| Photos (see all 44 | slideshow) | Videos (see all 6) |
| Matthew McConaughey | ... | Lt. Andrew Tyler, Executive Officer | |
| Bill Paxton | ... | Lt. Cmdr. Mike Dahlgren | |
| Harvey Keitel | ... | CPO Henry Klough | |
| Jon Bon Jovi | ... | Lt. Pete Emmett, Chief Engineer | |
| David Keith | ... | Maj. Matthew Coonan, USMC, Office of Naval Intelligence | |
| Thomas Kretschmann | ... | Capt.-Lt. Gunther Wassner | |
| Jake Weber | ... | Lt. Hirsch, USNR | |
| Jack Noseworthy | ... | Seaman Bill Wentz, Radioman | |
| Tom Guiry | ... | Seaman Ted 'Trigger' Fitzgerald, Radioman | |
| Will Estes | ... | Seaman Ronald 'Rabbit' Parker, Torpedoman | |
| Terrence 'T.C.' Carson | ... | Steward Eddie Carson | |
| Erik Palladino | ... | Seaman Anthony Mazzola, Planesman | |
| Dave Power | ... | Seaman Charles 'Tank' Clemens, Machinist Mate | |
| Derk Cheetwood | ... | Seaman Herb Griggs, Helmsman | |
| Matthew Settle | ... | Ens. Keith Larson, Chief Torpedoman | |
| Rebecca Tilney | ... | Mrs. Dahlgren | |
| Carolyna De Laurentiis | ... | Prudence Dahlgren | |
| Dina De Laurentiis | ... | Louise Dahlgren | |
| Burnell Tucker | ... | Adm. Duke | |
| Rob Allyn | ... | Ensign | |
| Carsten Voigt | ... | German Chief Hans | |
| Gunter Würger | ... | Lt. Kohn, German Executive Officer | |
| Oliver Stokowski | ... | German E-Chief | |
| Arnd Klawitter | ... | German Hydrophone Operator | |
| Kai Maurer | ... | German Planesman | |
| Robert Lahoda | ... | German Engineer | |
| Peter Stark | ... | German Lookout | |
| Erich Redman | ... | German Bosun | |
| Sergeant William John Evans | ... | Marine Sergeant | |
| Robin Askwith | ... | British Seaman | |
| Jasper Wood | ... | Petty Officer | |
| Martin Glade | ... | Gunner Officer | |
| Oliver Osthus | ... | Depth Charge Officer | |
| Corporal John William Falconer | ... | Other Sergeant | |
| Corporal Cory Glen Mathews | ... | Other Sergeant | |
| Valentina Ardeatini | ... | Mrs. Peggy Larson | |
| rest of cast listed alphabetically: | |||
| Norman Campbell Rees | ... | Military police seargent (uncredited) | |
Directed by | |||
| Jonathan Mostow | |||
Writing credits(WGA) | ||
| Jonathan Mostow | (story) | |
| Jonathan Mostow | (screenplay) and | |
| Sam Montgomery | (screenplay) and | |
| David Ayer | (screenplay) | |
Produced by | |||
| Dino De Laurentiis | .... | producer | |
| Martha De Laurentiis | .... | producer | |
| Hal Lieberman | .... | executive producer | |
| Lucio Trentini | .... | line producer | |
Original Music by | |||
| Richard Marvin | |||
Cinematography by | |||
| Oliver Wood | |||
Film Editing by | |||
| Wayne Wahrman | |||
Casting by | |||
| Carol Lewis | |||
Production Design by | |||
| William Ladd Skinner | (as Wm. Ladd Skinner) | ||
| Götz Weidner | |||
Art Direction by | |||
| Maria-Teresa Barbasso | |||
| Marco Trentini | |||
| Robert Woodruff | |||
Set Decoration by | |||
| Robert Gould | |||
| Cynthia Sleiter | |||
Costume Design by | |||
| April Ferry | |||
Makeup Department | |||
| Enzo Cera | .... | assistant hair stylist | |
| Eloisa De Laurentiis | .... | makeup artist: second unit | |
| Elisabetta De Leonardis | .... | hair stylist | |
| Giancarlo De Leonardis | .... | hair stylist | |
| Francesca De Simone | .... | assistant hair stylist | |
| Renato Francola | .... | makeup artist: second unit | |
| Paola Genovese | .... | hair stylist: second unit | |
| Vincenzo Mastrantonio | .... | makeup artist: second unit | |
| Frances Mathias | .... | hair stylist | |
| Francesco Nardi | .... | assistant makeup artist | |
| Luigi Rocchetti | .... | key makeup artist | |
| Maurizio Silvi | .... | makeup artist | |
| Mauro Tamagnini | .... | hair stylist: second unit | |
Visual Effects by | |||
| Victor Abbene | .... | visual effects: chief lighting technician | |
| Jonathan Alvord | .... | Avid editor | |
| Mario Bagnato | .... | visual effects director of photography | |
| Jeffrey Edward Baksinski | .... | motion & tracking supervisor: Cinesite | |
| Kelly Bechtle-Woods | .... | digital artist: 3D animator | |
| Thad Beier | .... | visual effects supervisor: Hammerhead Productions | |
| Robert Bonillas | .... | model maker | |
| Shawn Broes | .... | visual effects editor | |
| Kenneth Cassar | .... | visual effects crew | |
| Vito Consoli | .... | model maker | |
| Gilbert Correa | .... | model maker | |
| Carole Cowley | .... | digital effects producer: Cinesite | |
| Gregory Creaser | .... | imaging/timing supervisor: Digiscope | |
| Chris Crowell | .... | digital compositor | |
| Erin M. Cullen | .... | roto supervisor | |
| Sandy DellaMarie | .... | visual effects coordinator: Pacific Title Digital | |
| Jamie Dixon | .... | lead animator: Hammerhead Productions | |
| Peter Donen | .... | visual effects supervisor | |
| Tommy Dorsett | .... | visual effects editor: POP Film | |
| Syd Dutton | .... | special visual effects: Illusion Arts | |
| Christian Dwiggins | .... | visual effects assistant | |
| David Dwiggins | .... | visual effects producer | |
| Chris Flynn | .... | lead digital compositor: Pacific Title & Art Studio | |
| Mark Freund | .... | visual effects supervisor: Pacific Title & Art Studio | |
| Joe Gareri | .... | visual effects executive producer: POP Film | |
| George Gervan | .... | digital paint artist | |
| George Gervan | .... | digital roto artist | |
| Richard Gervan | .... | digital paint artist | |
| Richard Gervan | .... | digital roto artist | |
| Glen Gustafson | .... | visual effects | |
| Martin Hall | .... | digital paint artist | |
| Brian Hanable | .... | digital effects compositor | |
| Maureen Healy | .... | digital paint artist | |
| Richard O. Helmer | .... | visual effects supervisor | |
| Rick Holman | .... | model maker | |
| Meredith Hook | .... | paint and rotoscope artist: PacTitle | |
| Heather Hoyland | .... | digital compositor | |
| Lubo Hristov | .... | visual effects art director: Cinesite | |
| Karen Klein | .... | digital artist | |
| Tad Krzanowski | .... | special model effects supervisor: minatures | |
| Ken Lam | .... | digital compositor | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Mark Tait Lewis | .... | compositing supervisor: Cinesite | |
| Marcel Martinez | .... | digital compositor | |
| Darin McCormick-Millett | .... | visual effects producer: Pacific Title Digital | |
| Kelvin McIlwain | .... | matte artist | |
| Valerie McMahon | .... | digital artist | |
| Fritz Meier | .... | visual effects production assistant | |
| Kama Moiha | .... | digital compositor: Cinesite | |
| Kenneth Nakada | .... | matte artist: Illusion Arts | |
| Jennifer Nelson | .... | visual effects assistant coordinator | |
| Henric Nieminen | .... | visual effects coordinator | |
| Ron D. Peake | .... | model maker (as Ron Peake) | |
| Jim Pearson | .... | marine coordinator: visual effects unit | |
| Arnaud Peiny | .... | visual effects | |
| Kenneth Quilicoy | .... | model maker | |
| Dante Quintana | .... | technical assistant supervisor | |
| John Ramsey | .... | model maker | |
| Clark Schaffer | .... | model maker | |
| Kenneth Scicluna | .... | visual effects assistant | |
| Rasha Shalaby | .... | digital compositor | |
| Monty Shook | .... | shop supervisor: Grant McCune Design | |
| Dave Simmons | .... | digital paint artist | |
| Gemma Sirol | .... | visual effects assistant | |
| Thomas J. Smith | .... | digital effects supervisor: Cinesite | |
| David Sosalla | .... | digital effects supervisor: POP Film | |
| Bill Taylor | .... | special visual effects: Illusion Arts | |
| Peter Alun Thomas | .... | film scanning and recording technician | |
| R. Gern Trowbridge | .... | electrician: visual effects unit | |
| Mike Wassel | .... | matte artist: Illusion Arts | |
| Bob Wiatr | .... | digital effects compositor | |
| Steve Wright | .... | digital compositor: Cinesite | |
| Fred Jimenez | .... | 2D technical assistant (uncredited) | |
| Kenneth Littleton | .... | digital effects supervisor (uncredited) | |
| Brandon McNaughton | .... | digital compositor (uncredited) | |
Stunts | |||
| Hank Amos | .... | utility stunts | |
| Matthew R. Anderson | .... | marine stunts | |
| Seth Arnett | .... | stunt coordinator: second unit | |
| Team Filmka | .... | stunts | |
| Jiri Horky | .... | stunt double: Will Estes | |
| Jiri Horky | .... | stunts | |
| Dusan Hyska | .... | stunts | |
| Cinda-Lin James | .... | stunt rigger | |
| Jindrich Klaus | .... | stunts | |
| Robert Lahoda | .... | fire stunts | |
| Mark Norby | .... | stunt double | |
| Alessandro Novelli | .... | stunt double | |
| Emiliano Novelli | .... | stunts | |
| Claudio Pacifico | .... | italian stunt coordinator: second unit | |
| Jaroslav Peterka | .... | stunts | |
| Gianluca Petrazzi | .... | stunts | |
| Jan Petrina | .... | stunt double: David Keith | |
| Jan Petrina | .... | stunts | |
| Jaroslav Psenicka | .... | fire stunts | |
| Pat Romano | .... | stunt coordinator | |
| Patrik Stanek | .... | fire stunts | |
| Patrik Stanek | .... | stunts | |
| Massimiliano Ubaldi | .... | stunts | |
Casting Department | |||
| Ross Baxter | .... | extras casting | |
| Kate Dowd | .... | casting: Europe | |
| Sara Lewis | .... | casting associate | |
Costume and Wardrobe Department | |||
| Angela Beale | .... | costumer | |
| Jayme Bednarczyk | .... | costumer: second unit | |
| Maura Bellini | .... | dress maker | |
| Donna Berwick | .... | assistant costume designer | |
| Stefano De Nardis | .... | assistant costume designer | |
| Augusto Grassi | .... | costume supervisor | |
| Askia Won-Ling Jacob | .... | costumer | |
| Claudio Manzi | .... | assistant costume designer | |
| Bettina Pontiggia | .... | costumer | |
| Roberta Pontiggia | .... | costumer | |
| Vittorio Torrieri | .... | tailor | |
| Maurizio Torti | .... | costumer | |
Editorial Department | |||
| Gordon Antell | .... | first assistant editor | |
| Karen Dimmig | .... | assistant editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Liberata Zocchi | .... | assistant editor | |
Music Department | |||
| Pete Anthony | .... | orchestrator (as Peter Anthony) | |
| Bruce Babcock | .... | orchestrator | |
| Julian Bratolyubov | .... | music preparation | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Daryl B. Kell | .... | supervising music editor | |
| Richard Marvin | .... | orchestrator | |
| Dennis S. Sands | .... | music recordist (as Dennis Sands) | |
| Dennis S. Sands | .... | music scoring mixer (as Dennis Sands) | |
| Ken Thorne | .... | orchestrator | |
Other crew | |||
| Monica Amadori | .... | helicopter pilot | |
| Edmondo Amati Jr. | .... | set manager: second unit | |
| Daniel Bailey | .... | zodiac captain (as Danny Bailey) | |
| David Balme | .... | historical advisor | |
| Francesco Belfiore | .... | personal assistant to actor | |
| Rebecca Booth | .... | production assistant | |
| Linda Bowen | .... | assistant accountant | |
| Brian Bradeley | .... | submarine captain | |
| Paul Brehme | .... | assistant: Mr. Mostow | |
| Lisa Burnside | .... | zodiac captain | |
| Sabrina Canale | .... | personal assistant: Mr. Jon Bon Jovi and Mr. Bill Paxton | |
| Ezio Canesso | .... | helicopter pilot | |
| Danny Dade | .... | tank supervisor | |
| Robert Dawson | .... | title designer | |
| Shirley Delovich | .... | assistant: Mr. De Laurentiis | |
| Gianfranco De Rosa | .... | set manager | |
| Dianne Dreyer | .... | script supervisor | |
| Dave Ellin | .... | submarine captain | |
| Carla Ferroni | .... | production liaison | |
| Hector Freeman | .... | assistant: Mr. De Laurentiis | |
| Charlie Galea | .... | rescue diver | |
| Rita Galea | .... | production coordinator: Malta | |
| Patrick Hannifin | .... | technical advisor | |
| Karina Hickman | .... | zodiac captain | |
| Hilary Julian | .... | assistant marine coordinator | |
| Harry L. Julian Jr. | .... | marine supervisor (as Harry Julian Jr.) | |
| Lance Julian | .... | marine coordinator (as Captain Lance Julian) | |
| Harry L. Julian Sr. | .... | assistant marine coordinator (as Harry Julian Sr.) | |
| Marcus Maria Jung | .... | voice-over (as Marcus Jung) | |
| David Kahn | .... | cryptographic consultant (as Dr. David Kahn) | |
| Samba Kosak | .... | personal assistant | |
| Mitchell Kramer | .... | zodiac captain | |
| Elvira Lamastra | .... | assistant: Mr. De Laurentiis | |
| Sabina Lepri | .... | set production assistant | |
| Michael Lichtenegger | .... | production liaison | |
| Mahnaz Mary Mahdavi | .... | accountant: USA and Europe | |
| Dennis Mahoney | .... | assistant accountant | |
| Norma Marie Mascia | .... | production coordinator: second unit | |
| Douglas W. McHenry | .... | post-production accountant | |
| Mario Mercuri | .... | account service representative | |
| J.C. Merrill | .... | assistant marine coordinator | |
| Jacqueline Murphy | .... | unit nurse | |
| Gianluca Nardulli | .... | assistant unit publicist | |
| Gary Nixon | .... | location accountant | |
| Christina Nudi | .... | assistant choreographer | |
| Hilde Odelga | .... | production coordinator | |
| Jeff Partin | .... | zodiac captain | |
| Francesco Pavolini | .... | set production assistant | |
| Jim Pearson | .... | additional marine support | |
| Al Perry | .... | diver | |
| Al Perry | .... | water safety | |
| Annie Rhodes | .... | assistant: Mr. Mostow | |
| Luigi Riitano | .... | location accountant | |
| Dresden Shumaker | .... | assistant: Mr. Mostow | |
| Michael Smith | .... | production accountant | |
| Leontine Snell | .... | choreographer | |
| Nick Spetsiotis | .... | assistant marine coordinator | |
| Cheryl Starbuck | .... | script supervisor: second unit | |
| Cid Swank | .... | unit publicist | |
| Franca Tasso | .... | production liaison | |
| Branko Tomovic | .... | voice-over | |
| Dirk Vahle | .... | aerial coordinator | |
| Doug Valenzuela | .... | zodiac captain | |
| Antonella Villanti | .... | assistant accountant | |
| David Aaron | .... | armorer (uncredited) | |
| Mark Chambers | .... | production safety (uncredited) | |
| Denis O'Sullivan | .... | assistant: Harvey Keitel (uncredited) | |
| Jennifer Stivala | .... | assistant accountant (uncredited) | |
| Elisabetta Tomasso | .... | production assistant (uncredited) | |
Thanks | |||
| Rachel Lipman | .... | special thanks | |
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This is a review written by a specialist on the U-boat warfare:
First off, I am pleased to say my worst fears were not realized. This movie is not a retelling of the capture of the Enigma machine from U-110 with Americans substituted for British. The only thing the historical incident and the movie have in common is that both include an Enigma machine and a U-boat.
The basic premise of the movie is this: It is spring, 1942. (Although not stated explicitly in the movie, this coincides with the implementation of the 4-rotor Enigma machine and the subsequent intelligence blackout which proved quite inconvenient for the Allies.) Allied intelligence learns that a crippled U-boat is awaiting a rendez-vous with a supply submarine. An American World War I S-class submarine and its crew are disguised to resemble that supply submarine, with the goal of boarding the U-boat and seizing the Enigma. Naturally the operation does not go as smoothly as predicted. The American boarding party ends up trapped on the U-boat and must figure out how to get home with their prize.
The special effects, including sound effects, are good, and there are lots of satisfying explosions and interesting underwater camera views. The plot is a bit predictable, and seems to owe a lot to many previous submarine movies, including Das Boot. There are a few technical issues that purists will notice; for example, American S-boats were not actually equipped with radar, an awful lot of bullets were sprayed around the interior of the U-boat without appearing to damage anything vital, and the plan to open the torpedo tubes at a depth of 200 meters seemed ill-advised, to say the least.
One scene was disturbing, however. Early in the film, the U-boat comes upon a lifeboat full of British sailors. The U-boat commander orders his gunner to kill them all, because "The Führer has ordered us not to pick up survivors." It is disappointing to see the myth of U-boats executing occupants of lifeboats perpetuated yet again. The truth about the Laconia order is it did forbid picking up survivors but did not specify that they be shot, simply that they not be rescued or aided as well as the only case on record in World War II in which a U-boat purposely fired on survivors in the water.
In general, this is a good action film. It's no Das Boot, but then I knew it wasn't going to be. For one thing, it lacks the emotional impact and suspense of Das Boot; also, the grim wartime mood that pervaded Das Boot is absent from this movie. In fact, for U-571 the World War II setting seems almost incidental, as the plot could be adjusted easily to fit any other twentieth century war, real or fictional, involving submarines.
In sum, this is not really a World War II movie. It's a submarine movie with nonstop action and plenty of explosions.
29 April, 2000: One more thing which needs to be mentioned. In an interview in the 23 April Washington Post, the director, Jonathan Mostow, states that the movie Das Boot was "based on a lie" because "[...] it pretended that the captains and crews were submariners first, and only incidentally Nazis. They were dedicated Nazis; they had to be to fight that hard."
As anyone familiar with U-boat history knows, this is nonsense. It is well known that the U-boat arm was the least political of any of the German military branches in World War II. While some U-boat men were indeed confirmed Nazis, many were not. Men fight hard in every war, not for reasons of ideology, but for reasons of personal survival and out of a sense of duty and obligation to their group or unit. Mostow's opinion on this particular topic is just that - an opinion, apparently not founded on any knowledge of U-boat history or military psychology