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Psycho (1998)
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Overview
User Rating:
Release Date:
4 December 1998 (USA) moreTagline:
Check in. Unpack. Relax. Take a shower. [Theatrical] morePlot:
A young female embezzeler arrives at the Bates Motel which has terrible secrets of its own. full summary | full synopsisAwards:
3 wins & 3 nominations moreNewsDesk:
(29 articles)
Julianne Moore + Annette Bening. Rejoice! (From FilmExperience. 2 July 2009, 8:00 AM, PDT)
"Happy Mother's Day" Starring Julianne Moore
(From FilmExperience. 10 May 2009, 8:23 AM, PDT)
User Comments:
What was the point? moreCast
(Cast overview, first billed only)| Vince Vaughn | ... | Norman Bates | |
| Anne Heche | ... | Marion Crane | |
| Julianne Moore | ... | Lila Crane | |
| Viggo Mortensen | ... | Samuel 'Sam' Loomis | |
| William H. Macy | ... | Milton Arbogast | |
| Robert Forster | ... | Dr. Fred Simon | |
| Philip Baker Hall | ... | Sheriff Al Chambers | |
| Anne Haney | ... | Mrs. Eliza Chambers | |
| Chad Everett | ... | Tom Cassidy | |
| Rance Howard | ... | Mr. Lowery | |
| Rita Wilson | ... | Caroline | |
| James Remar | ... | Patrolman | |
| James LeGros | ... | Charlie the Car Dealer | |
| Steven Clark Pachosa | ... | Police Guard | |
| O.B. Babbs | ... | Mechanic |
Additional Details
Also Known As:
Psicosis (Argentina) (Spain) [es]Psicose (Brazil) [pt]
Psycho (Italy) [it]
Psycho (Germany) [de]
Psycho (France) [fr]
Psychose (Canada: French title) [fr]
Psyko 1999 (Finland) (TV title) [fi]
Sapik (Turkey: Turkish title) [tr]
more
MPAA:
Rated R for violence and sexuality/nudity.Parents Guide:
View content advisory for parentsRuntime:
105 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreCertification:
Singapore:NC-16 (uncut) | Iceland:16 | Philippines:PG-13 | Brazil:14 | Netherlands:12 | Netherlands:16 (DVD rating) | Argentina:16 | Australia:M | Canada:14A | Finland:K-14 | France:-12 | Germany:12 | Hong Kong:IIB | Italy:VM14 | Norway:15 | Portugal:M/12 | South Korea:18 | Spain:13 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R | Singapore:PG (censored version)Fun Stuff
Trivia:
Viggo Mortensen starred in another Hitchcock remake the same year, A Perfect Murder (1998). In both movies he is the female protagonist's lover, begins the first scene of each film in bed with her, and is involved in a crime involving an identical amount of $400,000. moreGoofs:
Continuity: When Norman finds Marion dead in the bathroom, he turns out the lights and the neon outside, but when he's dragging Marion's body to the trunk, the lights and the neon are on again. moreQuotes:
[first lines]Samuel 'Sam' Loomis: You never did eat your lunch, did you?
Marion Crane: I better get back to the office. These extended lunch hours give my boss excess acid.
Samuel 'Sam' Loomis: Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
Marion Crane: What do I do with my free afternoon? Walk you to the airport?
more
Soundtrack:
Put It On moreFAQ
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This is easily the worst remake in film history. I have never understood the idea of a remake at all. If a film, like Psycho, is so good to start with why on earth do you want to try and improve on it? If you insist on tampering with perfection, why then do you have to try to recreate it in it's whole? There is nothing original here. Gus Van Sant put nothing of himself into this film. They say imitation is the highest form of flattery, but this is ridiculous. There are a lot of sides to a character as complex as Norman Bates, and I suspect that Vaughn may have wanted to explore them. Instead Van Sant forced him into sticking to a cheap imitation of Anthony Perkins. Perkins turned in a performance that lead to one of the most memorable characters in film history and it would have been impossible for any actor, no matter how good to recreate that. The rest of the characters are stuck just as tight to similarly wooden imitations of the originals. It is almost painful to watch very talented actors (namely William H Macy) have that talent stifled. In the end, Gus Van Sant set out to pay homage to a great film. Instead he cheapened it, and created a movie that is not worthy of late night cable.