| Photos (see all 114 | slideshow) | Videos (see all 11) |
Directed by | |||
| Andy Wachowski | (as The Wachowski Brothers) | ||
| Larry Wachowski | (as The Wachowski Brothers) | ||
Writing credits(WGA) | ||
| Andy Wachowski | (written by) (as The Wachowski Brothers) & | |
| Larry Wachowski | (written by) (as The Wachowski Brothers) | |
Original Music by | |||
| Don Davis | |||
Cinematography by | |||
| Bill Pope | (director of photography) | ||
Film Editing by | |||
| Zach Staenberg | |||
Casting by | |||
| Mali Finn | |||
| Shauna Wolifson | |||
Production Design by | |||
| Owen Paterson | |||
Art Direction by | |||
| Hugh Bateup | |||
| Michelle McGahey | |||
Set Decoration by | |||
| Lisa Brennan | (as Lisa 'Blitz' Brennan) | ||
| Tim Ferrier | |||
| Marta McElroy | |||
Costume Design by | |||
| Kym Barrett | |||
Makeup Department | |||
| Rick Connelly | .... | makeup special effects artist | |
| Kathy Courtney | .... | makeup artist: second unit | |
| Nikki Gooley | .... | key makeup artist | |
| Sherry Hubbard | .... | assistant makeup artist | |
| Bob McCarron | .... | special makeup effects designer and creator | |
| Wendy Sainsbury | .... | senior makeup special effects artist | |
| Sonja Smuk | .... | makeup special effects artist | |
| Deborah Taylor | .... | makeup artist: Mr. Fishburne | |
| Elka Wardega | .... | makeup special effects artist | |
| Cheryl Williams | .... | hair stylist | |
| Simon Zanker | .... | assistant hair stylist | |
| Kerrin Jackson | .... | additional makeup artist (uncredited) | |
| Nadine Wilkie | .... | additional hair stylist (uncredited) | |
| Nadine Wilkie | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Dick Beckett | .... | assistant unit manager: second unit | |
| Carol Hughes | .... | unit production manager | |
| Grayden Le Breton | .... | assistant unit manager | |
| Simon Lucas | .... | unit manager: second unit | |
| Will Matthews | .... | unit manager | |
| Bill Draper | .... | executive in charge of production (uncredited) | |
Visual Effects by | |||
| Jeff Allen | .... | 2D painter/roto: Manex Visual Effects | |
| Charlie Armstrong | .... | compositor: Animal Logic | |
| Al Arthur | .... | effects animator: Manex Visual Effects | |
| Gil Baron | .... | technical supervisor: Manex Visual Effects | |
| Jeremy Beadell | .... | digital line producer: Manex Visual Effects | |
| Roy Berkowitz | .... | editor: Manex Visual Effects | |
| Maureen Blume | .... | production aide: Manex Visual Effects | |
| George Borshukov | .... | technical supervisor: research and development, Bullet Time | |
| John Breslin | .... | Inferno artist: Animal Logic | |
| Steve Burg | .... | conceptual artist: Manex Visual Effects | |
| Mark Burns | .... | systems support: Manex Visual Effects | |
| Allen Cappuccilli | .... | assistant visual effects editor | |
| Elizabeth Carlon | .... | rotoscope artist: DFilm Services | |
| Lynne Cartwright | .... | visual effects supervisor: Animal Logic | |
| Robin Cave | .... | Inferno artist: Animal Logic | |
| Daniele Colajacomo | .... | CGI lead animator: DFilm Services | |
| J.D. Cowles | .... | compositor: Bullet Time | |
| Tim Crosbie | .... | digital composite supervisor: DFilm Services | |
| Kate Crossley | .... | visual effects editor | |
| Charles Darby | .... | matte painting: Manex Visual Effects | |
| Art David | .... | 2D animator: Bullet Time | |
| Tom Davies | .... | miniatures and model supervisor | |
| Steve Demers | .... | lead shader writer: Manex Visual Effects | |
| Peter Doyle | .... | executive producer: DFilm Services | |
| David Dulac | .... | CGI artist/colorist: Animal Logic | |
| Grant Everett | .... | compositor: Animal Logic | |
| Matt Farell | .... | character animator: Manex Visual Effects | |
| Matthew Ferro | .... | visual effects producer (as Matt Ferro) | |
| Lindsay Fleay | .... | CGI artist: Animal Logic | |
| Rebecca Fox | .... | production coordinator: DFilm Services | |
| John Gaeta | .... | visual effects supervisor | |
| Diana Giorgiutti | .... | digital effects producer: Manex Visual Effects | |
| Sally Goldberg | .... | computer animation supervisor: DFilm, Sydney | |
| Nico Grey | .... | pre-viz animator: Australia: Manex Visual Effects | |
| Ben Gunsberger | .... | CGI artist: Animal Logic | |
| Laura Hanigan | .... | compositor: Manex Visual Effects | |
| Brent Hartshorn | .... | 3D texture painter: Manex Visual Effects | |
| Naomi Hatchman | .... | I/O supervisor: Animal Logic | |
| Michael Hemschoot | .... | character animator: Manex Visual Effects (as Michael Ffish Hemschoot) | |
| Charles Henrich | .... | systems administrator: Manex Visual Effects | |
| David Hodson | .... | digital compositor: DFilm Services | |
| Rodney Iwashina | .... | digital effects supervisor: Manex Visual Effects | |
| Jay Mark Johnson | .... | 2D/3D paint: Manex Visual Effects (as Jay Johnson) | |
| Krista Jordan | .... | Inferno artist: Animal Logic | |
| Daniel Klem | .... | animator/modeler: Manex Visual Effects | |
| Ivo Kos | .... | lead technical supervisor: Manex Visual Effects | |
| Alisoun F. Lamb | .... | visual effects producer: Manex Visual Effects | |
| Maryanne Lauric | .... | compositor: Animal Logic | |
| John Lee | .... | character animator | |
| Mary Leitz | .... | compositor: Manex Visual Effects | |
| Kim Libreri | .... | technology supervision: Manex Visual Effects | |
| Joseph Littlejohn | .... | technical supervisor: Manex Visual Effects | |
| Sophia S. Longoria | .... | technical supervisor: Manex Visual Effects | |
| Stephen Lunn | .... | digital compositor: DFilm Services | |
| Jane Maguire | .... | editorial supervisor: DFilm Services (as Jane MacGuire) | |
| Anthony Mark Viverito | .... | editor: Manex Visual Effects (as Anthony Mark) | |
| Justen Marshall | .... | programmer: Animal Logic | |
| Justin Martin | .... | CGI animator: DFilm Services | |
| Alaric McAusland | .... | digital effects producer: DFilm Services | |
| Adam McCulloch | .... | screen graphics coordinator | |
| Ian McGuffie | .... | animation supervisor: DFilm Services | |
| Michael McNeill | .... | technical supervisor: Manex Visual Effects | |
| Elizabeth Mercado | .... | assistant visual effects editor | |
| Kirsty Millar | .... | Inferno artist: Animal Logic | |
| Jane Milledge | .... | CGI designer: Animal Logic | |
| Noah Mizrahi | .... | assistant digital coordinator: Manex Visual Effects | |
| Amanda Morrison | .... | compositor/painter: Manex Visual Effects (as Amanda Evans) | |
| Zareh Nalbandian | .... | producer: Animal Logic | |
| Mark Nettleton | .... | digital composite supervisor: DFilm Services | |
| Grant Niesner | .... | CG designer/animator: Manex Visual Effects | |
| John P. Nugent | .... | compositor: Manex Visual Effects | |
| Rob Nunn | .... | pre-viz animator: Bullet Time | |
| Dominic Parker | .... | CGI lead animator: DFilm Services | |
| Devorah Petty | .... | texture painter: Manex Visual Effects | |
| Gerard Benjamin Pierre | .... | character animator: Bullet Time | |
| Jamie Pilgrim | .... | character animator: Manex Visual Effects | |
| Dan Piponi | .... | science officer: Manex Visual Effects | |
| Rudy Poat | .... | lead color & lighting td: Manex Visual Effects | |
| Brion Porter | .... | editor: Manex Visual Effects (as Brian Porter) | |
| Thomas Proctor | .... | compositor: Bullet Time | |
| Andrew Quinn | .... | CGI artist: Animal Logic | |
| Holly Radcliffe | .... | production aide: Australia: Manex Visual Effects | |
| Barnaby Robson | .... | compositor: Manex Visual Effects (as Barney Robson) | |
| Daniel P. Rosen | .... | compositor: Manex Visual Effects | |
| Paul Ryan | .... | technology manager: DFilm Services | |
| John E. Sasaki | .... | compositor: Bullet Time (as John F. Sasaki) | |
| Andrew Schneider | .... | character animator: Manex Visual Effects | |
| Greg Shimp | .... | film recorder: Manex Visual Effects | |
| Lewis Siegel | .... | technical supervisor: Manex Visual Effects | |
| Janek Sirrs | .... | associate visual effects supervisor: Manex Visual Effects | |
| Daniel Sunwoo | .... | CG animator: Bullet Time | |
| Rangi Sutton | .... | CGI animator: DFilm Services | |
| Paul Taglianetti | .... | line producer: Manex Visual Effects | |
| Natacha Tedeschi | .... | editor assistant: DFilm Services | |
| Deborah Thomas | .... | systems support: Manex Visual Effects | |
| Jon Thum | .... | digital effects supervisor: DFilm Services | |
| John Tissavary | .... | technical supervisor: Manex Visual Effects (as John A. Tissavary) | |
| Victor E. Vaile IV | .... | systems support: Manex Visual Effects | |
| Enrique Vila | .... | animator/modeler: Manex Visual Effects | |
| John Volny | .... | technical supervisor: Manex Visual Effects | |
| Mary E. Walter | .... | assistant visual effects editor | |
| Jason Wardle | .... | technical supervisor: Manex Visual Effects | |
| Martin Weaver | .... | systems manager: Manex Visual Effects | |
| Mark H. Weingartner | .... | technical consultant: Bullet Time (as Mark Weingartner) | |
| Sean White | .... | animator/modeler: Manex Visual Effects | |
| Vanessa White | .... | rotoscope artist: DFilm Services | |
| Jeremy Yabrow | .... | software development: Manex Visual Effects | |
| Carol Ashley | .... | compositing supervisor (uncredited) | |
| Warren Beaton | .... | visual effects: Pod Scene (uncredited) | |
| Nicholas Brooks | .... | bullet time designer & developement (uncredited) | |
| Justin Burdine | .... | data/resource manager (uncredited) | |
| Fiona Chilton | .... | visual effects producer: Animal Logic (uncredited) | |
| Fiona Crawford | .... | visual effects coordinator (uncredited) | |
| Kent Estep | .... | bullet time technical director: Manex Visual Effects (uncredited) | |
| Mark Fletcher | .... | visual effects coordinator (uncredited) | |
| Derry Frost | .... | director of production: Amalgamated Pixels, Inc. (uncredited) | |
| Andy Gates | .... | post production assistant (uncredited) | |
| Edwina Hayes | .... | visual effects coordinator (uncredited) | |
| Merrin Jensen | .... | technical coordinator (uncredited) | |
| Karen Jine | .... | visual effects production assistant (uncredited) | |
| Richard Kidd | .... | associate visual effects supervisor (uncredited) | |
| Ken Locsmandi | .... | digital artist (uncredited) | |
| Michele Maples | .... | visual effects bidding producer: Mass Illusions/Manex Entertainment (uncredited) | |
| Brandon McNaughton | .... | digital compositor (uncredited) | |
| Karen M. Murphy | .... | visual effects producer: pre-production, R&D (uncredited) | |
| Jeremy Oddo | .... | digital effects artist: Amalgamated Pixels, Inc. (uncredited) | |
| Rod Park | .... | visual effects executive: MVFX (uncredited) | |
| Declan Quinn | .... | CG animator (uncredited) | |
| Glen Sharah | .... | systems administrator (uncredited) | |
| Mark Shoaf | .... | digital artist (uncredited) | |
| Chris Swinbanks | .... | scanning and recording supervisor (uncredited) | |
| Eric Wilson | .... | visual effects pre-production research & development (uncredited) | |
Animation Department | |||
| Trevor Tighe | .... | animatronic designer | |
Casting Department | |||
| Tim Littleton | .... | extras casting | |
| Maureen Whalen | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Lyn Askew | .... | costume supervisor | |
| Nicole Brown | .... | costumer | |
| Mary Lou Da Roza | .... | costumer | |
| Nick Godlee | .... | costumer | |
| Fiona Holly | .... | costumer | |
| Andrea Hood | .... | costumer | |
| Andrew Infanti | .... | costumer | |
| Jenny Irwin | .... | costumer | |
| Helen Mather | .... | costumer | |
| Fiona Nicolls | .... | wardrobe: second unit (as Fiona Nicholls) | |
| Pauline Walker | .... | costumer | |
| Gloria Bava | .... | tailor (uncredited) | |
| Lois DeArmond | .... | costume illustrator (uncredited) | |
| Michael Wilkinson | .... | costume design assistant (uncredited) | |
Editorial Department | |||
| Catherine Chase | .... | first assistant editor: USA | |
| Tom Costain | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Jenny Hicks | .... | assistant editor (as Jennifer Hicks) | |
| John Lee | .... | assistant editor | |
| David Orr | .... | color timer | |
| Basia Ozerski | .... | assistant editor | |
| Peter Skarratt | .... | first assistant editor | |
| Noelleen Westcombe | .... | first assistant editor: Australia | |
| Bill Daly | .... | post-production executive (uncredited) | |
| Allison Gibbons | .... | apprentice editor (uncredited) | |
Music Department | |||
| Don Davis | .... | conductor | |
| Don Davis | .... | orchestrator | |
| Lori L. Eschler | .... | music editor (as Lori Eschler Frystak) | |
| Zigmund Gron | .... | music editor | |
| Larry Mah | .... | music score mixer | |
| Armin Steiner | .... | score recordist | |
| Jason Bentley | .... | music supervisor (uncredited) | |
| Jordan Corngold | .... | music editor (uncredited) | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
| John Rodd | .... | orchestral scoring recordist (uncredited) | |
Transportation Department | |||
| John Allan | .... | action vehicle coordinator | |
| Tapio Piitulainen | .... | action vehicle coordinator | |
| Mark Brown | .... | driver: production van (uncredited) | |
Other crew | |||
| Nathan Anderson | .... | production aide | |
| Ian I.T. Armstrong | .... | medical advisor (as Dr. Ian I.T. Armstrong M.D.) | |
| Nils Bendix | .... | kung fu team: Hong Kong | |
| Kerry Blakeman | .... | safety officer | |
| John Bowring | .... | key armorer | |
| Mandy Butler | .... | first assistant accountant | |
| Suzanne Celeste | .... | dialect coach | |
| Sergei Chadiloff | .... | 2-D/3-D conceptual designer | |
| Tiger Hu Chen | .... | kung fu team: Hong Kong (as Chen Tiger Hu) | |
| Spike Cherrie | .... | safety officer | |
| Robin Clifton | .... | location manager: second unit | |
| Helen Cox | .... | nurse: second unit | |
| Michele D'Arcey | .... | assistant accountant | |
| Belinda Dean | .... | production aide: second unit | |
| Sassica Donohoo | .... | production aide | |
| Greg Duncombe | .... | picture helicopter pilot: second unit | |
| Marcus Dwyer | .... | production aide | |
| Brian Ellison | .... | safety officer: second unit | |
| Lizzie Eves | .... | production secretary: second unit | |
| John Faithful | .... | caterer: second unit | |
| Kerry Fetzer | .... | caterer | |
| Guy Firth | .... | caterer | |
| Mark Fletcher | .... | staff assistant | |
| Peter Forbes | .... | staff assistant | |
| Katherine Gamble | .... | assistant production coordinator | |
| Annie Gilhooly | .... | assistant: Barrie M. Osborne | |
| Juan Goldsmith | .... | production aide | |
| Martin Grelis | .... | helicopter pilot | |
| Jane Griffin | .... | production coordinator: second unit | |
| Bianca Havas | .... | staff assistant | |
| Marvin Hayes | .... | production aide | |
| Jane Healy | .... | staff assistant | |
| Sandra Hodge | .... | assistant: Mr. Fishburne | |
| Joseph M. Horrigan | .... | medical advisor (as Dr. Joseph M. Horrigan D.C.) | |
| Sam Kai-Sen Huang | .... | kung fu team: Hong Kong (as Huang Sam Kai Sen) | |
| Donna Huddleston | .... | staff assistant | |
| Emma Jacobs | .... | assistant: Andrew Mason | |
| Alistair Jenkins | .... | production accountant: Australia | |
| Jayne Johnson | .... | staff assistant | |
| Melissa Johnston | .... | production aide | |
| Alex Kaufman | .... | production aide | |
| Carol Kim | .... | kung fu coordinator: Hong Kong | |
| Dion Lam | .... | kung fu team: Hong Kong | |
| Fiona Landreth | .... | staff assistant | |
| Peter Lawless | .... | location manager | |
| Chew Tat-Chiu Lee | .... | kung fu team: Hong Kong (as Lee Chew Tat Chiu) | |
| Terry Lee | .... | aerial coordinator: second unit | |
| Lea Lennon | .... | staff assistant | |
| Madye Sing-Hung Leung | .... | kung fu team: Hong Kong (as Leung Madye Sing Hung) | |
| Julie-Anne Lincoln | .... | caterer: second unit | |
| Belinda Lowson | .... | staff assistant | |
| Sami MacKenzie-Kerr | .... | screen graphics assistant | |
| Suzanne Middleton | .... | staff assistant | |
| 'Longy' Nguyin | .... | cast sports masseuse | |
| Phil Oosterhouse | .... | assistant: Wachowski brothers | |
| Tommy O'Reilly | .... | staff assistant | |
| Danielle Osborne | .... | staff assistant | |
| Julia Peters | .... | production coordinator: second unit | |
| Robert Polgar | .... | assistant: Dan Cracchiolo (as Rob Polgar) | |
| Angela Pritchard | .... | assistant: Barrie M. Osborne | |
| Reinaldo Puentes-Tucki | .... | assistant: Mr. Reeves | |
| Jacquie Robertson | .... | nurse | |
| Michael Roth | .... | staff assistant | |
| Michelle Rowe | .... | physical trainer | |
| Marge Rowland | .... | production accountant | |
| Fiona Searson | .... | publicist | |
| Janet Seppelt | .... | staff assistant | |
| Sally Sharpe | .... | staff assistant | |
| Denise Snyder | .... | physical trainer | |
| Gillian Steine | .... | script supervisor: second unit | |
| Victoria Sullivan | .... | script supervisor | |
| Bryce Tibbey | .... | staff assistant | |
| Michelle Tuella | .... | assistant: Joel Silver | |
| John Turner | .... | programmer: amx | |
| Kevin Varnes | .... | caterer | |
| Justine Vollmer | .... | production secretary | |
| Richard Walker | .... | head eye wear designer | |
| Sinclair Whalley | .... | staff assistant | |
| Chris Whittle | .... | staff assistant | |
| Lawrence Woodward | .... | safety coordinator | |
| Megan Worthy | .... | production coordinator | |
| Charly Wrencher | .... | staff assistant | |
| Luke Wrencher | .... | staff assistant | |
| Shun-Yee Yuen | .... | kung fu team: Hong Kong (as Yuen Eagle Shun Yi) | |
| Woo-ping Yuen | .... | kung fu choreographer (as Yuen Wo Ping) | |
| Daxing Zhang | .... | kung fu team: Hong Kong | |
| Philip G. Bloom | .... | assistant to executive producer (uncredited) | |
| Michael Crawford | .... | post-production accountant (uncredited) | |
| Harold De Jesus | .... | artist: main titles (uncredited) | |
| Jamie Iracleanos | .... | assistant: Mr. Cracchiolo (uncredited) | |
| Jason Mack | .... | security officer (uncredited) | |
| Michael Mendelsohn | .... | financial consultant (uncredited) | |
| Craig Nersesian | .... | set production coordinator (uncredited) | |
| Marcel Valcarce | .... | artist: main titles (uncredited) | |
| Rikki Van Gyen | .... | safety assistant (uncredited) | |
| Carl Wood | .... | assistant location manager (uncredited) | |
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| The Matrix Reloaded | The Matrix Revolutions | The Animatrix | Vana espuma | V for Vendetta |
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Writing a review of The Matrix is a very hard thing for me to do because this film means a lot to me and therefore I want to do the film justice by writing a good review. To tell the truth the first time I saw the film I was enamored by the effects. I remember thinking to myself that this was one of the most visually stunning films I had ever seen in my life. Also having always been a comic book fan and a fan of films that were larger than life, the transitional element of the story was very appealing to me and this probably heightened my enjoyment of the film very much. It wasn't until some time later (and after having seen the film a few times more) that I started to think about the film. I recognized the Christian elements quite quickly but it wasn't until I wrote an actual 15-page essay on the film that I tapped into some of the philosophical and religious elements and that made me appreciate the film even more. I won't say that I have recognized all elements because the film is quite literally packed with them.
Acting wise the film works excellently. I won't say that there aren't any issues because there are but overall the acting is pretty flawless. Keanu Reeves plays the main character, Neo, or Thomas A. Anderson and while he is not the perfect actor I think he does a pretty good job in The Matrix (and the sequels). He doesn't have the longest of lines which was probably a deliberate choice from the directors and it works because this gives him a better opportunity to work on posture and facial expressions and I must say that overall his body language is very good. Very clear and well defined. Laurence Fishbourne plays Neo's mentor Morpheus and he does an excellent job of it. His lines flow with a certain confidence and style that makes his character somewhat unique and interesting. Carrie-Anne Moss does a good job as well and succeeds in looking both cool and sexy in her leather outfit. Joe Pantoliano, a critically underrated actor does a brilliant job of bringing his character, Cypher, to life. I can't say much about him because his character is pretty essential to the plot and I certainly don't wan't to spoil it for anyone. Gloria Foster appears in a relatively small role that will have greater significance in the following films and she does a very good job. The best acting is provided by Hugo Weaving, however, in his portrayal of Agent Smith. It is really something to watch him act out the changes in his character. Agent Smith gains some human traits like anger, sense of dread, hate and eventually even a sly sense of humor (mostly in the sequels). Two thumbs way up to Weaving who has created one of the finest screen villains of all time.
Effects wise the film is simply stunning and it deservedly was awarded the Oscar for best effects (and was regrettably cheated out of a nomination in the Best Film category) ahead of even Star Wars. The reason that I think The Matrix deserves the Oscar for best effects is simply that the effects in The Matrix are more innovative than the ones in Star Wars. Just take a look at how many times the effects have been spoofed and you'll probably agree. The effects also help in the symbolism of the film and in creating a very dystopian atmosphere not unlike the one seen in Blade Runner and this works brilliantly. The film looks beautiful at all times and today 6 years later (my God has it already been 6 years?) the effects still hold their ground against new science fiction films. Add the effects to the brilliant editing and you have a visual masterpiece on your hands. Very well done.
The reason that I think The Matrix is more reviewable than pretty much any other film is the story and the philosophical and religious elements of the story because with every viewing I catch something I didn't see the previous time I watched it. Without spoiling the film I think I can mention a few of the more obvious elements. Obviously the film draws on the Messiah myth as Neo is a clear reference to Jesus with the analogy of his name (Neo = one, as in The One) but also hidden in his other name, Thomas A. Anderson. The first part of his last name, Anderson comes from the Greek Andros meaning "man" and combine this with the second part of his last name "son" and add a little creativity you will come up with the combination "son of man" which was a title Jesus came up with about himself. Also the first time we meet Neo a man calls him (and I quote): "You're my Saviour man. My own personal Jesus Christ." It doesn't get any more obvious than that. Aside from the Christianic elements the film also gets its inspiration from Budhism, Gnosticism (Gnosis = knowledge) but is also inspired by Plato and his analogy of the Cave and Jean Baudrillard's essay, Simulacra and Simulations. Explaining these elements would make this review go on forever so aside from mentioning them I will not comment on them further.
To all the people who doubt the profound nature of The Matrix I can only give one advice: Free your mind and watch the film again. You won't regret it. If I had to choose a favorite all time film my choice would probably fall on either The Matrix (obviously I don't expect people to agree but if they do thats great) or The Lord of the Rings: The Return of the King and I recommend it to all fans of sci-fi and people who like philosophy.
10/10 - on my top 3 of best films.