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Overview
User Rating:
Writer:
Lars von Trier (writer)
Release Date:
20 May 1998 (Belgium) more
Tagline:
Society is the mother of all Idiots more
Plot:
The group of people gather at the house in Copenhagen suburb to break all the limitations and to bring out the "inner idiot" in themselves. full summary | add synopsis
Awards:
5 wins & 4 nominations more
NewsDesk:
(4 articles)
Decade in Review: 2000 Top Ten
(From FilmExperience. 5 November 2009, 1:07 PM, PST)
Lars von Trier is "The Best Director in the World"
(From Tribeca Film. 20 October 2009, 5:00 AM, PDT)
User Comments:
overlong, no-holds-barred satire fails as social criticism more (121 total)
Cast
(Cast overview, first billed only)| Bodil Jørgensen | ... | Karen | |
| Jens Albinus | ... | Stoffer | |
| Anne Louise Hassing | ... | Susanne | |
| Troels Lyby | ... | Henrik | |
| Nikolaj Lie Kaas | ... | Jeppe | |
| Louise Mieritz | ... | Josephine | |
| Henrik Prip | ... | Ped | |
| Luis Mesonero | ... | Miguel | |
| Knud Romer Jørgensen | ... | Axel | |
| Trine Michelsen | ... | Nana | |
| Anne-Grethe Bjarup Riis | ... | Katrine | |
| Paprika Steen | ... | High Class Lady | |
| Erik Wedersøe | ... | Stoffer's Uncle | |
| Michael Moritzen | ... | Man From Municipality | |
| Anders Hove | ... | Josephine's Father |
Additional Details
Also Known As:
Dogma 2: 'The Idiots' (International: English title) (complete title)
Dogma 95 - Idioterne
Dogme # 2 - Idioterne (Denmark) (series title)
Dogme 2 (Denmark)
Idioterna (Sweden)
Idioti (Italy)
Les idiots (France)
The Idiots (International: English title)
Los idiotas (Argentina) (Spain) [es]
Os Idiotas (Brazil) (Portugal) [pt]
Идиоты (Russia) [ru]
Idioci (Poland) [pl]
Idiootit (Finland) [fi]
Idioten (Germany) [de]
Les idiots (Canada: French title) [fr]
Oi ilithioi (Greece) [el]
more
MPAA:
Rated R for strong sexuality and nudity, and for language.
Parents Guide:
Runtime:
117 min | South Korea:110 min (cut)
Country:
Denmark | Sweden | France | Netherlands | Italy
Language:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Certification:
Iceland:14 | Iceland:16 (video rating) | France:-12 (original rating) | Singapore:R(A) (cut) | Canada:18A (Canadian Home Video rating) | Argentina:18 | Australia:R | Chile:18 | Finland:K-16 | Germany:16 | Hong Kong:III | Ireland:(Banned) | Italy:T (cut) | Italy:VM14 | New Zealand:R18 | Norway:18 | Portugal:M/16 | South Korea:(Banned) (original rating) | South Korea:18 (re-rating) (cut) | Spain:18 | Sweden:15 | Switzerland:18 (canton of Geneva) | Switzerland:18 (canton of Vaud) | UK:18 | USA:R (cut)
Filming Locations:
Company:
Fun Stuff
Trivia:
Part of the Canon of Danish Art and Culture. more
Goofs:
Incorrectly regarded as goofs: This is a film that adheres to the 'Dogme 95' manifesto, so the usual goof rules do not necessarily apply. This includes shots of the crew, microphones and other equipment, as well as continuity errors. more
Quotes:
[Susanne puts a "spastic" Ped behind the van's steering wheel]
Guide at Factory:
Who... is he driving?
Susanne:
Responsibility does them good.
[Ped drives off recklessly]
more
Movie Connections:
Featured in Lars from 1-10 (1998) more
Soundtrack:
Vi Er Dem De Andre Ikke Må lege Med more
FAQ
This FAQ is empty. Add the first question.more (121 total)
Message Boards
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Related Links
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Denmark section |
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This unconventional satire by Danish mastermind Lars von Trier is the second film that conforms entirely to a 1995 pamphlet issued by von Trier and several other filmmakers that declares special effects, costumes and elaborate camera perspectives obsolete, in order to achieve the highest possible degree of immediacy in the filmmaking process. Story concerns a group of people, who live in a villa in a small Danish town pretending to be mentally retarded. They mock at society, try to make money out of everything and generally enjoy themselves when they can do what they like. The point of the film may be social criticism, but it takes far too long to get there, and without an apparent structure in the script, this soon becomes tedious. Film has its moments, is well-acted and sometimes even hilarious, but also unpleasasant and disturbing at some points. No touch of genius here, a major disappointment from the director of such masterpieces as THE ELEMENT OF CRIME, MEDEA, EUROPA, RIGET and BREAKING THE WAVES.