| Videos (see all 4) |
| Pep Tosar | ... | Sculptor | |
| Trae Houlihan | ... | Sculptor's wife |
Directed by | |||
| Nacho Cerdà | |||
Writing credits(in alphabetical order) | ||
| Nacho Cerdà | ||
Produced by | |||
| Nacho Cerdà | .... | producer | |
Cinematography by | |||
| Xavi Giménez | |||
Film Editing by | |||
| Luis de la Madrid | |||
Production Design by | |||
| Antonio Belart | |||
Second Unit Director or Assistant Director | |||
| Glòria Blanes | .... | first assistant director | |
Art Department | |||
| Gonzalo López | .... | production assistant | |
Sound Department | |||
| David Calleja | .... | sound re-recording mixer | |
Special Effects by | |||
| Oscar del Monte | .... | special effects makeup | |
Visual Effects by | |||
| Jorge Calvo | .... | digital artist | |
Camera and Electrical Department | |||
| Roger Martínez | .... | focus puller: "b" camera | |
Editorial Department | |||
| Jorge Ortiz Yus | .... | colorist | |
Other crew | |||
| Gonzalo López | .... | production assistant | |
Thanks | |||
| Blanca Aysa | .... | thanks | |
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| La corta notte delle bambole di vetro | The Living and the Dead | 99.9 | Abre los ojos | Door Out of the Dark |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb Spain section |
This movie starts off with home movies of a guy and his family. It is hard to work out what happens afterward, but after about 2/3rds of the movie you begin to realise what is going on. Unlike Aftermath, this one contains no necrophilia which may or may not be a disappointment to some viewers. This one is very hard to follow, but strangely compelling where the guy sacrifices himself for the one he loves, in a less than voluntary way.