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Topsy-Turvy (1999)
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Overview
User Rating:
Release Date:
14 January 2000 (USA) moreTagline:
The egos. The battles. The words. The music. The women. The scandals. morePlot:
After Gilbert and Sullivan's latest play is critically panned, the frustrated team threatens to disband until they are inspired to do their masterpiece, "The Mikado." full summary | add synopsisAwards:
Won 2 Oscars. Another 10 wins & 22 nominations moreNewsDesk:
(9 articles)
Win a Free Happy-Go-Lucky Movie Poster! (From FilmSchoolRejects. 9 October 2008, 12:49 PM, PDT)
The Domestic Trailer for 'Happy-Go-Lucky' (From Rope Of Silicon. 20 August 2008, 10:09 PM, PDT)
User Comments:
wonderful entertainment moreCast
(Cast overview, first billed only)| Allan Corduner | ... | Sir Arthur Sullivan | |
| Dexter Fletcher | ... | Louis | |
| Sukie Smith | ... | Clothilde | |
| Roger Heathcott | ... | Banton | |
| Wendy Nottingham | ... | Helen Lenoir | |
| Stefan Bednarczyk | ... | Frank Cellier | |
| Geoffrey Hutchings | ... | Armourer | |
| Timothy Spall | ... | Richard Temple (The Mikado) | |
| Francis Lee | ... | Butt | |
| William Neenan | ... | Cook | |
| Adam Searle | ... | Shrimp | |
| Martin Savage | ... | George Grossmith (Ko-Ko) | |
| Jim Broadbent | ... | W. S. Gilbert | |
| Lesley Manville | ... | Lucy Gilbert | |
| Kate Doherty | ... | Mrs. Judd |
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Additional Details
Also Known As:
Mike Leigh Untitled (USA) (working title)Topsy-Turvy (France) [fr]
Topsy-Turvy (Portugal) [pt]
Topsy-Turvy (Argentina) [es]
Topsy-Turvy - Auf den Kopf gestellt (Germany) [de]
Topsy-Turvy - O Espetáculo (Brazil) [pt]
Topsy-Turvy - Sottosopra (Italy) [it]
Topsy-Turvy - mullin mallin (Finland) [fi]
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MPAA:
Rated R for a scene of risque nudity.Parents Guide:
Add content advisory for parentsRuntime:
160 minCountry:
UKColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby DigitalCertification:
Iceland:L | Argentina:13 | Australia:M | Canada:14A (Alberta) | Canada:14 (Nova Scotia) | Canada:G (Quebec) | Chile:14 | Finland:S | France:U | Germany:o.Al. | Hong Kong:IIA | Netherlands:AL | New Zealand:M | Portugal:M/12 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12 | USA:R | Canada:PG (British Columbia/Manitoba/Ontario)MOVIEmeter: 
Fun Stuff
Trivia:
W.S. Gilbert's quip about a prostitute dying of consumption in a garret refers to Verdi's opera "La Traviata." moreGoofs:
Factual errors: When Gilbert enters the night's take for Princess Ida in his ledger, the date can be seen to be listed as Monday, 10 June, 1884. That date actually occurred on a Tuesday in that year. moreQuotes:
[Frederick Bovill who has the part of Pish-Tush has just sung his part in the trio in a dotted rhythm, when it is in 12 8]Sullivan: Yes, but you see, I have gone to considerable trouble, Mr Bovill, to provide you with triplets. So, if you would care, to triple?
more
Movie Connections:
Featured in "British Film Forever: Corsets, Cleavage and Country Houses: The Story of British Costume Drama (#1.4)" (2007) moreSoundtrack:
The Mikado Finale, Act Two moreFAQ
Was George Grossmith really a morphine addict?What was the repeated word Sullivan offered as final advice to the cast?
What was Leonora Braham's "little problem" that management was questioning her about?
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Mike Leigh's gloriously entertaining film, `Topsy-Turvy,' offers a wise and witty slice of musical theater history. Set in 1880's London, the movie chronicles the extraordinary personal and professional relationship between two giants of the 19th Century entertainment world, lyricist `Willie' Gilbert and composer Arthur Sullivan. The screenplay, wisely, chooses to pick up the tale not at the very beginning of their collaborative career - tracing its rise and fall as many biopics would do - but rather at the point where the team has already garnered international fame and success but seems of late to be experiencing a bit of creative stagnation. Sullivan, tiring of the seemingly trivial nature of the librettos they've been producing, wants to break away and embark on his own to produce a work of more `weighty' merit. Gilbert, on the other hand, delights in his success and, although bothered by comments in the press that his work has begun to repeat itself, initially resists Sullivan's plea that they abandon their hitherto winning formula.
Thus, the conflict between the two men of creative genius plays itself out against the fascinating backdrop of a deliciously recreated vision of the theatrical world of a hundred-odd years ago. Just as important to the film as the two main characters is the rich assortment of secondary players - theater proprietors, company actors, wives, lovers and parents - who swirl around the principals and provide a colorful tapestry to match the exquisite art direction and costuming that adorn the film. In addition, Leigh incorporates clever references to some of the technological marvels just making their appearance at the time: telephones, reservoir pens and luxury hotels with baths for every room!
Leigh's pacing is admirably unhurried and relaxed. So rich is the detail of his vision that fully thirty-five minutes elapse before the two lead characters even have their first scene together. In addition, the inspiration for `The Mikado' - ostensibly the centerpiece of the film's plot - doesn't strike Gilbert until well into the second hour. Yet, the film never falters in interest, least of all when Leigh devotes long stretches of footage to showing us the actors rehearsing their parts or having us eavesdrop on some behind-the-scenes salary negotiations or discussions of artistic differences. This is the real triumph of the film: Leigh opens up a world to us by letting us see the fascinating nuts-and-bolts aspects of the creative process to which we, as members of a theatre audience, are rarely privy. He also is not afraid to linger long over many a beautiful reproduction of the musical pieces themselves. Leigh can count his film a success in that it makes us want to rush out and catch a performance of one of these operettas ourselves.
The film would not be the splendid success it is were it not for the dazzling performances of its amazingly large cast. Jim Broadbent and Allan Corduner are perfection as the good-natured but often antagonistic partners, never playing the humor too broadly or violating the spirit of elite British gentility even in their most conflict-laden moments.
Indeed, it is this very quality of quiet subtlety that permeates every aspect of `Topsy-Turvy' and that makes it the wholly satisfying and entertaining film it is.