The Messenger: The Story of Joan of Arc (1999)

Director:

Luc Besson

Writers:

Luc Besson (writer)
Andrew Birkin (writer)

Release Date:

12 November 1999 (USA)

Genre:

Biography | Drama | History | War

Plot:

A young girl receives a vision that drives her to rid France of its oppressors.

Plot Keywords:

Action Heroine | French Court | Interrogation | Medieval | 15th Century

Awards:

5 wins & 10 nominations

US TV Schedule:

Wed. July 9

4:30 AM

MAX

Cast

Milla Jovovich	...	Joan of Arc
Dustin Hoffman	...	The Conscience
Faye Dunaway	...	Yolande D'Aragon
John Malkovich	...	The Dauphin / Charles VII
Tchéky Karyo	...	Dunois
Vincent Cassel	...	Gilles de Rais
Pascal Greggory	...	The Duke of Alençon
Richard Ridings	...	La Hire
Desmond Harrington	...	Aulon
Timothy West	...	Pierre Cauchon
Rab Affleck	...	Comrade
Stéphane Algoud	...	Look Out
Edwin Apps	...	Bishop
David Bailie	...	English Judge
David Barber	...	English Judge

Also Known As:

Joan of Arc (Australia) (Philippines: English title) (UK)
Jeanne d'Arc (France)
Joana d'Arc (Brazil) (Portugal) [pt]
Juana de Arco (Argentina) (Spain) [es]
Giovanna d'Arco (Italy) [it]
Ioana d'Arc (Romania) [ro]
Ioanna tis Lorainis (Greece) [el]
Jeanne d'Arc (Sweden) [sv]
Jeanne d'Arc (Finland) [fi]
Jeanne d'Arc (Denmark) [da]
Jeanne d'Arc, az Orleans-i szûz (Hungary) [hu]
Johanna von Orleans (Germany) [de]
Juana de Arco, de Luc Besson (Spain) [es]
Luc Besson's Johanna von Orleans (Germany) [de]
Messagère: L'histoire de Jeanne d'Arc, La (Canada: French title) [fr]

MPAA:

Rated R for strong graphic battles, a rape and some language.

Runtime:

160 min | USA:148 min

Country:

France

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital EX | SDDS

Certification:

Malaysia:18PL | Iceland:16 | Philippines:PG-13 | New Zealand:R15 (re-rating) | New Zealand:R18 (theatrical rating) | Argentina:13 | Australia:MA | Canada:18A | Chile:14 | Finland:K-16 | France:U | Germany:16 | Hong Kong:IIB | Japan:PG-12 | Mexico:C | Norway:15 | Portugal:M/16 | Singapore:M18 | South Korea:18 | Spain:13 | Sweden:15 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Beynac, Dordogne, France

Company:

Europa Corp.

Trivia:

Giles de Rais (Vincent Cassel's character) was a real person who after the war and Joan's death retired to his lands. Years later, he was arrested for the murder of more than a hundred young boys and was executed. Some historians believe that his crimes became the basis for the French fairy tale "Bluebeard" about a rich man who murders his wives and hides their bodies in his grand house.

Goofs:

Continuity: Joan is shot by an arrow near her right collarbone. In the last scenes(when she is about to be burned at the stake) the scar is on her left collarbone

Quotes:

Aulon: But how do you know that these voices aren't just really you?
Joan of Arc: They are me. That's how God speaks to me. Even you could hear them if you listened hard enough.

Movie Connections:

Referenced in Film Geek (2005)

Soundtrack:

My Heart Calling

A fresh feeling take on the classic tale, one that focuses on visual style rather than historical information. *** out of ****

THE MESSENGER: THE STORY OF JOAN OF ARC (1999) ***

Starring: Milla Jovovich, John Malkovich, Faye Dunaway, Dustin Hoffman, and Pascal Greggory Directed & co-writer: Luc Besson Running Time: 141 minutes Rated R (for graphic violence, rape, and for language)

By Blake French:

Some classic stories just can't be updated. Example: "William Shakespeare's Romeo and Juliet" re-released in 1996. However, one of the greatest tragedies ever told, the story of Joan of Arc, has just been proven possible to be relateable even with time as its enemy. Luc Besson has created a fresh-feeling new version of Joan called "The Messenger," a historical epic that, for better or worse, concentrates mostly on visual style and realistic war scenes rather than answering questions we don't already know about the characters in focus here.

The historical Joan of Arc was a poor young French woman, who believed that there were spiritual signs that ordered her to be a messenger to aid the King of France to victory on the battle field. According to "The Messenger: The Story of Joan of Arc," Charles VII, married to the bitter Yolande D'Aragon, was very grateful of her assistance at the time, especially when Joan explained that God has sent her to lead French troops to war with the English and be victorious.

The visions seen (or imagined) by Joan are clearly brought to life here, with more effective qualities than ever before in a Joan of Arc picture. They are filmed with many unusual special effects, bizarre camera tricks, and a beautifully crafted atmosphere of imagery. In use with these elements to the credit of the depicted scenes, they do a good job of expressing the spiritual dream-like moments through Joan with an imaginative feeling of majesty and revealing emotion. The style, camera, and direction all contribute to making these sequences of the best material in the production.

The film was shot in the Czech Republic, as well as the country of France. Cinematographer Thierry Arbogast captures the courageous historical time period flawlessly in these locations. The battle scenes may get little off track at times; some sequences are meant more for brutality purposes rather than a strong, focused narrative story.

The actors interpret their characters with a precise energetic edge. Milla Jovovich has the ability to be a believable Joan of Arc, but does push the limit on convincing us. Some of the film's efforts are straining toward the idea that Joan was somewhat mentally retarded-and Jovovich does a great job presenting that. Other familiar faces found in "The Messenger: The Story of Joan of Arc" include John Malkovich as King Charles VII, and Faye Dunaway as his spouse, Yolande D'Aragon. Also the legendary Dustin Hoffman inhabits a brief but appropriate role as the Grand Inquisitor, and Pascal Greggory is The Duke of Alençon.

There are scenes in this movie that make the audience stare at the screen in awe, but also scenes that make us ask ourselves questions. Although much of the production is spent on developing Joan's character and motives, the film still doesn't manage to answer some questions being asked by viewers pondering minds. We never learn if the visions Joan experienced were a calling from God, or just a figment of her intellectual imagination. Was Joan really crazy, or only near eccentric? Were the physical objects that Joan felt were signs from a higher spirit actually what she thought they were? An ulterior source could have been Lucifer deceiving the trusting Joan. Or did the French actually triumph in battles because of the spiritual strength accorded by Joan, or was luck the element present? And I personally would have like a little more explanation of the Grand Inquisitor character.

"The Messenger: The Story of Joan of Arc" is a serious dramatic tragedy, and it takes itself as that all of the time. Luc Besson has constructed a movie that is ambitious and inspiring, with no room for the compromising or modest. I recommend the picture weather you're a new comer or a veteran to the Joan of Arc mythology. Even if you already know the story of Joan of Arc like the back of your hand, this telling might just surprise you.

Brought to you by Columbia Pictures.