7.5/10
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594 user 138 critic

Pi (1998)

A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.

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Cast

Cast overview, first billed only:
...
...
...
Pamela Hart ...
Stephen Pearlman ...
Samia Shoaib ...
Devi
...
Farrouhk
Kristyn Mae-Anne Lao ...
Espher Lao Nieves ...
Jenna's Mom
Joanne Gordon ...
Mrs. Ovadia
...
Jenny Robeson
...
Moustacheless Man (as Stanley Herman)
...
Photographer
Tom Tumminello ...
Ephraim
Henri Falconi ...
Kaballah Scholar
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Storyline

Max is a genius mathematician who's built a supercomputer at home that provides something that can be understood as a key for understanding all existence. Representatives both from a Hasidic cabalistic sect and high-powered Wall Street firm hear of that secret and attempt to seduce him. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

There will be no order, only chaos See more »


Motion Picture Rating (MPAA)

Rated R for language and some disturbing images | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

10 July 1998 (USA)  »

Also Known As:

3.14159265358  »

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Box Office

Budget:

$60,000 (estimated)

Opening Weekend USA:

$31,069, 12 July 1998, Limited Release

Gross USA:

$3,216,970, 29 November 1998
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Clint Mansell, the composer of the film's soundtrack and frequent composer for Aronofsky's films, makes an appearance as a photographer. See more »

Goofs

Max suggests that the Kabbalists have already tried all possible 216-digit numbers. That is 10 to the power of 215 multiplied by 9 [9x(10^215)] - if they had been doing a quadrillion a day since the destruction of the Temple, they would barely have begun. See more »

Quotes

[first lines]
Maximillian Cohen: 9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
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Crazy Credits

End credits shown over bugs crawling on Max's papers. See more »

Connections

Featured in The Rotten Tomatoes Show: Watchmen/Shuttle/12 (2009) See more »

Soundtracks

A Low Frequency Inversion Field
Performed by Spacetime Continuum
Written & Produced by Spacetime Continuum
Courtesy of Astralwerks/Caroline Records, Inc./Space Monkey Music/BMI
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User Reviews

 
Cohesive, stylish and innovative
11 April 2003 | by See all my reviews

The predecessor to Requiem for a Dream, this is arguably more stylish and engaging. This is helped largely by the simply outstanding soundtrack. Aranovsky's use of a haunting yet modern score binds the movie together perfectly, aided by some fantastic cinematic techniques that disorientate the audience in time with the music. The character narration is also a great cohesive tool, with the deadpan delivery more than matching the tone of the piece. This film is not as beautiful as Requiem, nor does it have quite the same gutwrenching effect, but nonetheless, this is still some film. If you like your movies very hollywood then this is not for you; but if you like stylised innovation, then you have to watch this.


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