| Shah Rukh Khan | ... | Amarkanth Varma | |
| Manisha Koirala | ... | Meghna | |
| Preity Zinta | ... | Preeti Nair | |
| Raghuvir Yadav | ... | Shukla (as Raghuvir Yadhav) | |
| Sabyasachi Chakraborty | |||
| Piyush Mishra | |||
| Krishnakant | (as Krisnkant) | ||
| Aditya Srivastava | |||
| Ken Philip | (as Ken Phillip) | ||
| Sanjay Mishra | |||
| Mita Vasisht | ... | Mita (female terrorist) (as Mita Vashisht) | |
| Arundhati Rao | (as Arundathi Rao) | ||
| Malaika Arora | ... | Dancer on train | |
| Gautam Bora | |||
| Manjit Bawa | (as Manjith Bawa) | ||
| Zohra Sehgal | ... | Grandmother (as Zora Seghal) | |
| B.M. Shah | (as Late B.M. Shah) | ||
| Gajraj Rao | (as Gajaraj Rao) | ||
| Raja Sharma | |||
| Laxmi Rattan | (as Lakshmi Rattan) | ||
| Priya Parulekar | |||
| Sheeba Chaddha | |||
| Wasiq Khan | |||
| Samir Chanda | |||
| Chintu B. Mohapatra | (as Chintu Mohapatra) | ||
| Vanitha | (as Vanitha Malik) | ||
| Shubdeep | |||
| Ishitha | |||
| R.K. Nair | |||
| Kishan Bhatia | |||
| Sunil Agarwal | |||
| Avtar Sahani | |||
| Rajiv Gupta | (as Rajeev Gupta) | ||
| Anupam Shyam | |||
| Hemant Mishra | |||
| Jessica | |||
| Lavanya | |||
| Babubhai | (as Babu Bhai) | ||
| Alka | |||
| Shaad Ali | |||
| Pia Benegal | |||
| rest of cast listed alphabetically: | |||
| Jaswir Kaur | ... | Dancer (uncredited) | |
Directed by | |||
| Mani Ratnam | |||
Writing credits | ||
| Mani Ratnam | (story and screenplay) | |
| Sujatha | (dialogue) and | |
| Tigmanshu Dhulia | (dialogue) | |
Produced by | |||
| Shekhar Kapur | .... | executive producer | |
| Mani Ratnam | .... | executive producer | |
| Ram Gopal Varma | .... | executive producer (as Ramgopal Varma) | |
Original Music by | |||
| A.R. Rahman | |||
Cinematography by | |||
| Santosh Sivan | |||
Film Editing by | |||
| Suresh Urs | |||
Production Design by | |||
| Samir Chanda | |||
Art Direction by | |||
| Samir Chanda | |||
Costume Design by | |||
| Pia Benegal | |||
| Shabina Khan | |||
| Vaishali Pachauri | (as Viashali Pechauri) | ||
| V. Sai | (as Sai) | ||
Makeup Department | |||
| Ravi Indulkar | .... | makeup artist | |
| Kaushal | .... | assistant hair stylist | |
| Mohan | .... | assistant hair stylist | |
| R. Sundara Moorthy | .... | makeup artist (as Sundaramoorthy) | |
| Ramana | .... | assistant makeup artist | |
| Seenu | .... | assistant makeup artist | |
| Uday Shirali | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Shaad Ali | .... | assistant director | |
| Angel | .... | assistant director | |
| Susi Ganesan | .... | associate director | |
| N. Perumal | .... | second assistant director | |
| A. Sivakumar | .... | assistant director | |
| Priya V. | .... | assistant director (as Priya. V.) | |
Art Department | |||
| Anil | .... | art set assistant | |
| Fakru | .... | art set assistant | |
| Imtiaz | .... | art set assistant | |
| Inder | .... | art set assistant | |
| Khaja | .... | art set assistant | |
| Wasiq Khan | .... | assistant art director | |
| Raj Mohammed | .... | art set assistant | |
| Parshram | .... | art set assistant (as Parasuram) | |
| Logerie Verma | .... | art set assistant | |
| Nitin Wable | .... | assistant art director | |
| Zafar | .... | art set assistant (as Jaffer) | |
| Zakir | .... | art set assistant | |
Sound Department | |||
| Ajit | .... | assistant sound engineer | |
| Balu | .... | live effects | |
| Prabhu C.S. | .... | assistant sound engineer (as C.S. Prabhu) | |
| Devi | .... | assistant dubbing engineer | |
| Shankar J. | .... | assistant audio mixer (as J. Shankar) | |
| Karthik | .... | dubbing | |
| Kumar | .... | live effects | |
| Udhaya Kumar | .... | live effects | |
| Sekar L. | .... | assistant audio mixer (as L. Sekar) | |
| Geeta M.G. | .... | assistant sound engineer (as Geetha) | |
| Noor Mohammed | .... | assistant sound engineer | |
| Murali | .... | live effects | |
| Janakiraman P. | .... | DTS engineer (as Janakiraman) | |
| B.M.A. Prabhu | .... | DTS engineer | |
| Sachidanandan | .... | live effects (as Sachidanandam) | |
| Satish | .... | assistant sound engineer (as Sathish) | |
| S. Sivakumar | .... | sound mixer: Panchathan Records INN | |
| Jarvis Solomon | .... | dubbing | |
| Jarvis Solomon | .... | sound effects | |
| H. Sridhar | .... | audiographer | |
| H. Sridhar | .... | sound mixer: Panchathan Records INN | |
| Tinu | .... | additional dubbing engineer | |
| Pankajam V. | .... | assistant dubbing engineer (as Pankajam) | |
Special Effects by | |||
| S.A. Azim | .... | opticals (as S.A. Ajeem) | |
| Agnelo D'Souza | .... | special effects technician | |
| M.A. Hafeez | .... | opticals (as M.A. Haffeez) | |
| D. Sathyanarayana | .... | opticals (as D. Satyanarayana) | |
| Kambam Shankar | .... | main titles (as Kambam Sankar) | |
Visual Effects by | |||
| Elam Parithi | .... | digital compositor: Efx, Chennai, India | |
Stunts | |||
| Allan Amin | .... | stunts | |
| Feroz | .... | assistant action | |
| Hussain | .... | assistant action | |
| Usman Shamshim | .... | assistant action (as Usman Shamsi) | |
| Ainouddin Sheikh | .... | assistant action coordinator (as Ino) | |
Camera and Electrical Department | |||
| Babu | .... | crane operator | |
| Bijois | .... | associate camera operator | |
| Manoj C.D. | .... | assistant camera (as Manoj) | |
| Deepak | .... | assistant camera | |
| Suhas Gujrati | .... | assistant camera (as Suhas Gujarathi) | |
| Karthik | .... | assistant camera | |
| Krishna Lal | .... | assistant camera | |
| Mari | .... | crane operator | |
| Prakash Mohapatra | .... | assistant camera | |
| Ramakrishna | .... | crane operator (as Ramakrishnan) | |
| Sashi | .... | assistant camera | |
| P. Selvaraj | .... | crane operator (as Selvaraj) | |
| Sethu Sriram | .... | cinematographer: second unit (as S. Sriram) | |
Editorial Department | |||
| Kanna Babu | .... | assistant editor | |
| Harsha J.N. | .... | assistant editor | |
| S. Shadeesh Kumar | .... | assistant editor: avid | |
| Narayanan M.K. | .... | color consultant | |
Music Department | |||
| Anupama | .... | playback singer | |
| Sapna Awasthi | .... | playback singer (as Sapna Avasti) | |
| Sally Bradshaw | .... | playback singer: London | |
| Gulzar | .... | lyrics | |
| Mahalakshmi Iyer | .... | playback singer (as Mahalakshmi) | |
| Noell James | .... | musician coordinator | |
| Kavita Krishnamurthy | .... | playback singer (as Kavita Krishnamoorthy) | |
| Lata Mangeshkar | .... | playback singer | |
| Udit Narayan | .... | playback singer | |
| Sonu Nigam | .... | playback singer | |
| A.R. Rahman | .... | playback singer | |
| Samidurai | .... | musician coordinator | |
| Sukhwinder Singh | .... | playback singer (as Sukvinder Singh) | |
| S. Sivakumar | .... | song recordist: Panchathan Records INN | |
| M.G. Sreekumar | .... | playback singer | |
| H. Sridhar | .... | song recordist: Panchathan Records INN | |
| Anuradha Sriram | .... | playback singer | |
Other crew | |||
| Alka | .... | coordinator: Delhi Group | |
| Devendra | .... | location manager: Delhi | |
| Susi Ganesan | .... | associate director (as Susi. Ganesan) | |
| Lawrence Har | .... | location manager: Ooty | |
| Baharul Islam | .... | coordinator: Aasam Theatrical Group | |
| Stanzin Jordan | .... | coordinator: Ladakh | |
| Stanzin Jordan | .... | location manager: Ladakh | |
| Geeta Kapoor | .... | assistant choreographer | |
| Farah Khan | .... | choreographer | |
| Pappu Khan | .... | assistant choreographer | |
| Baldev Khosa | .... | location manager: Dalhousie | |
| C.A. Michael | .... | manager | |
| Chintu B. Mohapatra | .... | associate director (as Chintu Mohapatra) | |
| R.K. Nair | .... | production executive | |
| Karun Prabhakaran | .... | location manager: Delhi | |
| Ravindra | .... | location manager: Delhi (as Ravindran) | |
| Ramachandra Sahu | .... | coordinator: Delhi Group | |
| Sashi | .... | location manager: Kerala | |
| Bharat S. Shah | .... | presenter (as Bharat Shah) | |
| Hukum Singh | .... | location manager: Delhi (as Hukum) | |
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| Il gatto a nove code | Munich | The Kite Runner | The Interpreter | Devdas |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb India section |
This is one of the greatest and most crafted works of the incredible Mani Ratnam. I was stunned by every moment of it and the very first scene was enough for me to get completely hooked. Mr Ratnam's ability to make a grandiose love story and yet keep it starkly realistic is just unbelievable. It makes the viewer believe that true, intense love does not exist only in fairy tales, but in real-life too, with simple and ordinary people. Dil Se is a rare gem of its times - authentic, hard-hitting, gripping, and deeply involving. Some people have deemed it a bit slow and tedious, but according to me the film moves at a steady pace and is totally focused, engaging and captivating.
The film's concept: a young, hard-working radio broadcaster falls in love with a mysterious, strangely apathetic woman who is actually a terrorist may have been tackled before by filmmakers around the world, but none has done it the way Mr Ratnam did. He directs this feature with heart and soul and intensifies it with complete mastery, so much that you cannot leave the screen even for one moment (even if you are one of those who prefer skipping the songs). The script is grounded in tension and mystery, and it thankfully avoids sentimentality. And then we also have some genuinely real yet exceptional dialogues, which bring forth a poetic quality that eases the serious proceedings.
Every artist involved in this film gives one of their best. A.R Rahman, for one, creates one of the most crafted and beautiful movie soundtracks of his career, giving so much life and essence to the film. The songs flow incredibly well with the film, they never feel unnecessary, they fit the situations, and ultimately enhance the narrative and contribute to the film's mystery and intense atmosphere. "Dil Se Re", "Jiya Jale", "Chaiyya Chaiyya" and "Satrangi Re" - each track is a gem and showcases the greatness of Rahman and Ratnam, who visualises them exceedingly well on-screen. This of course could have been done without Santosh Sivan's brilliant cinematography.
The performances are top notch. This is one of Shahrukh Khan's most accomplished and realistic performances. He is intense, witty, vulnerable, believable and convincing as Amar. He portrays a suffering man who would go to any strengths for a woman he hardly knows, and though his character's unconditional love may seem peculiar, he manages to keep it real and balanced. He conveys his feelings, whether it's sorrow, love, pain or anger, in his own inimitable style, using his troubling intensity and nervous mannerisms. One can really feel for the pain in his eyes, which is evident every time he meets this woman who keeps rejecting him. A superb act.
Manisha Koirala, one of the most talented dramatic actresses India has seen, is flawless as Meghna. She smiles barely once in the entire film but her expressive eyes and silence speak volumes and always do the job. It's a natural and ambiguous portrayal of a woman who has lost belief in life and love, or at least of someone who compels herself to think so. She brilliantly displays the little nuances which let us sense her constant fights with herself and her struggle to not submit to her feelings every time she faces the bright side of the world, forcefully and firmly fossilising herself for the sake of a mission which must be completed.
Preity Zinta, the star herself in her debut film, does something very few actors have been capable of doing: she makes a great impact despite having a very small role. It's a great achievement for any actor to excel and make a lasting impression with a role of such minimal importance and screen time. She is natural, vibrant and very likable, commanding the audience's attention with her strong screen presence and lively persona. She's always been known for her ability to add happiness and positivity to films which are overly serious and dark, and this one is no exception. Her full of life, frank and direct Preeti is one of the most unforgettable characters in recent years.
Dil Se is a socially relevant movie but it is a love story at heart and there it scores the most. It may not appeal to all kinds of audiences (in fact, it was a box office failure in India, though a success overseas), more because of its brutally honest depiction of terror and national battle, yet it remains thoroughly fascinating. The film is atmospheric, dark and deep. The only aspects that abstract the viewer from these features may be the energetic music and Preity Zinta's light character. In anyway, it is a picture of great artistic excellence, and I would recommend anyone to see it. The ending is also most unpredictable, only making it more beautiful and memorable.