| Photos (see all 53 | slideshow) |
| Matt Damon | ... | Tom Ripley | |
| Gwyneth Paltrow | ... | Marge Sherwood | |
| Jude Law | ... | Dickie Greenleaf | |
| Cate Blanchett | ... | Meredith Logue | |
| Philip Seymour Hoffman | ... | Freddie Miles | |
| Jack Davenport | ... | Peter Smith-Kingsley | |
| James Rebhorn | ... | Herbert Greenleaf | |
| Sergio Rubini | ... | Inspector Roverini | |
| Philip Baker Hall | ... | Alvin MacCarron | |
| Celia Weston | ... | Aunt Joan | |
| Fiorello | ... | Fausto (as Rosario Fiorello) | |
| Stefania Rocca | ... | Silvana | |
| Ivano Marescotti | ... | Colonnello Verrecchia | |
| Anna Longhi | ... | Signora Buffi | |
| Alessandro Fabrizi | ... | Sergeant Baggio | |
| Lisa Eichhorn | ... | Emily Greenleaf | |
| Gretchen Egolf | ... | Fran | |
| Jack Willis | ... | Greenleaf Chaffeur | |
| Frederick Alexander Bosche | ... | Fran's Boyfriend | |
| Dario Bergesio | ... | Police Officer | |
| Larry Kaplan | ... | Uncle Ted | |
| Claire Hardwick | ... | Gucci Assistant | |
| Antonio Prester | ... | American Express Clerk (as Nino Prester) | |
| Lorenzo Mancuso | ... | Bus Driver | |
| Onofrio Mancuso | ... | Priest | |
| Massimo Reale | ... | Immigration Officer | |
| Emanuele Carucci Viterbi | ... | American Express Clerk | |
| Caterina Deregibus | ... | Dahlia (as Caterina De Regibus) | |
| Silvana Bosi | ... | Ermelinda | |
| Gianfranco Barra | ... | Desk Manager Aldo | |
| Renato Scarpa | ... | Tailor | |
| Deirdre Lovejoy | ... | Fighting Neighbor | |
| Brian Tarantina | ... | Fighting Neighbor | |
| Guy Barker | ... | Trumpet (Napoli Jazz Septet) | |
| Bernardo Sassetti | ... | Piano (Napoli Jazz Septet) | |
| Perico Sambeat | ... | Alto Sax (Napoli Jazz Septet) | |
| Gene Calderazzo | ... | Drums (Napoli Jazz Septet) mer | |
| Joseph Lepore | ... | Double Bass (Napoli Jazz Septet) | |
| Rosario Giuliuni | ... | Tenor Sax (Napoli Jazz Septet) | |
| Eddy Palerno | ... | Electric Guitar (Napoli Jazz Septet) | |
| Byron Wallen | ... | Cornet (San Remo Jazz Sextet) | |
| Pete King | ... | Alto Sax (San Remo Jazz Sextet) | |
| Clark Tracey | ... | Drums (San Remo Jazz Sextet) | |
| Jean Toussaint | ... | Tenor Sax (San Remo Jazz Sextet) | |
| Geoff Gascoyne | ... | Bass (San Remo Jazz Sextet) | |
| Carlo Negroni | ... | Piano (San Remo Jazz Sextet) | |
| Beppe Fiorello | ... | Silvana's Fiancé | |
| Marco Quaglia | ... | Silvana's Brother | |
| Alessandra Vanzi | ... | Silvana's Mother | |
| Marco Rossi | ... | Photographer | |
| Roberto Valentini | ... | Onegin (Eugene Onegin Player) | |
| Francesco Bovino | ... | Lensky (Eugene Onegin Player) | |
| Stefano Canettieri | ... | Zaretsky (Eugene Onegin Player) | |
| Marco Foti | ... | Guillot (Eugene Onegin Player) | |
| Ludovica Tinghi | ... | Fausto's Fiancée | |
| Nicola Pannelli | ... | Dinelli's Cafe Waiter | |
| Paolo Calabresi | ... | Customs Officer | |
| Pietro Ragusa | ... | Record Store Owner | |
| Simone Empler | ... | Boy Singer | |
| Gianluca Secci | ... | Policeman | |
| Manuel Ruffini | ... | Policeman | |
| Pierpaolo Lovino | ... | Policeman | |
| Roberto Di Palma | ... | San Remo Hotel Desk Clerk | |
| rest of cast listed alphabetically: | |||
| Cesare Cremonini | ... | Boat Salesman (uncredited) | |
| Fabrizia Dal Farra | ... | Italian girl (uncredited) | |
| Kent Gregory | ... | Dockworker #2 (uncredited) | |
| Frank Slaten | ... | Dockworker #1 (uncredited) | |
Directed by | |||
| Anthony Minghella | |||
Writing credits(WGA) | ||
| Patricia Highsmith | (novel) | |
| Anthony Minghella | (screenplay) | |
Produced by | |||
| Steve E. Andrews | .... | associate producer (as Steve Andrews) | |
| Lydia Dean Pilcher | .... | co-producer: New York | |
| William Horberg | .... | producer | |
| Sydney Pollack | .... | executive producer | |
| Tom Sternberg | .... | producer | |
| Alessandro von Norman | .... | line producer (as Alessandro Von Normann) | |
| Paul Zaentz | .... | co-producer | |
Original Music by | |||
| Gabriel Yared | |||
Cinematography by | |||
| John Seale | (director of photography) | ||
Film Editing by | |||
| Walter Murch | |||
Casting by | |||
| David Rubin | |||
Production Design by | |||
| Roy Walker | |||
Art Direction by | |||
| John Fenner | (supervising art director) | ||
| Stefano Maria Ortolani | (as Stefano Ortolani) | ||
Set Decoration by | |||
| Bruno Cesari | |||
Costume Design by | |||
| Gary Jones | |||
| Ann Roth | |||
Makeup Department | |||
| Michal Bigger | .... | key makeup artist: New York | |
| Elisabetta De Leonardis | .... | hair stylist | |
| Massimiliano Duranti | .... | assistant hair stylist | |
| Polly Earnshaw | .... | assistant makeup artist | |
| Tina Earnshaw | .... | supervising makeup artist | |
| Paola Genovese | .... | assistant hair stylist | |
| Kay Georgiou | .... | supervising hair stylist | |
| Giorgio Gregorini | .... | hair stylist | |
| Sian Grigg | .... | extras makeup artist | |
| Antonio Maltempo | .... | assistant makeup artist | |
| Paolo Mantini | .... | hair designer | |
| Lisa McDevitt | .... | assistant makeup artist | |
| Alessandra Sampaolo | .... | makeup artist | |
| Peggy Schierholz | .... | key hair stylist: New York (as Peg Schierholz) | |
| Fabrizio Sforza | .... | supervising makeup artist | |
| Katia Sisto | .... | assistant makeup artist | |
| James Sarzotti | .... | key makeup artist: New York (uncredited) | |
| Zoe Tahir | .... | dailies hair stylist (uncredited) | |
Production Management | |||
| Jan Foster | .... | unit production manager: New York | |
| Ruth Hasty | .... | post-production supervisor | |
| Lynn Kamern | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Steve E. Andrews | .... | first assistant director (as Steve Andrews) | |
| Gianni Arduini | .... | first assistant director: Italy | |
| Vebe Borge | .... | first assistant director: New York | |
| Federica Ciciarelli | .... | third assistant director: Italy | |
| Maria De Leo | .... | third assistant director: Italy | |
| Filippo Fassetta | .... | third assistant director: Italy | |
| Amy Lynn | .... | second assistant director: New York | |
| Enrico Marrari | .... | second assistant director: Italy (as Andrea Marrari) | |
| Emma Schofield | .... | second assistant director | |
| Bernardo Galli | .... | dailies assistant director (uncredited) | |
| Dominick Scarola | .... | dga trainee (uncredited) | |
Sound Department | |||
| Don Banks | .... | boom operator | |
| Phil Benson | .... | digital editing system coordinator | |
| Mark Berger | .... | sound re-recording mixer | |
| Kyrsten Mate Comoglio | .... | sound effects editor | |
| Ben Conrad | .... | foley mixer | |
| Eric Dachs | .... | apprentice sound editor (as Eric B. Dachs) | |
| Adriano Di Lorenzo | .... | cable person | |
| Malcolm Fife | .... | foley editor | |
| Steve Fontano | .... | assistant foley mixer | |
| Aura Gilge | .... | assistant sound effects editor (as Aura Belle Gilge) | |
| Dan Gleich | .... | sound effects recordist | |
| Pat Jackson | .... | supervising sound editor | |
| Mark Levinson | .... | adr supervisor (as Mark A. Levinson) | |
| Barbara McBane | .... | dialogue editor | |
| Danny Michael | .... | sound mixer: New York | |
| Jeremy Molod | .... | assistant adr editor | |
| Marnie Moore | .... | foley artist | |
| Walter Murch | .... | sound re-recording mixer | |
| Margie O'Malley | .... | foley artist | |
| David Parker | .... | sound re-recording mixer | |
| Jim Pasque | .... | assistant foley mixer | |
| Richard Quinn | .... | adr editor | |
| Larry Schalit | .... | first assistant sound editor | |
| Ivan Sharrock | .... | sound mixer | |
| Dianna Stirpe | .... | dialogue editor | |
| Jennifer L. Ware | .... | sound effects editor | |
| Mary Works | .... | assistant dialogue editor | |
| Frank Canonica | .... | supervising sound recordist: mix stage (uncredited) | |
| Adriano Di Lorenzo | .... | second boom operator (uncredited) | |
| Phil Hadaway | .... | adr engineer (uncredited) | |
| Adam Zaentz | .... | special sound effects creator (uncredited) | |
Special Effects by | |||
| J.C. Brotherhood | .... | special effects supervisor: New York | |
| Richard Conway | .... | special effects supervisor | |
| Sam Conway | .... | special effects coordinator | |
| Giancarlo Mancini | .... | special effects coordinator | |
| Fabrizio Sforza | .... | special effects makeup artist | |
Visual Effects by | |||
| Ales Dlabac | .... | Inferno operator: UPP | |
| Nick Drew | .... | visual effects: Jim Henson's Creature Shop | |
| Sam Hincher | .... | Inferno operator: Golden Square Post Production Ltd. (as Sam Hencher) | |
| Harry Jarman | .... | Inferno operator: Golden Square Post Production Ltd. | |
| Petr Komrzy | .... | visual effects coordinator: UPP | |
| Vít Komrzy | .... | visual effects coordinator: UPP | |
| Dennis Lowe | .... | visual effects supervisor | |
| Viktor Muller | .... | Inferno operator: UPP | |
| Daniel Napier | .... | technical supervisor: Golden Square Post Production Ltd. | |
| Jiri Stamfest | .... | matte artist: digital painter | |
| Michael Turoff | .... | visual effects: Jim Henson's Creature Shop | |
| David Vána | .... | Inferno operator: UPP (as David Vana) | |
| Val Wardlaw | .... | visual effects supervisor: Jim Henson's Creature Shop | |
| Carole Cowley | .... | visual effects producer (uncredited) | |
| Sean Danischevsky | .... | digital compositor: Jim Henson's Creature Shop (uncredited) | |
| Vincent Lavares | .... | digital asset manager (uncredited) | |
| Clare Norman | .... | scanning and recording editorial coordinator (uncredited) | |
Stunts | |||
| David Ambrosi | .... | stunts (as Davide Ambrosi) | |
| Stefano Maria Mioni | .... | stunts (as Stefano Mioni) | |
| Claudio Pacifico | .... | stunt double | |
| Alessandro Ponti | .... | stunts (as Alessandro Ponte) | |
| Franco Maria Salamon | .... | stunt coordinator (as Franco Salamon) | |
| Massimiliano Bianchi | .... | stunt rigger (uncredited) | |
Casting Department | |||
| Sarah Beardsall | .... | casting: UK | |
| Sylvia Fay | .... | extras casting: New York (as Sylvia Faye) | |
| Sondra James | .... | casting: loop group | |
| Ronna Kress | .... | casting associate | |
| Shaila Rubin | .... | casting: Italy | |
| Miura Smith | .... | casting assistant | |
| Jennifer Ricchiazzi | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Alfredo Bocci | .... | wardrobe master | |
| Anne Brault | .... | wardrobe supervisor | |
| Roberto De Luca | .... | wardrobe runner | |
| Raffaella Fantasia | .... | costume shopper | |
| Serena Fiumi | .... | stand-by wardrobe | |
| Gabriella Generosi | .... | seamstress | |
| Giampiero Grassi | .... | tailor | |
| Hannah Green | .... | wardrobe researcher | |
| Iris Horta Lemos | .... | key costumer | |
| Carmelina Manduca | .... | seamstress (as Carmela Manduca) | |
| Adriana Mattiozzi | .... | seamstress | |
| Chiara Nobile | .... | stand-by wardrobe | |
| Shizuko Omachi | .... | stand-by wardrobe (as Shizudo Omachi) | |
| Enzo Serafino Pellegrino | .... | head ager and dyer (as Serafino Pellegrino) | |
| Vittorio Peroni | .... | wardrobe labourer | |
| Carlo Poggioli | .... | associate costume designer: Italy | |
| Franca Rotondo | .... | seamstress | |
| Aldo Urzini | .... | wardrobe labourer | |
| Mickey Carleton | .... | costumer (uncredited) | |
| Amy Roth | .... | costume coordinator (uncredited) | |
Editorial Department | |||
| Robbie Broughton | .... | second assistant editor: London | |
| Daniel Farrell | .... | first assistant film editor: London | |
| Ruth Hasty | .... | first assistant film editor: Berkeley | |
| Dana L. Marker | .... | negative cutter | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Dana Mulligan | .... | first assistant editor | |
| Walter Slater Murch | .... | apprentice editor: Berkeley | |
| Tasha Pym | .... | first assistant film editor: London | |
| Franca Silvi | .... | first assistant editor: Rome | |
| David Suther | .... | second assistant editor: Berkeley | |
| Linda Taylor | .... | apprentice editor: Rome | |
| Eric Rigney | .... | avid technician (uncredited) | |
Music Department | |||
| Robin Aspland | .... | musician: pianist, San Remo Jazz Festival | |
| Guy Barker | .... | music producer: songs | |
| Guy Barker | .... | musician: trumpet, San Remo Jazz Festival | |
| Alan Barnes | .... | musician: tenor sax, Napoli Jazz Club | |
| John Bell | .... | orchestrator | |
| Andy Brown | .... | source music contractor: London Metropolitan Orchestra | |
| Marcia Crayford | .... | orchestra leader | |
| Chris Dibble | .... | source music re-mixer | |
| Chris Dibble | .... | source music recordist | |
| Iain Dixon | .... | musician: tenor sax, San Remo Jazz Festival | |
| Geoff Gascoyne | .... | musician: double bass, Napoli Jazz Club | |
| Isobel Griffiths | .... | orchestra contractor | |
| Allan Jenkins | .... | music programmer | |
| Paul Keogh | .... | musician: electric guitar, Napoli Jazz Club | |
| Ling Ling Li | .... | assistant music editor | |
| John Martyn | .... | song producer: "You Don't Know What Love Is" | |
| Anthony Minghella | .... | music producer: songs | |
| Anthony Minghella | .... | score producer | |
| Walter Murch | .... | score producer | |
| Harry Rabinowitz | .... | conductor | |
| Robert Randles | .... | music editor | |
| John Richards | .... | score mixer | |
| John Richards | .... | score recordist | |
| Liz Schrek | .... | music production coordinator | |
| Tommy Smith | .... | musician: soprano sax solos | |
| Arne Somogyi | .... | musician: double bass, San Remo Jazz Festival | |
| Jamie Talbot | .... | musician: alto sax, Napoli Jazz Club | |
| Graham Walker | .... | music producer: songs | |
| Graham Walker | .... | music supervisor | |
| Kirsty Whalley | .... | music programmer | |
| Paul Willey | .... | orchestra leader | |
| Gabriel Yared | .... | music producer: songs | |
| Gabriel Yared | .... | orchestrator | |
| Gabriel Yared | .... | score producer | |
| Stephen Coleman | .... | music copyist (uncredited) | |
| Paul Golding | .... | music recording engineer (End titles vocals) (uncredited) | |
| Robert Randles | .... | composer: additional music (uncredited) | |
| Mark Tucker | .... | assistant scoring engineer (uncredited) | |
Transportation Department | |||
| Silvano Broglia | .... | driver: Mr. Minghella | |
| Fratelli Cartocci | .... | picture vehicles | |
| Francesca Cingolani | .... | transportation coordinator | |
| Dino Colasanti | .... | driver: Ms. Paltrow | |
| Mauro Dalla Costa | .... | driver: Mr. Horberg | |
| Steven R. Hammond | .... | transportation captain: New York (as Steve Hammond) | |
| Maurizio Maggi | .... | picture vehicle coordinator | |
| Massimo Spescha | .... | driver: Mr. Sternberg | |
| Gianni Tarquini | .... | driver: Mr. Damon | |
| Paolo Rosada | .... | transportation coordinator: Venice (uncredited) | |
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| Basic Instinct | Plata quemada | Lo strano vizio della Signora Wardh | Body Double | Prick Up Your Ears |
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There are a lot of reasons to see THE TALENTED MR. RIPLEY. It is not your typical, run of the mill Hollywood thriller. In fact, it is refreshingly chilling and Matt Damon turns in what is by far his best acting job to date. He is able to shed the "Will Hunting" image here with a juicy role. It is a personality twisting story unlike, say, SINGLE WHITE FEMALE, which was highly conventional and more of a slasher picture. I would equate it more with Ingmar Bergman's PERSONA. The audience is never totally clear as to why "Tom Ripley" wants to consume another personality which is all the more mysterious.
Anthony Minghella, director of ENGLISH PATIENT, sets the stage in late 1950's Italy, an exotic locale which adds to the suspense. As the film progresses and it becomes more apparent there is something deeply wrong with Damon, you almost begin to root for him to get away with his malicious acts. He is so effective as the quietly psychotic Ripley because his actions do not seem planned. He just kind of takes what is not his without reason.
The beauty of Rome, Venice, and Gwyneth Paltrow tends to hide the inner turmoil going on with Damon's character and Jude Law is oblivious to it most of the time. The madness builds slowly and Law, as the target of Damon's consuming desire, realizes it too late. Law has the looks and mannerisms of a 50's matinee idol which fits perfectly within the context of the film.
Some people have said THE TALENTED MR. RIPLEY is like a Hitchcock film for the 90's. I would have to agree. Damon's ability to portray a fully realized, human leach is amazing at times and the fact that I actually had some sympathy for him proves it. There are scenes of utter shock and dismay, but it is the drowning build to the inevitable murder and mayhem that grabs you.
RATING: ***1/2