an impasse. Having no money, he decides to shack up with his friend Bony, who is not exactly in a position to give much help to anyone, especially since he has problems making ends meet as a struggling writer. Whether taking pity on Leo, or just being decent about it, he had no idea what awaits him when his friends decides to stay with him.
One night, Leo comes out of a bistro where he had been drinking, and finds an empty cab right outside. He decides to get in, even though he has no money for the fare. To his amazement, the driver is a stunning looking woman who takes him to his destination. Since Leo has told her he is broke, she finds another way in which to get paid, even if it comes as it does, in a sex session that will seal what will become an affair that will change both of them. Cora, unknown to Leo has a secret agenda to get what she really wants.
Jacques Bral, the creator of this moody 1980 French film, gives us an essay about three souls at a difficult point in their lives. It is a film that wants to show a style where the mood is more important than a credible situation. Working with three young stars at a good moment of their careers, Jacques Bral takes us for a night tour of Paris with its dark streets and some out of the way places where the trio dwells. This film trades style for substance.
Gerard Lanvin appears as Leo, the morose musician at a crossroads of his young life. Lovely Christine Boisson makes an impression with her Cora. A young and lean Andre Dussollier plays Bony, the friend that takes Leo into his apartment and his life is changed dramatically. Pierre-William Glenn's photographs Paris at night, enhancing the atmosphere Mr. Bral wanted to create. Karl-Heinz Shafer's jazzy score works well in the film.