Directed by | |||
| Nacho Cerdà | |||
Writing credits(in alphabetical order) | ||
| Nacho Cerdà | ||
Produced by | |||
| Nacho Cerdà | .... | producer | |
| Joseph Maar | .... | executive producer | |
Cinematography by | |||
| Christopher Baffa | |||
Film Editing by | |||
| Raul Almanzan | |||
Second Unit Director or Assistant Director | |||
| Ivan Carrero | .... | second assistant director | |
| Patrick Salvador | .... | first assistant director | |
Camera and Electrical Department | |||
| Celia Almanzan-Fox | .... | on-set video assist | |
| Moni Caballero | .... | gaffer | |
Editorial Department | |||
| Celia Almanzan-Fox | .... | assistant editor | |
Thanks | |||
| Dick Smith | .... | thanks | |
|
|
|
|
|
| Bride of Re-Animator | The Act of Seeing with One's Own Eyes | Blood Feast | Nekromantik | Cannibal ferox |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb Spain section |
I've seen Nacho Cerdà's Aftermath in a local theater and I must say it blows my mind! More than it's disturbing plot, the film is a visual piece of art. Cerdà combines classical music with traveling, smooth camera's movements and fade in order to hypnotize the viewers (reminding us the camera works of the italian master Dario Argento). Also, he uses large shots to out distance the viewers from the events; allowing us to see how disturbing the dead girl's rape is. Is aesthetic is clinical, like the morgue where the short takes place, and fits perfectly with Cerdà's purpose. Finally, the sound effects are very realistic and disturbing (the sound man did a marvelous job). Also note that Cerdà uses students and teachers pathologists to build the movie's special effects (and the actions of his main character who is a pathologist).
I would resume with one phrase : Cerdà's Aftermath is an art masterpiece.