Fucking Åmål (1998)

User Rating:

7.8/10   

Director:

Lukas Moodysson

Writer:

Lukas Moodysson (writer)

Release Date:

23 October 1998 (Sweden)

Genre:

Drama | Romance

Tagline:

Jag ska aldrig mer bli ihop med nån. Jag ska bli celibat.

Plot:

Two teenage girls in small-town Sweden. Elin is beautiful, popular, and bored with life. Agnes is friendless, sad, and secretly in love with Elin.

Plot Keywords:

Birthday | Party | Birthday Party | Sweden | Reputation

Awards:

19 wins & 8 nominations

Cast

Alexandra Dahlström	...	Elin Olsson
Rebecka Liljeberg	...	Agnes Ahlberg (as Rebecca Liljeberg)
Erica Carlson	...	Jessica Olsson
Mathias Rust	...	Johan Hulth
Stefan Hörberg	...	Markus
Josefine Nyberg	...	Viktoria (as Josefin Nyberg)
Ralph Carlsson	...	Agnes' Father Olof
Maria Hedborg	...	Agnes' Mother Karin
Axel Widegren	...	Agnes' Little Brother Oskar
Jill Ung	...	Elin's Mother Birgitta
Lisa Skagerstam	...	Camilla
Lina Svantesson	...	Malin
Johanna Larsson	...	Sara
Elinor Johansson	...	Jenny
Jessica Melkersson	...	Sabina

Also Known As:

Show Me Love (Canada: English title) (UK) (USA)
Fucking Åmål (Denmark)
Amigas de Colégio (Brazil) [pt]
Amor rebelde (Colombia) [es]
Deixe mou agapi (Greece) [el]
Descubriendo el amor (Fucking Åmål) (Argentina) [es]
Fucking Åmål (Spain) [es]
Fucking Åmål (France) [fr]
Fucking Åmål - Il coraggio di amare (Italy) [it]
Fucking Amal (Poland) [pl]
Fucking Amal (Netherlands) [nl]
Laska je laska (Slovakia) [sk]
Qui aimes-tu? (Canada: French title) [fr]
Raus aus Åmål (Germany) [de]

Runtime:

89 min

Country:

Sweden | Denmark

Language:

Swedish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:14A (Alberta/British Columbia) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Iceland:12 | Netherlands:12 | Taiwan:R-12 | New Zealand:M | Argentina:16 | Australia:MA | Denmark:11 | Finland:K-12 | France:U | Germany:12 | Hong Kong:IIB | Norway:11 | Singapore:R(A) | Spain:13 | Sweden:11 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:Unrated

Filming Locations:

Film i Väst, Nohab Industrial Estate, Trollhättan, Västra Götalands län, Sweden

Company:

Memfis Film

Trivia:

Although set in the Swedish town Åmål, not a single scene was actually shot there. All exteriors were filmed in Trollhättan, almost 100 miles away.

Goofs:

Errors in geography: Supposedly takes place in Åmål, but large parts are obviously filmed in Trollhättan.

Quotes:

Elin: I wanna do drugs!

Movie Connections:

Referenced in Bag om filmen 'Fucking Åmål' (1999) (TV)

Soundtrack:

FUNNY BUNNY BOY

Teaches you how to love again

For me, when watching this movie, one has to keep in mind any other teen-love movies you might have seen. Heck, ALL teen movies are fair game. Then, when watching this movie, notice how those other movies begin to crumble under their own stupidity, and jump off large cliffs like celluloid lemmings. Now THAT'S great filmmaking. Great films go straight for the jugular of other films; thinning out the herd.

Fucking Åmål takes adolescence, and instead of portraying how wonderfully blissful it all was, it shows how it was a time in everyone's life for over-dramatizing and acting mostly petty. But then, out of these ashes rises something that was great about those awkward years: love. Because you didn't stop being dramatic when it came to love, but you celebrated it. Like the characters in this movie, everyone who fell in love in high school spent time brooding over class pictures, or waited by the phone for that one call. Moodysson uses the scenes at the school and the parties to allow viewers to reflect on how awkward and cruel being in high school was. But instead of carrying this effect into the lovely land of high school crushes, he instead raises them up on a pedastal. It made me wonder if i can't love like that again: with no hesitation, no complications, and with all my heart.

What makes this film great though (and not just good) is by bringing the issue of homosexuality into it, but he slowly begins to make the issue hazy and unclear so that it no longer becomes an issue except for the less developed, and unliked, characters in the film. By the end of the movie, it doesn't matter that Agnes and Elin are to GIRLS in love, but that they are two girls in LOVE. In an age where media has transformed homosexuality into more about sexuality and less about love, Moodysson flips the scales. By the end of the movie, you start to realize that Agnes isn't a lesbian, because that title is worthless. She's just a person who loves. She celebrates what she finds beautiful (Elin). Of course, Elin is the main character of the film because she is the one who changes and matures. She elevates herself out of the social stratosphere of high school lunches, and into a world without personal boundries.

Last, one has to admire the fact that Moodysson doesn't take the film over the edge, and make it too much about how girls need to look for love just amongst themselves because all teenage boys are immature. First, he portrays most all of the other kids (regardless of sex) as immature except for Agnes and Elin, not just boys in particular. Then, he allows the viewer to sympathize with Johan. Johan maybe confused and unsure of himself, but he was just as much in love with Elin as Agnes was. How easy it might have been to make him mean, stupid, and worthless, so that viewers would be happy to see Elin flee him and go to Agnes. But he's not, he's kind-hearted and genuinely seems to care about Elin. Once again, this is Moodysson using love to blind the issue of heterosexualty and homosexuality and concentrate on love itself.

Definitely a movie for the romantic, and one that will teach you how to correctly fall in love again.