Lester and Carolyn Burnham are, on the outside, a perfect husband and wife in a perfect house in a perfect neighborhood. But inside, Lester is slipping deeper and deeper into a hopeless depression. He finally snaps when he becomes infatuated with one of his daughter's friends. Meanwhile, his daughter Jane is developing a happy friendship with a shy boy-next-door named Ricky, who lives with an abusive father. Written by
Jessie Skinner <email@example.com>
Angela Hayes' phone number (as seen when Lester calls her using Jane's diary) is 555-0120. See more »
In the dinner scene where Lester throws the bowl of asparagus against the wall the picture frame has been centered between the windows over the console table, and the table lamp visible in an earlier scene has been removed. These changes are not down to continuity as such. The script originally prompted for Lester to throw the plate on the floor, however it was decided that he throw it against the wall instead without the knowledge of Annette Bening or Thora Birch. It had to be done in one take (which it was) to get a real shock reaction. The lamp was removed to avoid any debris knocking it over, and the picture was repositioned in-line with Lester's aim for a clean throw and to minimize any risk of Kevin Spacey knocking the picture off the wall spoiling the 'one-take shot'. See more »
I need a father who's a role model, not some horny geek-boy who's gonna spray his shorts whenever I bring a girlfriend home from school. What a lame-o. Someone really should just put him out of his misery.
Want me to kill him for you?
Yeah. Would you?
See more »
thanks to all at the Donmar Warehouse in London and Dr. Bill and Alice See more »
A deep, wonderful, penetrating film; extraordinary irony in a psychological drama about the American life.
I have come to see the movie with a certain prejudice. Everyone saying that it was so wonderful, so touching, so excited -- I usually tend to go with movies that nobody likes. Nevertheless, this one was a certain exception.
It is a wonderful psychological drama, a satire about the American community and about the American life; dark, painful irony and cynicism in the descriptions of life and characters; deep sarcasm on types of people in the community, habits of behaviour such as "...if you want to succeed, you always have to seem successful..." or "never stop smiling", parasites of the community, and, most importantly, the treatment of people who are "different", who are "freaky" to some extent; and eventually, there is no character in the film that is not odd in its way, although we have to wait for the very ending of the film, to discover this.
With very deep and accurate exaggeration, (most of) the characters in the movie demonstrate the worst, the darkest sides of their personality, while still remaining very human, very touching and very involving the observer. Everyone can find a certain similarity with characters and persons who he met in his life, in the characters described in the film. The tragi-comical events, the little pieces of funny, disturbing irony dripping from almost every episode, lead the observer to exploration of the American Beauty -- the beauty in life, and the way that we fail to find it, for all our life; the way we hide our feelings and emotions, even behind sullen walls of our sepulchre.
The acting is truly brilliant, the episodes are built logically, coherently, the dialogues are deep, thrilling, intriguing; every sentence and every word is deeply constructed, containing profound irony and intelligent elements of humors. The plot is very intelligently built, constructing a true indication of the sad situation of the American society, and an excellent ground for the actors.
An amazing movie, strongly recommended. 10/10
359 of 432 people found this review helpful.
Was this review helpful to you?