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Fight Club (1999)

R | | Drama | 15 October 1999 (USA)
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An insomniac office worker, looking for a way to change his life, crosses paths with a devil-may-care soap maker, forming an underground fight club that evolves into something much, much more.

Director:

Writers:

(novel), (screenplay)
Popularity
193 ( 30)
Top Rated Movies #10 | Nominated for 1 Oscar. Another 10 wins & 32 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
The Narrator
...
...
Robert 'Bob' Paulsen (as Meat Loaf Aday)
...
...
Intern
...
Thomas
...
...
Weeping Woman
...
...
...
Speaker
...
Christie Cronenweth ...
Airline Attendant
...
Inspector Bird (as Tim de Zarn)
...
Inspector Dent
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Storyline

A nameless first person narrator (Edward Norton) attends support groups in attempt to subdue his emotional state and relieve his insomniac state. When he meets Marla (Helena Bonham Carter), another fake attendee of support groups, his life seems to become a little more bearable. However when he associates himself with Tyler (Brad Pitt) he is dragged into an underground fight club and soap making scheme. Together the two men spiral out of control and engage in competitive rivalry for love and power. When the narrator is exposed to the hidden agenda of Tyler's fight club, he must accept the awful truth that Tyler may not be who he says he is. Written by Rhiannon

Plot Summary | Plot Synopsis

Taglines:

Losing all hope is freedom See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for disturbing and graphic depiction of violent anti-social behavior, sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

15 October 1999 (USA)  »

Also Known As:

El club de la pelea  »

Box Office

Budget:

$63,000,000 (estimated)

Opening Weekend:

$11,035,485 (USA) (15 October 1999)

Gross:

$37,023,395 (USA) (25 February 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (workprint)

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Edward Kowalczyk: Member of the band Live plays the waiter who serves the Narrator and Marla with the line, "Sir, anything you want is free of charge, sir." See more »

Goofs

When The Narrator talks to his doctor, the x-ray on the wall behind him is not only back-to-front, but also upside-down. See more »

Quotes

Narrator: First person that comes out this fucking door gets a... gets a *lead salad*, you understand?
See more »

Crazy Credits

The three police officers that try to cut off the narrator's testicles are credited as Officer Andrew, Officer Kevin and Officer Walker. Andrew Kevin Walker is the screenwriter who wrote Se7en (1995) and 8MM (1999). He also worked uncredited on David Fincher's The Game (1997) and on one of the drafts of Fight Club (1999). However, his contribution to the Fight Club script was not enough to warrant a credit by current WGA rules. Director David Fincher named the officers Andrew, Kevin and Walker, as a way of surreptitiously giving Walker a credit. See more »


Soundtracks

Forbidden To Love
Music by Guy Moon
Lyric by Bob Garret
Arrangement by Jeff Haskett
Produced by Guy Moon
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A rare film that challenges the viewer to come up with his own interpretations
18 October 1999 | by (United States) – See all my reviews

Faithfully following Chuck Palahniuk's acerbic satire, Fight Club presents the vast emptiness of modern existence- ridden as it is with shallow values, rampant consumerism, empty of meaning, feeling and life itself- in a slick and ironically consumer oriented fashion. In a different vein from American Beauty, Fight Club explores the solutions to the veritable sleepwalking existence that plagues modern life. The film is violent, but it is not gratuitous violence, and any reviewer who claims that the film is promoting violence has missed the entire point of the film. A very black comedy, it is sure to provoke much conversation- it is definitely a film to see with friends. The film is fast-paced, densely packed and merits a second viewing, just to take it all in, especially if you haven't read the book. In typical Fincher style, you the viewer are left to draw your own conclusions. He feels no impetus to tell you how to interpret what you've seen, appropriate since the film condemns falling victim to the strictures of what society tells us to think and to value. My only criticism is that the editing is not as tight as it could be in the middle section of the film, it drags just a bit then picks up again. Other than that, it should definitely be an Oscar contender.


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