In the sixties Romano Amato, his wife Rosa and their two sons Giancarlo and Gigi emigrate from Solino in Italy to Duisburg in the Ruhr area and establish the first Pizza restaurant in town.... See full summary »
Award-winning director Fatih Akin takes us on a journey through Istanbul, the city that bridges Europe and Asia, and challenges familiar notions of east and west. He looks at the vibrant ... See full summary »
With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.
In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring ... See full summary »
Hamburg, Germany. The small crime scene. Three friends: Gabriel from Turkey and just out of prison, Costa from Greece and together with Gabriel's sister, Bobby from Serbia and together with her best friend. Bobby wants to get more into organized crime and decides to apply for a membership in an Albanian gang. As a test, he has to beat up someone who owes his future boss. He can join. Later, when Bobby has to do a weapon's deal on his own, he tries to get his friends in, too. But Gabriel does not want to go back into crime, he is dreaming of a life at the southern Turkish coast, owning a boat rental shop. Costa, always out of money, joins Bobby for one last time before getting good. But before the deal is on, both women start leaving their men for others. And when the deal is on, it goes terribly wrong. Written by
Julian Reischl <email@example.com>
Why this movie was a failure at the German box-office will always be a mystery to me. Fatih Akin, the director, was obviously influenced by Martin Scorsese's and Brian DePalma's first movies but he didn't try to imitate them. Instead he made one of the first movies which truly celebrates the 'Multikulti'-society that Germany has become (At least in the larger cities).
You can't help but like the Turkish, Serbian and Greek protagonists albeit they are criminals. The characters are far too alive and three-dimensional to be seen as stereotypes/cliches thrown in to reinforce prejudices.
To me, KURZ UND SCHMERZLOS was the best German movie of 1998 (Even better than LOLA RENNT) and I recommend it to anyone who likes MEAN STREETS, Matthieu Kassovitz' LA HAINE or the films of Lars Becker. 9 out of 10.
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