The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen, and ultimately the fall of Versailles.
A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to... Written by
When the girls are on lock-down, you see the days going by with a view of the house. This was after the tree in the front of house was supposedly cut down - yet the tree is visible in the whole season's montage. See more »
The character "Jake Hill Conley" was originally called "Joe Hill Conley" in the book on which this film was based. During a scene of the girls' home incarceration, where Therese is reading on one of the beds, Mary is applying make-up to Bonnie, and Lux is sitting on the window seat, he is incorrectly referred to as "Joe Hill Conley" by the narrator. See more »
Lady in car:
Those girls have a bright future ahead of them. The other one was just going to end up a kook.
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genuine film talent runs in the blood. sophia coppola's debut is so perfectly done that it'll be hard for her to top. her use of camera angles and shadowing and filters came together so well. i didn't get to see it big screen but you don't need to. it's so elegant and "large" a film.
the acting is subtle and astute. the soundtrack lends to the film better than most films i've seen come out of new hollywood.
the only continuity flaw i saw was the elm tree being in the front yard towards the end after it was so cerimoniously cut down. being the psychological focal point of the film, they should have been more vigilant chequing the dailies...
virgin suicides and american beauty both show profound promise for new hollywood. see them both...
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