France, 1942. During the Nazi Occupation, the Ardennes falls in the "forbidden zone" between the German Occupied North and the Vichy governed South. Its inhabitants face starvation as ... See full summary »

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(based on the novel by), (adaptation) | 2 more credits »
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Cast

Cast overview, first billed only:
Pierre Perret ...
Clovis Parizel
Henri Virlojeux ...
Parizel père
Bérangère Dautun ...
Mathilde
Christine Aurel ...
La voyageuse
Jacques Balutin ...
P'tit Louis
...
Serge
Marc Eyraud ...
Maurice
René Havard ...
Lulu
Lucien Hubert ...
Guignard
Bernard Lajarrige ...
Le maire de Bourg-Fidèle
Hubert de Lapparent ...
Bayochet
...
Larobesse
Jeanne Allard ...
Paulette
Aline Blome ...
La femme du retraité
Robert Blome ...
Le retraité
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Storyline

France, 1942. During the Nazi Occupation, the Ardennes falls in the "forbidden zone" between the German Occupied North and the Vichy governed South. Its inhabitants face starvation as movement of people and supplies into the area are strictly controlled. To save his family, Clovis risks his life crossing the boundary to get hold of potatoes which he intends to plant in a patch of unused land. Knowing that his family's survival depends on the success of his scheme, Clovis becomes increasingly obsessed with his crop of potatoes. Written by filmsdefrance.com

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Genres:

Comedy | Drama

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22 November 1969 (France)  »

Also Known As:

Potatoes  »

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(Eastmancolor)

Aspect Ratio:

1.66 : 1
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User Reviews

 
A strange, satirical war drama.
11 June 2007 | by See all my reviews

"Les patates" from Claude Autant-Lara is a curious little movie, blending comedy and drama in a historical context.

The story takes place during World War 2, in Occupied France. Clovis (Pierre Perret, a very famous French comedic singer in his convincing screen debut) is trying desperately to cultivate potatoes, despite the restrictions decided by the Nazis, and the jealousy of his neighborhood. Soon, his little garden becomes an obsession, which leads to marital crisis, and beyond...

The film is clearly not as moving and ambitious as Autant-Lara previous work (such as his masterpiece, "La traversée de Paris") but there are many funny parts, and good performances all along.

Overall, a decent satire of Occupied France, with a good balance between comedy and drama.


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