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The Talented Mr. Ripley (1999)

In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.

Director:

Writers:

(novel), (screenplay)
Reviews
Popularity
1,526 ( 408)

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Nominated for 5 Oscars. Another 10 wins & 75 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Inspector Roverini
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Aunt Joan
Fiorello ...
Fausto (as Rosario Fiorello)
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Ivano Marescotti ...
Colonnello Verrecchia
Anna Longhi ...
Signora Buffi
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Sergeant Baggio
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Storyline

The 1950s. Manhattan lavatory attendant, Tom Ripley, borrows a Princeton jacket to play piano at a garden party. When the wealthy father of a recent Princeton grad chats Tom up, Tom pretends to know the son and is soon offered $1,000 to go to Italy to convince Dickie Greenleaf to return home. In Italy, Tom attaches himself to Dickie and to Marge, Dickie's cultured fiancée, pretending to love jazz and harboring homoerotic hopes as he soaks in luxury. Besides lying, Tom's talents include impressions and forgery, so when the handsome and confident Dickie tires of Tom, dismissing him as a bore, Tom goes to extreme lengths to make Greenleaf's privileges his own. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

It's better to be a fake somebody than a real nobody. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and brief nudity | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

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Release Date:

25 December 1999 (USA)  »

Also Known As:

The Strange Mr. Ripley  »

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend USA:

$12,738,237, 26 December 1999, Wide Release

Gross USA:

$81,298,265

Cumulative Worldwide Gross:

$128,798,265
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The opera shown on the film is the end of Act II from Tchaikovsky's "Yevgeny Onyegin." In this particular scene, Lenski challenged his friend Onyegin for a duel over Olga, who had been engaged to Lenski at that time. Lenski was mortally wounded, and Onyegin departed Russia for a self-imposed exile. See more »

Goofs

When Ripley and MacCarron are on the balcony in Venice, a 1998 Car Ferrying Motorboat can be seen in the canal. See more »

Quotes

[first lines]
Tom Ripley: If I could just go back... if I could rub everything out... starting with myself.
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Crazy Credits

The opening title uses all the adjectives of the complete title before cutting to the final "The Talented Mr. Ripley". See more »

Connections

Featured in Film '72: Episode dated 26 November 2014 (2014) See more »

Soundtracks

TU VUO' FA l'AMERICANO
By Renato Carosone & Nicola Salerno
Performed by Matt Damon, Jude Law, Fiorello and The Guy Barker International Quintet
Produced by Graham Walker, Anthony Minghella & Guy Barker
Fiorello performs courtesy of RTI Music
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User Reviews

 
A ravishing, emotionally complex, and heart-rending film of great elegance
3 January 2000 | by See all my reviews

Seeing this gorgeous tango between Damon and Law, I was never less than captivated and riveted. Minghella has fashioned something literate, powerful, seductive, charming, tragic, and beautiful. His casting is nearly perfect. Damon is unforgettable as an amoral but fascinating character whom we even sympathize with by film's end. Law is stunning as Dickie, the man whose life Ripley adores. Paltrow is good, though she is not given a whole lot to do. Blanchett is perfect in a small but pivotal role that only adds to her already impressive filmography. This is a near-masterpiece. Minghella's talent for visual opulence is second to none, and his work here should earn him a directing Oscar nod. The same goes for many others associated with this brilliant achievement. The ending is as unsuspected as it is inevitable, that is, sad and unsettling. In fact, the whole film underscores these emotions. Whereas Highsmith's original novel was cold and sometimes inert, the film makes Ripley much more of a living, breathing character, and as such, a great symbol of tragedy. It may be some time before I forget this intense experience. Certainly one that deserves multiple viewings. One of the best films of 1999. I think this may be one of the best pictures I have ever seen. Bravo everyone. A moving, rich knockout!


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