| Photos (see all 62 | slideshow) | Videos |
| Bruce Willis | ... | Dr. Malcolm Crowe | |
| Haley Joel Osment | ... | Cole Sear | |
| Toni Collette | ... | Lynn Sear | |
| Olivia Williams | ... | Anna Crowe | |
| Donnie Wahlberg | ... | Vincent Grey | |
| Peter Anthony Tambakis | ... | Darren (as Peter Tambakis) | |
| Jeffrey Zubernis | ... | Bobby | |
| Bruce Norris | ... | Stanley Cunningham | |
| Glenn Fitzgerald | ... | Sean | |
| Greg Wood | ... | Mr. Collins | |
| Mischa Barton | ... | Kyra Collins | |
| Trevor Morgan | ... | Tommy Tammisimo | |
| Angelica Torn | ... | Mrs. Collins | |
| Lisa Summerour | ... | Bridesmaid | |
| Firdous Bamji | ... | Young Man Buying Ring | |
| Samia Shoaib | ... | Young Woman Buying Ring | |
| Hayden Saunier | ... | Darren's Mom | |
| Janis Dardaris | ... | Kitchen Woman | |
| Neill Hartley | ... | Visitor #2 | |
| Sarah Ripard | ... | Visitor #3 | |
| Heidi Fischer | ... | Visitor #4 | |
| KaDee Strickland | ... | Visitor #5 | |
| Michael J. Lyons | ... | Visitor #6 | |
| Samantha Fitzpatrick | ... | Kyra's Sister | |
| Holly Rudkin | ... | Society Lady #1 | |
| Kate Kearney-Patch | ... | Society Lady #2 | |
| Marilyn Shanok | ... | Woman at Accident | |
| M. Night Shyamalan | ... | Dr. Hill | |
| Wes Heywood | ... | Commercial Narrator | |
| Nico Woulard | ... | Hanged Child | |
| Carol Nielson | ... | Hanged Female | |
| Keith Woulard | ... | Hanged Male | |
| Jodi Dawson | ... | Burnt Teacher | |
| Tony Michael Donnelly | ... | Gunshot Boy (as Tony Donnelly) | |
| Ronnie Lea | ... | Secretary | |
| Carlos Xavier Lopez | ... | Spanish Ghost on Tape (voice) (as Carlos X. López) | |
| Gino Inverso | ... | Young Vincent | |
| Ellen Sheppard | ... | Mrs. Sloan | |
| Tom McLaughlin | ... | Anna's Father | |
| Candy Aston-Dennis | ... | Anna's Mother (as Candy Aston Dennis) | |
| Patrick McDade | ... | Shaken Driver (as Patrick F. McDade) | |
| Jose L. Rodriguez | ... | Husband | |
| rest of cast listed alphabetically: | |||
| Bob Bowersox | ... | Restaurant Patron (uncredited) | |
| Kym Cohen | ... | Bride's maid (uncredited) | |
| Sean Oliver | ... | Ghost in the Dungeon (uncredited) | |
Directed by | |||
| M. Night Shyamalan | |||
Writing credits(WGA) | ||
| M. Night Shyamalan | (written by) | |
Produced by | |||
| Kathleen Kennedy | .... | producer | |
| Frank Marshall | .... | producer | |
| Barry Mendel | .... | producer | |
| Sam Mercer | .... | executive producer | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Tak Fujimoto | (director of photography) | ||
Film Editing by | |||
| Andrew Mondshein | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Larry Fulton | |||
Art Direction by | |||
| Philip Messina | |||
Set Decoration by | |||
| Douglas A. Mowat | (as Douglas Mowat) | ||
| Susannah McCarthy | (uncredited) | ||
Costume Design by | |||
| Joanna Johnston | |||
Makeup Department | |||
| Richard Alonzo | .... | prosthetic makeup artist | |
| Michal Bigger | .... | key makeup artist | |
| Francesca Paris | .... | key hair stylist | |
| Bunny Parker | .... | hair stylist: Mr. Willis | |
| Gerald Quist | .... | makeup artist: Mr. Willis | |
Production Management | |||
| Lynn Andrews | .... | production supervisor | |
| Paul A. Levin | .... | post-production supervisor | |
| Sam Mercer | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Sonia Bhalla | .... | second second assistant director | |
| Michael T. Meador | .... | dga trainee (as Michael Meader) | |
| Andrew Mondshein | .... | second unit director | |
| Scott Andrew Robertson | .... | second assistant director (as Scott Robertson) | |
| John Rusk | .... | first assistant director | |
Special Effects by | |||
| Richard Alonzo | .... | key artist: Stan Winston Studio (as Richie Alonzo) | |
| Darin Bouyssou | .... | mold department: Stan Winston Studio | |
| Connie Cadwell | .... | key fabricator: Stan Winston Studio | |
| Jeffrey Cox | .... | special effects | |
| Steve Cremin | .... | assistant special effects supervisor | |
| Alon Dori | .... | mold department: Stan Winston Studio | |
| Gary Elmendorf | .... | special effects supervisor (as Garry Elmendorf) | |
| Trevor Hensley | .... | key artist: Stan Winston Studio | |
| Grady Holder | .... | mold department: Stan Winston Studio | |
| Carey Jones | .... | mold department: Stan Winston Studio | |
| Bill Lee | .... | special effects foreman | |
| Lindsay MacGowan | .... | key artist: Stan Winston Studio (as Lindsay Macgowan) | |
| Tony McCray | .... | mold department supervisor: Stan Winston Studio (as Anthony McCray) | |
| Michael Ornelaz | .... | key hair stylist: Stan Winston Studio | |
| Joey Orosco | .... | key artist: Stan Winston Studio | |
| Jim Orr | .... | special effects | |
| John Rosengrant | .... | effects supervisor: Stan Winston Studio | |
| Alfred Sousa | .... | mechanical designer: Stan Winston Studio (as Al Sousa) | |
| Scott Stoddard | .... | key artist: Stan Winston Studio | |
| Stiles White | .... | production coordinator: Stan Winston Studio | |
| Keith Marbory | .... | special effects supervisor (uncredited) | |
Visual Effects by | |||
| Tim Landry | .... | digital effects supervisor: Dream Quest | |
| David McCullough | .... | visual effects producer: Dream Quest | |
| Kyle J. Healey | .... | digital artist (uncredited) | |
| Stephen Lawes | .... | main title designer (uncredited) | |
| Rick Lopez | .... | scanning and recording technician (uncredited) | |
| Dean Wright | .... | visual effects executive producer (uncredited) | |
Stunts | |||
| Jeff Habberstad | .... | stunt coordinator | |
| Terry Jackson | .... | stunt double: Mr. Willis | |
| Steve Mack | .... | stunts | |
| Mick O'Rourke | .... | stunts | |
| Keith Woulard | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Sheridan Braxton | .... | company grip | |
| Michael W. Brennan | .... | company electrician | |
| James A. Casey | .... | rigging grip | |
| David Cecil | .... | rigging electrician | |
| Andrew Reed Conner | .... | company electrician (as Andrew Conner) | |
| Daniel C. Cook | .... | second assistant camera: "b" camera | |
| Jason Cortazzo | .... | company grip | |
| Glenn Davis | .... | company electrician (as Glenn R. Davis) | |
| James D. Doherty | .... | first grip | |
| Bill Fiedler | .... | generator operator | |
| Mark Fiedler | .... | rigging electrician | |
| Dave Fortino | .... | rigging grip (as David Fortino) | |
| David Golia | .... | additional photographer | |
| Kevin Hackenberg | .... | rigging grip | |
| Emil Hampton | .... | first assistant camera: "b" camera (as Emil Clayton Hampton) | |
| Matthew Hanlon | .... | rigging grip | |
| Gregory F. Johnson | .... | rigging grip (as Gregory Johnson) | |
| Craig Ligget | .... | rigging gaffer (as Craig Heston Ligget) | |
| Steven Litecky | .... | assistant chief lighting technician (as Steve Litecky) | |
| David W. Lowe | .... | company grip | |
| Billy Miller | .... | key grip (as William A. Miller) | |
| Gordon Minard | .... | rigging electrician | |
| Christopher Murphy | .... | video assist operator (as Chris Murphy) | |
| Ken Pattison | .... | rigging grip | |
| Ron Phillips | .... | still photographer | |
| Scott H. Ramsey | .... | chief lighting technician (as Scott Ramsey) | |
| Daniel Rieser | .... | company grip | |
| Kurt Rimmel | .... | dolly grip | |
| Kyle Rudolph | .... | camera operator | |
| Leon Sanginiti | .... | additional second assistant camera (as Leon Sanginiti Jr.) | |
| I. Nate Scaglione | .... | shop electric foreman | |
| Robert Wayne See | .... | rigging grip | |
| Jon Sibert | .... | best boy grip | |
| Jon Sibert | .... | key rigging grip | |
| Alan Silverstein | .... | rigging electrician | |
| Craig Simpson | .... | rigging grip | |
| Edward A. Smith | .... | company electrician | |
| Baird Steptoe | .... | first assistant camera | |
| John Young | .... | second assistant camera | |
| William Louthe | .... | electrician (uncredited) | |
| Darren Ryan | .... | 24 frame video operator (uncredited) | |
| Jarvis B. Wilsher | .... | electrician (uncredited) | |
Casting Department | |||
| Beth Bowling | .... | casting associate | |
| Diane Heery | .... | extras casting | |
| Sondra James | .... | voice casting | |
| Julie Lichter | .... | casting associate | |
| Mike Lemon | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Teresa Binder | .... | costumer: Mr. Willis | |
| Nigel Boyd | .... | costumer | |
| Linda Redmon | .... | costumer | |
| Maria Vaughan | .... | costumer | |
| Diana Wilson | .... | costumer | |
| Pamela Wise | .... | key costume supervisor (as Pam Wise) | |
| Lorraine Crossman | .... | costumer (uncredited) | |
Editorial Department | |||
| Jennifer Davidoff Cook | .... | additional assistant editor | |
| John Scott Cook | .... | first assistant editor (as John S. Cook) | |
| Mo Henry | .... | negative cutter | |
| Gary Levy | .... | additional assistant editor | |
| Anne O'Brien | .... | assistant editor | |
| David Reynolds | .... | apprentice film editor | |
| Jae Stein-Grainger | .... | post-production assistant | |
| Dan Valliere | .... | color timer | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Jeff Atmajian | .... | orchestrator | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor (as Sandy De Crescent) | |
| Thomas S. Drescher | .... | music editor | |
| Robert Elhai | .... | orchestrator | |
| J.T. Hill | .... | electronic score producer | |
| James Newton Howard | .... | orchestrator | |
| Jo Ann Kane | .... | music preparation | |
| Shawn Murphy | .... | score mixer | |
| Shawn Murphy | .... | score recordist | |
| Kathy Nelson | .... | executive in charge of music: Buena Vista Motion Picture Group | |
| Sally Stevens | .... | choir contractor | |
| Michael Fey | .... | music executive (uncredited) | |
| Mark Graham | .... | music copyist (uncredited) | |
| James Newton Howard | .... | score producer (uncredited) | |
| John Rodd | .... | score recordist (uncredited) | |
Transportation Department | |||
| Richard Curry | .... | driver: Mr. Willis | |
| Mark Eads | .... | driver: Mr. Willis | |
| John Morrone III | .... | transportation coordinator (as John F. Morrone III) | |
| Ted Schambers | .... | driver: Mr. Willis | |
| John Tarlini Sr. | .... | transportation co-captain | |
Other crew | |||
| Virginia E. Beard | .... | assistant accountant | |
| Mary Berkelbach | .... | medic | |
| Robert Biddle | .... | security: Bruce Willis | |
| Thomas 'Doc' Boguski | .... | production coordinator (as Thomas Doc Boguski) | |
| Dan Carter | .... | location projectionist | |
| Jefferson Chaney | .... | office production assistant | |
| Anne Clements | .... | assistant: Barry Mendel | |
| Claire Cowperthwaite | .... | script supervisor | |
| Carolyn Crimley | .... | studio teacher | |
| David Cutler | .... | office production assistant | |
| Renee D. Czarapata | .... | payroll accountant | |
| Carl J. Davis | .... | office production assistant | |
| Denise DePalma | .... | medic | |
| Vince Digiacomo | .... | craft service | |
| Peter Dinich | .... | photo double: Haley Joel Osment | |
| Fran Doerr | .... | office production assistant (as Francis X. Doerr Jr.) | |
| Stephen J. Eads | .... | assistant: Mr. Willis (as Stephen Eads) | |
| Joe Everett | .... | unit publicist (as Joseph L. Everett) | |
| Megan Fenerty | .... | production assistant | |
| Richard Grant | .... | auricle operator | |
| Beverly Jusi | .... | first assistant accountant (as Beverly L. Mink) | |
| Kathleen Kelly | .... | medic | |
| Gabrielle Mahler | .... | assistant: Frank Marshall | |
| Lilene Mansell | .... | dialect consultant | |
| Cory McCall | .... | production assistant (as Cory M. McCall) | |
| Jason Miller | .... | assistant: Barry Mendel | |
| Doug Moreno | .... | production accountant (as Douglas A. Moreno) | |
| Raymond Morgan | .... | production assistant | |
| Missy Moyer | .... | facilities coordinator | |
| Barbara Muehleib | .... | animal handler | |
| Sarah Poindexter | .... | assistant: Sam Mercer | |
| Mary T. Radford | .... | assistant: Frank Marshall | |
| Virle S. Reid | .... | production assistant (as Virle Reid) | |
| Jose L. Rodriguez | .... | assistant: M. Night Shyamalan (as Jose Rodriguez) | |
| Dan Rosenfelt | .... | office production assistant | |
| Patricia Taggart | .... | assistant location manager | |
| Pamela Thompson | .... | studio teacher | |
| Kirsten Turner | .... | assistant production coordinator | |
| Andrew L. Ullman | .... | location manager (as Andrew Ullman) | |
| Omar Williams | .... | film runner | |
| Barbara Young | .... | medic | |
| Stacie M. Ziegenfuss | .... | office production assistant | |
| Cheri Zucca | .... | assistant: M. Night Shyamalan | |
| Joseph Barry | .... | stand-in: Haley Joel Osment (uncredited) | |
| Francie Brown | .... | dialect coach: Olivia Williams (uncredited) | |
| Marisa Clayton | .... | dailies assistant: Magno Sound & Video (uncredited) | |
| Lisa France | .... | adr voice (uncredited) | |
| Jennifer Zolten Freed | .... | post-production accountant (uncredited) | |
| Melissa Givey | .... | production associate (uncredited) | |
| Matt Hedge | .... | adr artist (uncredited) | |
| Angela Torrez Parker | .... | publicity travel coordinator (uncredited) | |
| Tim Ray | .... | additional set production assistant (uncredited) | |
| Peter Pamela Rose | .... | adr loop group (uncredited) | |
| Bill Timoney | .... | adr loop group (uncredited) | |
| Robert 'Bobby Z' Zajonc | .... | aerial coordinator (uncredited) | |
Thanks | |||
| Peter Benedek | .... | special thanks | |
| Stephen F. Breimer | .... | special thanks | |
| Sherwin Das | .... | special thanks | |
| Marc H. Glick | .... | special thanks | |
| Sharon Pinkenson | .... | special thanks: executive director, Greater Philadelphia Film Office | |
| Jeremy Zimmer | .... | special thanks | |
The surprise ending to "The Sixth Sense" has gotten so much attention that it threatens to overshadow the film. I occasionally hear people say things like the following: "The 'twist' was so obvious that I figured it out in the first five minutes!" Some of those people may even be telling the truth. There's no way to know. But there's a lot of condescension in such remarks, an implication that anyone who didn't figure it out must be a really dumb sucker. At least in my case I have an excuse. When I first saw this film back in early 2000, I knew nothing about it other than that it was about the relationship between a psychiatrist played by Bruce Willis and a child with some sort of psychic power. I didn't even know what that psychic power was, and an early scene led me to think it was telepathy. In short, I had no idea even what the movie's subject was until about the middle of the film, so I was completely adrift as to solving the movie's mystery.
Still, to anyone who did figure the secret out quickly, I have this to say: you may be smarter than I am, but that does not make this a bad movie. Hitchcock went to great lengths to keep the ending to "Psycho" from leaking out. Many people who watch that film today figure the twist out (probably because it has been imitated in countless thrillers since then), but the film is still a classic that holds up well today. Surprise endings are, ultimately, just clever contrivances, extra layerings on the cake. They do not constitute the difference between a good movie and a bad movie. A movie must work on its own terms before springing a surprise.
Nevertheless, there can be no denying that the twist in "The Sixth Sense" is particularly clever. It's no virtue if a twist is impossible to predict. It is just as important that the twist be logical as that it be surprising. Plenty of thrillers feature twists that are arbitrary, where the plot fails to provide enough hints. Even a clever thriller like "Fight Club" requires a bit of a stretch to accept the ending. What makes "The Sixth Sense" impressive is that it never cheats by suggesting that earlier scenes were imaginary. Everything we see is real, and only our assumptions fool us. If, however, you weren't fooled, all the better: just because you figure out the magician's trick does not make it a bad trick.
Consider what appears to be happening in the film. Willis plays a psychiatrist who has received accolades for helping children with problems. We see a romantic evening with him and his wife at home. Then he gets into an ugly, violent confrontation with a former patient. Willis believes he has failed, and he wants to make amends by helping a new child (Haley Joel Osment) who appears to be having the same problems (and perhaps the same abilities) that his former patient once displayed. But just as he thinks he's making progress with Osment, his marriage seems to be falling apart. His wife isn't talking to him, and is beginning to see another man.
However these events may be reinterpreted by what is revealed later, the movie is effective because it works on this basic level. In a key scene, Willis asks Osment what he wants most, and Osment answers, "I don't want to be scared anymore." It is not always clear that Osment is really facing a mortal threat. But because the movie establishes that he is undergoing a scary experience, by