Shakespeare in Love (1998)

Director:

John Madden

Writers (WGA):

Marc Norman (written by) and
Tom Stoppard (written by)

Release Date:

8 January 1999 (USA)

Genre:

Comedy | Drama | Romance

Tagline:

...A Comedy About the Greatest Love Story Almost Never Told...

Plot:

A young Shakespeare, out of ideas and short of cash, meets his ideal woman and is inspired to write one of his most famous plays.

Plot Keywords:

Elizabeth I | Queen | Period Piece | Costume Drama | Assumed Identity

Awards:

Won 7 Oscars. Another 43 wins & 60 nominations

Cast

Geoffrey Rush	...	Philip Henslowe
Tom Wilkinson	...	Hugh Fennyman
Steven O'Donnell	...	Lambert
Tim McMullan	...	Frees
Joseph Fiennes	...	Will Shakespeare
Steven Beard	...	Makepeace - the Preacher
Antony Sher	...	Dr. Moth
Patrick Barlow	...	Will Kempe
Martin Clunes	...	Richard Burbage
Sandra Reinton	...	Rosaline
Simon Callow	...	Tilney - Master of the Revels
Judi Dench	...	Queen Elizabeth
Bridget McConnell	...	Lady in Waiting
Georgie Glen	...	Lady in Waiting
Nicholas Boulton	...	Henry Condell

Also Known As:

Shakespeare apasionado (Argentina) (Mexico) (Peru) [es]
A Paixão de Shakespeare (Portugal) [pt]
Asik Shakespeare (Turkey: Turkish title) [tr]
Rakastunut Shakespeare (Finland) [fi]
Shakespeare Apaixonado (Brazil) [pt]
Shakespeare enamorado (Spain) [es]
Shakespeare et Juliette (Canada: French title) [fr]
Shakespeare in Love (France) [fr]
Shakespeare in Love (Denmark) [da]
Shakespeare in Love (Italy) [it]
Shakespeare in Love: Shakespeare enamorado (Spain) [es]
Szerelmes Shakespeare (Hungary) [hu]
Zakochany Szekspir (Poland) [pl]
Zamilovaný Shakespeare (Czech Republic) [cs]

MPAA:

Rated R for sexuality.

Runtime:

123 min

Country:

USA | UK

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Canada:AA (Ontario) | Canada:PG (Manitoba) | Canada:G (Quebec) | USA:R (certificate #36421) | Iceland:L | Canada:14 (Nova Scotia) | Philippines:PG-13 | Canada:14A (Alberta/British Columbia) | Brazil:14 | Argentina:13 | Australia:M | Chile:14 | Denmark:7 | Finland:K-12/9 | France:U | Germany:6 (bw) | Hong Kong:IIB | Hungary:14 | Ireland:15 | Italy:T | Netherlands:AL | New Zealand:M | Peru:14 | Portugal:M/12 | Singapore:M18 (re-rating) | Singapore:R(A) (original rating) | South Korea:18 | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15

Filming Locations:

Barnes, London, England, UK

Company:

Universal Pictures

Trivia:

Kenneth Branagh, Daniel Day-Lewis, Jodie Foster, Julia Roberts, Meg Ryan and Winona Ryder, were all considered for the lead roles.

Goofs:

Anachronisms: At the marriage of Viola and Wessex, the church bells are being change-rung. Change-ringing was invented by a Cambridge printer, Fabian Stedman, at the end of the 17th century, after the Restoration of the monarchy.

Quotes:

Queen Elizabeth: Playwrights teach us nothing about love. They make it pretty, they make it comical, or they make it lust, but they cannot make it true.
Viola De Lesseps: Oh, but they can!

Movie Connections:

Featured in "British Film Forever: Corsets, Cleavage and Country Houses: The Story of British Costume Drama (#1.4)" (2007)

Soundtrack:

The Play & the Marriage

Excellent

Those who are looking for a historically accurate portrayal of Shakespeare's life had better look elsewhere - but then this was never intended to be a serious look at the life of the man. Those who attack it for its' fanciful relation to history have missed the point entirely. It is a romantic comedy obsessed with nothing more than making references in storyline and plot to the plays of Shakespeare and his contemporaries, and those references are made so seamlessly it could almost be assumed that what we see on the screen actually happened to the man.

In fact the overall story we are presented with is not new. Anyone who had read or seen `Romeo and Juliet' will have a pretty shrewd idea of the path the narrative takes - the twist is that in the film, Shakespeare writes the play `Romeo and Juliet' in parallel to, and based on, his `real life' relationship with Lady Viola.

The opening sees Shakespeare (Joseph Fiennes) desperately trying to write the masterpiece `Romeo and Ethel, the Pirates Daughter', a comedy he hopes will rival anything by Christopher Marlow (Rupert Everett). Words fail him until his muse appears in the shape of Lady Viola (Gwyneth Paltrow), a noblewoman whose love for the work of Shakespeare's leads her to dress as a boy (since at the time women were not allowed on stage) and attend an audition in disguise (mistaken identity and women dressing as men are devices Shakespeare often used in his comedies). She is given the role of Romeo and begins a forbidden relationship with Shakespeare, the only one who knows her real identity, in spite of the fact that she is betrothed to the villainous Lord Wessex (Colin Firth) at Queen Elizabeth's (Judi Dench) command.

Fiennes portrays Shakespeare wonderfully and not as the infallible master of rhetoric. He takes the Bard from the pedestal and brings him down to a human level that we can all sympathise with. His relationship with Paltrow is handled sensitively, although many of the scenes that are exclusively their own did have enough a little too much `Chick-Flick' for my liking. Paltrow's R.P. accent is technically very good, and though I normally like my English to be played by the English, I was as happily surprised by her performance as I was by Ben Affleck's brief, but memorable portrayal of the self-important Ned Alleyn. Much of the credit, though, must go to Michelle Guish for the wonderful supporting cast including: Judi Dench, Simon Callow, Imelda Staunton, Jim Carter, Martin Clunes and Geoffrey Rush, to name but a few.

John Madden directs hypnotically and constantly keeps the camera on the move but most credit for the film must go to Marc Norman and Tom Stoppard for their cunning and often self-parodying script. The only comment I would make is regarding the sheer number of theatre references. Those who have worked in the theatre will be aware of many, if not all, of the in-jokes that the film is littered with. Those who have not may be left with the feeling that they have been excluded from much of the content.