7.5/10
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353 user 172 critic

Ghost Dog: The Way of the Samurai (1999)

An African American mafia hit man who models himself after the samurai of old finds himself targeted for death by the mob.

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1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Dennis Liu ...
Chinese Restaurant Owner
Frank Minucci ...
Big Angie
...
Handsome Frank
...
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Gene Ruffini ...
Frank Adonis ...
Valerio's Bodyguard
...
...
Young Ghost Dog
Kenny Guay ...
Boy in Window
Vince Viverito ...
Gano Grills ...
Gangsta in Red
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Storyline

A hitman who lives by the code of the samurai, works for the mafia and finds himself in their crosshairs when his recent job doesn't go according to plan. Now he must find a way to defend himself and his honor while retaining the code he lives by. Written by Scott Jarreau

Plot Summary | Add Synopsis

Taglines:

Live by the code. Die by the code. See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and language | See all certifications »

Parents Guide:

 »
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Details

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| | |

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Release Date:

24 March 2000 (USA)  »

Also Known As:

Ghost Dog  »

Filming Locations:

 »

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Box Office

Opening Weekend:

FRF 5,895,446 (France), 14 October 1999, Limited Release

Opening Weekend USA:

$166,344, 5 March 2000, Limited Release

Gross USA:

$3,308,029

Cumulative Worldwide Gross:

$6,072,444
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Some of the cartoons the characters watch in the movie correspond to events that occur. For example, Betty Boop calling in pigeons on a rooftop in the first cartoon. Later on in another scene, Ghost dog sees a woodpecker. The next scene shows Vargo watching Woody Woodpecker. See more »

Goofs

When Ghost Dog shoots Handsome Frank, Ghost Dog points his gun with a laser pointer at him. After he shoots Frank for the first time, the laser beam can be seen and then we can see where it's coming from, and the line created by the beam comes from somewhere from the right and not from where Ghost Dog is with his gun (behind the camera). See more »

Quotes

[first lines]
Ghost Dog: The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears, and swords. Being carried away by surging waves. Being thrown into the midst of a great fire. Being struck by lightning, being shaken to death by a great earthquake. Falling from thousand-foot cliffs, dying of disease, or committing seppuku at the death of one's ...
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Crazy Credits

Not the Executive Producer Bart Walker See more »


Soundtracks

Cold Lampin With Flavor
Written by Flavor Flav, Hank Schocklee and Eric Sandler
Published by Read Music International, Inc. O/B/O Reach Back (BMI) and Def Songs, Inc. (BMI)
Courtesy of Def Jam Records
Under license from Universal Music Special Markets
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User Reviews

 
a fascinating, strange hybrid of black, Japanese and Italian culture, with a perfectly detached, somber lead in Forrester
9 July 2004 | by See all my reviews

Jim Jarmusch is one of the few filmmakers in Hollywood able to make bodies of work that are challenging, thoughtful, and with a distinctive voice. Like the Coen Brothers, it's hard to make his films accessible to the public like many other films at the cineplexes, and that's part of the joy in watching a film such as Ghost Dog. It's such a strange kind of story, but it's a story that extremely well crafted, even when some of the characters aren't developed enough past a certain point. While I can't really say that it's a great film, there are plenty of great things about it.

Such as a pulsing, rhythmically engaging soundtrack (I'm not a big fan of rap and hip-hop, but the artists on here are better than expected) with the RZA behind the seat. Delicate, finite cinematography by Robby Mueller (who's other superb collaboration with Jarmusch was on Down By Law). A performance from Forrest Whitaker, as the dedicated, un-hinged-from reality 'samurai' known as Ghost Dog, which ranks among his best and shows in plain sight that he can carry an action film with patience and cool. And the film also carries a fine sense of humor to many scenes - the fact that these gangsters (one of which Dog's boss) watch more cartoons than take care of business is as funny as the way they interact sometimes. While it tends to streak on parody, in the characters there's still the fascinating Jarmusch has in mixing the cultures.

It's a hard film to classify, for even though it's a martial-arts movie, the only sight of a sword is used for practice and not a blood-bath in Kill Bill. It's a gangster movie, but every five minutes or so there's philosophical notes on the way of the samurai that seems more in place in a (good, thematically engaging) art film than a (good, shoot-em-up) Hollywood actioner. It's a movie about urban-life, yet the only signs of Urbana are shown from a distance, where the only two who will talk to Ghost Dog are a Haitian ice cream guy (who provides a wonderfully weird scene on the roof with Ghost Dog), and a little girl who likes to read. But it's this mixture that can keep a viewer on his or her toes, especially once you realize the psychological state of the lead as much as his spiritual state.

Parts of the film might turn off one group, but the other parts of the film might keep the same group enthralled. In fact, it's as interesting a comparison to be made to Kill Bill (itself a hybrid) as it is in the spiritual and stylistic parent, Le Samourai by Melville. Like those films, at the least, Jarmusch's film asks to be looked at more than once...Anyway, three cheers for Garry "Nobody" Farmer!


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