9.2/10
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19 user 7 critic

The Godfather Trilogy: 1901-1980 (1992)

R | | Crime, Drama, Thriller | Video
The multigenerational saga of the rise and fall of the Corleone crime family.

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, (novel)
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Cast

Cast overview, first billed only:
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Don Michael Corleone (archive footage)
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Tom Hagen (archive footage)
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Kay Adams (archive footage)
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Connie Corleone Rizzi (archive footage)
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Don Vito Corleone (archive footage)
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Sonny Corleone (archive footage)
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Fredo Corleone (archive footage)
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Young Vito Corleone (archive footage)
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Vincent Mancini (archive footage)
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Peter Clemenza (archive footage)
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Hyman Roth (archive footage)
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Frankie Pentangeli (archive footage)
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Mary Corleone (archive footage)
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Al Neri (archive footage)
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Don Altobello (archive footage)
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Storyline

This direct-to-video feature re-edits the three Godfather films into one cohesive package. The saga of the Corleone Family is told in chronological order, and numerous scenes that were deleted from each film have been restored. Written by Phil Fernando

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »
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Details

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Also Known As:

Kmotr 1, 2, 3  »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (DVD) | (longer)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Vito Corleone, Clemenza and Tessio are going to the gunsmith the owner's name is Augustino Coppola, later he introduces his son, Carmine Coppola, who demonstrates his flute playing abilities. This scene is a tribute to Francis Ford Coppola's father and grandfather. His father was the first flautist with the NBC symphony under Arturo Toscanini. His grandfather was an actual gunsmith. His father worked in the "shop" from time to time as a child. They both insist the event actually happened. See more »

Goofs

As the Corleone's pack up to move to Las Vegas, there is a real estate sign outside the compound offering the property for commercial development. Later, Michael meets Frankie Pentangeli in his father's old (redecorated) house. See more »

Quotes

Don Vito Corleone: Never let anyone outside the family know what you're thinking.
See more »

Connections

Edited from The Godfather: Part III (1990) See more »

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User Reviews

If Only They Deleted Part III & Included the 55 minutes of Outakes!
9 October 2002 | by (United States) – See all my reviews

The final image in PART 2 said it all! After that, it was just 'more of the same'.

And it's still missing about 20 more minutes (deleted from the theatrical versions) of great footage from the broadcast of "A Novel for Television" (or the retitled "Godfather Saga") that combined 1 & 2. Most notable is James Caan's 'Sonny' that was more prominent following the Don's assassination attempt. Plus...why take out scenes that were in the theatrical release. No matter what version is shown, it's either censored (for TV) with added scenes that further fleshes out the story and characters, or the theatrical release seems edited.

Coppola has said that he doesn't mind taking out scenes (according to his whim) because he can always put them back. What a way to keep the cash cow forever flowing. And...at the expense of depriving movie lovers the definitive version of 'The Godfather Saga'.

Just look at how many versions of 'The Godfather' there is...

1)'Godfather', 'Godfather PART II', 'Godfather Part III' (546 minutes)

2)'The Godfather: A Novel for Television' (1977) (434 min. not including the 171 min. of Part III) [434 + 171 = 605 min.]

3)'The Godfather Epic: 1902-1959' (3 tapes on VHS) (402 min. not including Part III) [402 + 171 = 573 min.]

4)'The Godfather Trilogy' (laser disc) (583 min)

Every version has some scenes that the others don't have. I think I'll wait till all the footage that the viewing public has been exposed to is all included in the film from beginning to end because all that footage is great cinema. For once, it'd be nice to sit back and enjoy the entire story without your concentration being interrupted by missing scenes (you know exists) that causes gaps in the narrative.


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