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Seul contre tous
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Seul contre tous (1998) More at IMDbPro »

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Overview

User Rating:
7.4/10   4,021 votes
MOVIEmeter: ?
Down 6% in popularity this week. See why on IMDbPro.
Director:
Writer:
Gaspar Noé (writer)
Contact:
View company contact information for I Stand Alone on IMDbPro.
Release Date:
17 February 1999 (France) more
Genre:
Tagline:
In the bowels of France
Plot:
The Butcher (known from Noe's short film Carne) has done some time in jail after beating up the guy... more | add synopsis
Plot Keywords:
Awards:
5 wins & 5 nominations more
NewsDesk:
(10 articles)
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User Comments:
Alone against everyone more (86 total)

Cast

  (Cast overview, first billed only)
Philippe Nahon ... The Butcher
Blandine Lenoir ... His Daughter, Cynthia
Frankie Pain ... His Mistress (as Frankye Pain)
Martine Audrain ... His Mother-in-Law
Jean-François Rauger ... Real Estate Agent
Guillaume Nicloux ... Supermarket Manager
Olivier Doran ... Narrator
Aïssa Djabri ... Dr. Choukroun
Serge Faurie ... Hospital Director
Paule Abecassis ... Junkie
Stéphanie Sec ... Female Hospital Patient
Arlette Balkis ... Dying Lady
Frédéric Pfohl ... Male Hospital Patient
Gil Bertharion Jr. ... Bus Driver
Rado ... Hotel Manager
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Additional Details

Also Known As:
I Stand Alone (USA)
One Against All (literal English title)
Menschenfeind (Austria) (DVD title) (Germany) (DVD title) [de]
Alene mot alt (Norway) [no]
Cannon (Japan: English title) [en]
Ensam mot alla (Sweden) [sv]
Monos enantion olon (Greece) [el]
Solo contra todos (Argentina) [es]
Yksin kaikkia vastaan (Finland) [fi]
more
Runtime:
93 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Company:

Fun Stuff

Quotes:
[after the opening bar scene, the title sequence begins with the following in block letters: Les Cinemas de la Zone present the tragedy of a jobless butcher struggling to survive in the bowels of his nation]
[SEUL CONTRE TOUS, literally, Alone Against All, is displayed one word at a time as the narrator begins]
Narrator: To each his own life, to each his own Morality. My life?
[Various photographs, relevant to the narration are displayed, as the narrator continues]
Narrator: There's nothing to it. It's the life of a sorry chump. They should write that someday. The story of a man like so many others, as common as can be. It starts off in France, shithole of cheese and Nazi lovers. Our man is born near Paris in 1939. In '41 his mother abandons him. He'll never see her again. At the War's end, he finally finds our who his father was. A French Communist killed in a German death camp. He's now six years old. Inner turmoil is part of him. Meanwhile, an educator nabs his innocence in the name of Jesus. At the age of 14, driven by survival, he learns to be a butcher. For ten years he works around saving up penny after penny to pay for his market place. At 30, he succeeds and sets up shop in Aubervilliers. After a rough couple of years, his horsemeat trade gains momentum.
Narrator: At last he can start living. He dates a young worker and bursts her hymen at the Hotel of the Future across the street from the factory she works in. But events precipitate. Nine months later, he fathers a baby girl, Cynthia, rejected by the mother. She abandons them and he's forced to raise his daughter on his own. Years go by. The meat market struggles on. The butcher pays installments on a small flat. He raises his daughter, who's locked in muteness.
Narrator: She reaches puberty. She takes on shapes. The father, unwilling bachelor, must resist temptation. And that's when tragedy strikes. The young girl has her first period.
Narrator: Stricken by an unfamiliar pain, she heads for her father's shop. A worker tries to seduce her on her way over. A neighbor spots them and takes the girl to her father. Seeing blood on her skirt, he can only think of rape. He grabs a knife and takes off after the criminal. On a nearby construction site he sees another worker. The butcher stabs his knife into his face. The innocent man survives, the butcher winds up in jail and his daughter is placed in an institution. He writes a few letters to her. Months go by. The butcher is forced to give up his flat and shop. He's out of jail, but all is lost.
Narrator: To survive, he takes a job in a bar. He becomes the matron's lover. She gets pregnant and offers to sell her bar to start over from scratch, in another city. With the proceeds, she can afford to lease a meat market. Having no other choice, the man accepts.
Narrator: For the first time, he visits his daughter. He tells her goodbye. She watches him leave without a word. The next morning, he drives out of Paris with the matron hoping to escape the dark tunnel of his existence.
[...]
more
Movie Connections:
Follows Carne (1991) more
Soundtrack:
Close Up more

FAQ

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12 out of 18 people found the following comment useful.
Alone against everyone, 23 May 1999
Author: matthew wilder (picqueur@aol.com) from los angeles

Stunning. The writer-director Gaspar Noe's first-person account of a jobless butcher's trip on the down escalator has a lot of superficial resemblances to TAXI DRIVER, but the real unseen hand behind this shattering picture belongs to Louis-Ferdinand Celine, whose scabrous stream-of-consciousness monologues Noe has translated into scorching, nineties angry-white-man-ese. As the butcher's three hundred francs dwindle, and his handgun starts looking more and more appealing, Noe surgically implants us inside the antihero's head using a cascade of hilarious and horrifying nihilistic rants that don't quite resemble anything you've ever heard in a movie.

Noe's ingenuity in reinventing the subjective style of TAXI DRIVER is near-limitless; his array of techniques dazzles, from the Godardian intertitles that break the action like a butcher's cleaver hammering a wooden cutting board, to the deafening gunshots accompanied by digital pans and zooms that throw a Brechtian bucket of icewater on the proceedings whenever they calm down. At times the picture suggests one of Fassbinder's fatalistic fables staged as a William Castle horror movie; in a stroke of genius, Noe conceives of the inevitable crack-up finale not in terms of some novel spin on the image, but as a blizzard of scurrilous language--a head self-narrating to the implode point.

At times, the butcher's and Noe's nihilism seem to be one--and a posturing, collegiate nihilism it can be. And the penultimate section of the movie thunks along as Noe recreates painfully familiar scenes from TAXI DRIVER almost in toto. But the cumulative effect of the movie is lacerating, the way early Scorsese and Toback must have felt the first time out. French-language cinema hasn't gotten this kind of wake-up call since the (lesser) MAN BITES DOG.

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Do we really need films like this? Percepto
i hope you like good music nwilkinson-2
My dad couldnt finish it lol movie_music_fiend90
Sympathetic? *spoilers* blackmariah
very existentialist. Reincremation
Rape Scene vs Wife Beating Scene (Spoilers) alliancefighter
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