7.4/10
135,715
390 user 51 critic

Girl, Interrupted (1999)

Based on writer Susanna Kaysen's account of her 18-month stay at a mental hospital in the 1960s.

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Writers:

(book), (screenplay) | 2 more credits »
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1,223 ( 170)

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Won 1 Oscar. Another 7 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Georgina (as Clea Duvall)
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Drucie McDaniel ...
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Alison Claire ...
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Storyline

Unable to cope with reality and the difficulty that comes with it, 18 year old Susanna, is admitted to a mental institution in order to overcome her disorder. However, she has trouble understanding her disorder and therefore finds it difficult to tame, especially when she meets the suggestive and unpredictable Lisa. Written by Toni

Plot Summary | Plot Synopsis

Taglines:

Sometimes the only way to stay sane is to go a little crazy See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for strong language and content relating to drugs, sexuality and suicide | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

14 January 2000 (USA)  »

Also Known As:

Inocencia interrumpida  »

Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

$95,399 (USA) (26 December 1999)

Gross:

$28,871,190 (USA) (30 April 2000)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

| (8 channels)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The breed of Daisy's cat Ruby is British shorthair. This breed is known for their butterscotch-colored eyes and even gray coat. See more »

Goofs

When Susanna is first being driven by taxi to the asylum, we see an all blue mailbox through the window. In 1968, mailboxes were red on top, blue on bottom. They weren't painted all blue until the 1970s. See more »

Quotes

[first lines]
Susanna: [narrating] Have you ever confused a dream with life? Or stolen something when you have the cash? Have you ever been blue? Or thought your train moving while sitting still? Maybe I was just crazy. Maybe it was the 60s. Or maybe I was just a girl... interrupted.
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Connections

Referenced in Pretty Little Liars: It Happened 'That Night' (2012) See more »

Soundtracks

The Weight
Written by Robbie Robertson
Performed by The Band
Courtesy of Capitol Records
Under license from EMI-Capitol Music Special Markets
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Frequently Asked Questions

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User Reviews

 
jaundiced beauty, and vaccine of the soul
16 January 2000 | by (Los Angeles, CA) – See all my reviews

How good is Angelina Jolie in this film? It is a testament to this young actor's presence that even as dark and soul sickened and gloriously decaying as her character is, there is not a frame in this film that doesn't feel her infection.

Winona Rider is equally excellent as the psychologically confused (or is it enlightened?) hero forced to navigate the depths of her own psyche. The interplay between these two is somehow able to range from the enchanting to the exquisitely painful; but from beginning to end remains capable of leaving you breathless.

Presented with the softly rendered and absorbing visualization of a young girl's decent into psychological insecurity; it is a hauntingly supple progression toward the half understood disturbance of what we might have experienced. If you've ever questioned your own sanity or escaped periods of exceptional melancholy in your life, this film is certain to trigger old fears. But it is also certain to remind you how exquisite and simple salvation can often be.

Refreshingly unlike any of the myriad of fine 'expose' films detailing the darker side of madness (see Roman Polanski's 'Repulsion') or even those with a more poli-social agenda (see Milos Foreman's 'One Flew Over the Cookoo's nest'); 'Girl, Interrupted' achieves a very rare victory in modern film. It conjures enough unnerving insight to bring us scintilatingly close to its most macabre moments; while sewing atop this a spiritual safety net. One capable of the mental restoration that must bring us back to the security of our well cushioned theatre seat. All movement in between remains internal; a lingering memory of personal identification and cathartic resolution.

One look into Angelina Jolie's eyes and you will see the warm, jaundiced decay of a soul no longer battling with sanity. Fear is born of those eyes when you realize how strongly they've tempted your own tired efforts...even as the second look delves closer to a bleakness bearing fruition beyond existential suicide. This film deserves that second look, as well as its painful salvation: a jaundiced beauty whose tragic death is no less healing than the memory of a lost friend.


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