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| Wed. Nov. 18 | 8:00 PM | AMC |
| Arnold Schwarzenegger | ... | Terminator | |
| Nick Stahl | ... | John Connor | |
| Claire Danes | ... | Kate Brewster | |
| Kristanna Loken | ... | T-X | |
| David Andrews | ... | Robert Brewster | |
| Mark Famiglietti | ... | Scott Petersen | |
| Earl Boen | ... | Dr. Peter Silberman | |
| Moira Harris | ... | Betsy | |
| Chopper Bernet | ... | Chief Engineer | |
| Christopher Lawford | ... | Brewster's Aide (as Chris Lawford) | |
| Carolyn Hennesy | ... | Rich Woman | |
| Jay Acovone | ... | Cop - Westside Street | |
| M.C. Gainey | ... | Roadhouse Bouncer | |
| Susan Merson | ... | Roadhouse Clubgoer #1 | |
| Elizabeth Morehead | ... | Roadhouse Clubgoer #1 | |
| Jimmy Snyder | ... | Male Stripper | |
| Billy D. Lucas | ... | Angry Man (as Billy Lucas) | |
| Brian Sites | ... | Bill Anderson | |
| Alana Curry | ... | Bill's Girlfriend | |
| Larry McCormick | ... | KTLA Anchorman | |
| Robert Alonzo | ... | Jose Barrera | |
| Michael Papajohn | ... | Paramedic #1 | |
| Timothy Dowling | ... | Paramedic Stevens (as Tim Dowling) | |
| Jon Foster | ... | Gas Station Cashier | |
| Mark Hicks | ... | Detective Martinez | |
| Kim Robillard | ... | Detective Edwards | |
| Matt Gerald | ... | SWAT Team Leader | |
| William O'Leary | ... | Mr. Smith | |
| Rick Zieff | ... | Mr. Jones | |
| Rebecca Tilney | ... | Laura the CRS Tech | |
| Chris Hardwick | ... | 2nd Engineer | |
| Helen Eigenberg | ... | 3rd Engineer | |
| Kiki Gorton | ... | Roadhouse Clubgoer #3 | |
| Walter von Huene | ... | CRS Victim | |
| Jerry Katell | ... | CRS Executive | |
| George A. Sack Jr. | ... | Semi Truck Driver | |
| rest of cast listed alphabetically: | |||
| Eric Ritter | ... | MP #1 (uncredited) | |
Directed by | |||
| Jonathan Mostow | |||
Writing credits(WGA) | ||
| James Cameron | (characters) & | |
| Gale Anne Hurd | (characters) | |
| John D. Brancato | (story) (as John Brancato) & | |
| Michael Ferris | (story) and | |
| Tedi Sarafian | (story) | |
| John D. Brancato | (screenplay) (as John Brancato) & | |
| Michael Ferris | (screenplay) | |
Produced by | |||
| Moritz Borman | .... | executive producer | |
| Matthias Deyle | .... | producer: IMF | |
| Guy East | .... | executive producer | |
| Oliver Hengst | .... | line producer: IMF | |
| Gale Anne Hurd | .... | executive producer | |
| Mario Kassar | .... | producer (as Mario F. Kassar) | |
| Hal Lieberman | .... | producer | |
| Joel B. Michaels | .... | producer | |
| Aslan Nadery | .... | executive producer: IMF | |
| Dieter Nobbe | .... | executive producer | |
| Volker Schauz | .... | executive producer: IMF | |
| Nigel Sinclair | .... | executive producer | |
| Andrew G. Vajna | .... | producer | |
| Colin Wilson | .... | producer | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Don Burgess | (director of photography) | ||
Film Editing by | |||
| Nicolas De Toth | (as Nicolas de Toth) | ||
| Neil Travis | |||
Casting by | |||
| Sarah Finn | (as Sarah Halley Finn) | ||
| Randi Hiller | |||
Production Design by | |||
| Jeff Mann | |||
Art Direction by | |||
| Shepherd Frankel | |||
| Beat Frutiger | |||
| Andrew Menzies | |||
| Mark Zuelzke | |||
Set Decoration by | |||
| Jay Hart | (as Jay R. Hart) | ||
Costume Design by | |||
| April Ferry | |||
Makeup Department | |||
| Cydney Cornell | .... | key hair stylist | |
| Lisa M. Cubero | .... | hair stylist: second unit (as Lisa Cubero) | |
| Jeff Dawn | .... | makeup department head | |
| Anna Fleiner | .... | makeup assistant | |
| Brian Gernand | .... | model project supervisor: ILM | |
| Jim Kail | .... | makeup department head: second unit | |
| Steve LaPorte | .... | makeup artist (as Steve Laporte) | |
| Louis Lazzara | .... | key makeup artist | |
| R.J. McCasland | .... | age makeup consultant | |
| R.J. McCasland | .... | age makeup designer | |
| Gloria Ponce | .... | key hair stylist: second unit (as Gloria E. Ponce) | |
| John Rosengrant | .... | makeup effects supervisor | |
| Peter Tothpal | .... | hair department head | |
| Arjen Tuiten | .... | special makeup effects artist: Stan Winston Studio | |
| Ken Wensevic | .... | makeup artist: second unit | |
| Stan Winston | .... | special makeup effects artist | |
| Terry Wolfinger | .... | makeup designer | |
| Clinton Wayne | .... | prosthetic technician (uncredited) | |
Production Management | |||
| Gregory Alpert | .... | production supervisor: second unit (as Gregory H. Alpert) | |
| Sharon Mann | .... | unit production manager | |
| Tony Schwartz | .... | assistant production manager: second unit | |
| Michael Tinger | .... | post-production supervisor | |
Visual Effects by | |||
| Julie Adrianson-Neary | .... | digital artist | |
| Laide Agunbiade | .... | digital artist | |
| Chris Anderson | .... | paint artist: CIS Hollywood | |
| Will Anielewicz | .... | digital effects artist | |
| Tom Armbruster | .... | motion capture | |
| Mauricio Baiocchi | .... | lead technical animator: ILM | |
| Steve Ball | .... | best boy grip: visual effects unit | |
| Michael Balog | .... | creature developer: ILM | |
| Carol Bauman | .... | modelmaker | |
| Travis Baumann | .... | Inferno artist: CIS Hollywood | |
| Jamie Baxter | .... | digital compositor | |
| Tory Belleci | .... | model maker | |
| Laurent Ben-Mimoun | .... | lead matte painter | |
| Jodi Birdsong | .... | visual effects production manager | |
| Kim Boyle | .... | visual effects producer: CIS Hollywood | |
| Giselle Brewton | .... | second assistant camera: visual effects unit | |
| Dhyana Brummel | .... | digital simulation artist: ILM | |
| David C. Bryant | .... | digital arist: Digiscope | |
| Dániel Bukovec | .... | CG artist | |
| Kelly Bumbarger | .... | digital compositor | |
| Shannan Burkley | .... | matte painter | |
| Lindsay Burnett | .... | visual effects producer: main title sequence | |
| Gayle Busby | .... | visual effects coordinator | |
| Beau Cameron | .... | digital artist | |
| John Cassella | .... | CG artist: CIS Hollywood | |
| Cari Chadwick | .... | digital artist | |
| Thomas Chan | .... | technical support: ILM | |
| Max Chen | .... | research and development | |
| Amy Christensen | .... | matchmover | |
| Eric D. Christensen | .... | digital paint and rotoscope artist: ILM | |
| Paul Churchill | .... | digital artist | |
| Patrick Clancey | .... | digital opticals | |
| William Clay | .... | creature technical director: ILM | |
| Robbie Clot | .... | practical effects: ILM | |
| Grady Cofer | .... | Inferno supervisor | |
| Bill Coffin | .... | visual effects | |
| Brian Connor | .... | digital compositor: ILM | |
| Carole Cowley | .... | visual effects producer | |
| Don Crawford | .... | digital compositor: ILM | |
| Gregory Creaser | .... | digital timing supervisor | |
| Lee Croft | .... | digital paint and rotoscope artist: ILM | |
| Tony Cutrono | .... | director of photography: visual effects unit | |
| Bruce Dahl | .... | animator | |
| Enid Dalkoff | .... | digital artist | |
| Andrea D'Amico | .... | visual effects executive producer: R!OT | |
| Scott Danielson | .... | motion capture | |
| Scott David | .... | compositor | |
| Fon Davis | .... | model maker: ILM | |
| Lou Dellarosa | .... | animator: ILM | |
| Vince De Quattro | .... | digital compositor | |
| Jeff Doran | .... | digital compositing supervisor: ILM | |
| Tim Drnec | .... | Spydercam coordinator-flight | |
| John Duncan | .... | model maker | |
| C. Michael Easton | .... | animator | |
| Michael Eaves | .... | digital color timer: efilm | |
| Matt Edwards | .... | computer graphics artist | |
| Richard Ewan | .... | painter: miniatures | |
| Nina Fallon | .... | visual effects coordinator | |
| Ronald Fedkiw | .... | research and development | |
| Dan Feinstein | .... | digital paint/rotoscope artist: ILM | |
| Dave Fogler | .... | model maker | |
| Fortunato Frattasio | .... | digital compositor | |
| Joe Fulmer | .... | practical effects: ILM | |
| Shannon Blake Gans | .... | visual effects executive producer: Hunter/Gratzner Industries Inc. | |
| Gian Ganziano | .... | visual effects editor: R!OT pictures | |
| Larry Gaynor | .... | digital paint supervisor: CIS Hollywood | |
| Grantland Gears | .... | digital resource assistant: ILM | |
| Willi Geiger | .... | lead digital artist | |
| Richard Gentner | .... | digital imaging operator | |
| Brian Gernand | .... | model project supervisor: ILM | |
| Brian Gernand | .... | modelmaking supervisor: ILM | |
| Rocco Gioffre | .... | matte artist | |
| Archie Gogoladze | .... | digital artist | |
| Mitch Goldstrom | .... | systems administrator: Digiscope | |
| John Goodson | .... | modelmaker: ILM | |
| Frank Gravatt | .... | modeller | |
| Heather Green | .... | camera loader: visual effects unit | |
| Miguel A. Guerrero | .... | digital artist | |
| Michael J. Halsted | .... | digital effects artist: ILM | |
| Ákos Haszon | .... | digital paint artist | |
| Dion Hatch | .... | visual effects supervisor: Digiscope | |
| Matt Hausfater | .... | visual effects assistant | |
| Kent Hayward | .... | projectionist: New Deal Studios | |
| Niles Heckman | .... | digital compositor (as Jon Heckman) | |
| Pablo Helman | .... | visual effects supervisor: ILM | |
| Neil Herzinger | .... | digital artist: ILM | |
| John Hoffman | .... | model maker | |
| Robert Hoffmeister | .... | digital compositor | |
| Pablo Holcer | .... | digital compositor | |
| Samir Hoon | .... | associate visual effects supervisor: ILM | |
| Samir Hoon | .... | computer graphics supervisor | |
| György Horváth | .... | effects coordinator: Digic Pictures, Hungary | |
| Heather Hoyland | .... | digital compositor: ILM | |
| Jill E. Hughes | .... | visual effects production assistant: ILM | |
| Ian Hunter | .... | visual effects supervisor: New Deal Studios Inc. | |
| Grant Imahara | .... | modelmaker: ILM | |
| Leigh-Alexandra Jacob | .... | model painter: New Deal Studios | |
| Alex Jaeger | .... | concept artist: ILM | |
| Ian Jenkins | .... | digital artist: ILM | |
| Jeff A. Johnson | .... | digital compositor: ILM | |
| Darren Jones | .... | digital imaging engineer | |
| Kenneth Jones | .... | visual effects supervisor: CIS Hollywood | |
| Charles B. Katz | .... | first assistant camera: visual effects unit | |
| Michael Kennedy | .... | digital compositor | |
| Ntana Key | .... | digital intermediate paint artist | |
| Greg Killmaster | .... | technical director | |
| Peter Koczera | .... | senior digital artist | |
| Russell Koonce | .... | digital effects artist | |
| Keiko Koyama | .... | digital effects coordinator: Digiscope | |
| Erik Krumrey | .... | technical director | |
| Bill Kunin | .... | Inferno artist: Hydraulx | |
| John Lacy | .... | best boy electric: visual effects unit | |
| Donna Langston | .... | visual effects producer | |
| Mark Larranaga | .... | compositor | |
| Kim Lavery | .... | visual effects producer: Hydraulx | |
| Derek Ledbetter | .... | visual effects | |
| Don Lee | .... | digital effects supervisor: Digiscope | |
| Sunny Lee | .... | creature technical director | |
| Michael D. Leone | .... | digital artist | |
| Toan-Vinh Le | .... | digital artist (as Vinh Le) | |
| Gretchen Libby | .... | visual effects producer: ILM | |
| Erik Liles | .... | Inferno artist: Hydraulx | |
| Neil Lim Sang | .... | animator: ILM | |
| Kevin Lin | .... | digital cleanup artist | |
| Melissa Lin | .... | digital artist: ILM | |
| Adam Lisagor | .... | visual effects coordinator: Hydraulx | |
| Daniel Lobl | .... | digital artist | |
| Gus Lopez | .... | motion capture | |
| Scott Lukowski | .... | model maker | |
| Nicholas Lund-Ulrich | .... | data management | |
| Louis Mackall | .... | lead Inferno artist: Hydraulx | |
| Susan Macke | .... | visual effects production accountant | |
| Robert Marinic | .... | computer graphics supervisor: ILM | |
| Sebastian Marino | .... | research and development | |
| Gábor Marinov | .... | visual effects supervisor: Digic Pictures | |
| David Marsh | .... | digital artist: ILM | |
| Richard McBride | .... | CG supervisor: Giant Killer Robots (as Rich McBride) | |
| Don McCall | .... | key grip: visual effects unit | |
| Will McCoy | .... | digital compositor | |
| James M. McEwen | .... | gaffer: visual effects unit | |
| Erika A. McKee | .... | visual effects producer | |
| Rob Menapace | .... | motion control operator | |
| David Meny | .... | computer graphics supervisor: ILM | |
| Scott Michelson | .... | visual effects executive producer | |
| Carl Miller | .... | visual effects director of photography | |
| Richard Miller | .... | sculptor | |
| Jim Milton | .... | visual effects | |
| Suzanne Mitus-Uribe | .... | Inferno artist: CIS Hollywood | |
| Robert Molholm | .... | technical support | |
| Sándor Molnár | .... | CG artist | |
| Sándor Molnár | .... | CG artist: Digic Pictures, Hungary | |
| Chris F. Moore | .... | assistant visual effects coordinator (as Chris F. Moore) | |
| Sébastien Moreau | .... | Inferno compositor: ILM | |
| Myles Murphy | .... | digital effects artist | |
| Kenneth Nakada | .... | visual effects supervisor: R!OT Pictures | |
| Dyc Nguyen | .... | research and development | |
| Jaime Norman | .... | visual effects production manager | |
| John P. Nugent | .... | visual effects supervisor: Sandbox Pictures | |
| Gregory Oehler | .... | compositing supervisor: CIS Hollywood | |
| Masi Oka | .... | CG artist: ILM (as Masayori Oka) | |
| Michael Olague | .... | visual effects gaffer | |
| János Orbán | .... | digital paint artist | |
| Rob Ozaeta | .... | digital compositor | |
| Scott Palleiko | .... | technical director: ILM | |
| Bryan Park | .... | visual effects editor: Digiscope | |
| Rod Park | .... | visual effects producer: Digiscope | |
| Russell Paul | .... | digital model supervisor | |
| Chris Payne | .... | compositor | |
| Anthony Pitone | .... | visual effects editor | |
| Evan Pontoriero | .... | pre-visualization artist | |
| Brennan Prevatt | .... | digital effects artist | |
| Janet Quen | .... | digital effects compositor | |
| Alex Sandor Rabb | .... | visual effects producer | |
| Nick Rasmussen | .... | research and development | |
| Philippe Rebours | .... | sequence supervisor | |
| Rick Rische | .... | matte artist: ILM | |
| Anthony Rispoli | .... | computer graphics artist | |
| Mark Robben | .... | digital compositor | |
| Dylan Robinson | .... | technical director | |
| Randall J. Rosa | .... | digital artist: Stan Winston Digital | |
| Corey Rosen | .... | lead creature technical director: ILM | |
| Thomas Rosseter | .... | digital compositor | |
| Peter Mitchell Rubin | .... | visual effects art director: ILM | |
| Joel A. Ruiz | .... | visual effects lighting technician/electrician | |
| Barry Safley | .... | digital effects artist: ILM | |
| Jeff Saltzman | .... | matchmove artist | |
| Marc-Andre Samson | .... | digital effects artist | |
| Juan-Luis Sanchez | .... | digital simulation artist: ILM | |
| Eric Sanford | .... | digital artist | |
| J.D. Sansaver | .... | model maker | |
| Iván Sarosácz | .... | CG artist | |
| Adam Savage | .... | modelmaker: ILM | |
| Nabil Schiantarelli | .... | compositor | |
| Scott Schneider | .... | miniature crew chief | |
| Christy Schuler | .... | compositor: Hydraulx | |
| Jarmila Seflova | .... | flame artist: Digiscope | |
| Todd Semmes | .... | aerial effects-spydercam | |
| Amy Shepard | .... | lead rotoscope artist | |
| Brian Smallwood | .... | digital effects artist | |
| Ben Britten Smith | .... | spydercam flight control | |
| Jason Smith | .... | technical support | |
| Kim Smith | .... | model maker | |
| Richard Smith | .... | technical support: ILM | |
| Kevin Sprout | .... | technical director | |
| Robert Spurlock | .... | visual effects | |
| Christopher Stack | .... | data manager: Digiscope | |
| Colin Strause | .... | 3D supervisor: Hydraulx | |
| Greg Strause | .... | visual effects supervisor: Hydraulx | |
| Michael Stuart | .... | painter: miniatures | |
| Mary Stuart-Welch | .... | visual effects executive producer: Digiscope | |
| David Sullivan | .... | paint/roto artist | |
| Pat Sweeney | .... | visual effects director of photography (as Patrick Sweeney) | |
| Attila Sziklai | .... | lead cgi artist | |
| András Tarsoly | .... | lead cgi artist | |
| Chad Taylor | .... | Sabre artist: ILM | |
| Danny Gordon Taylor | .... | digital animation supervisor (as Dan Taylor) | |
| Ken Terry | .... | visual effects editor | |
| Jim Thibo | .... | first assistant camera: visual effects unit | |
| Elaine Essex Thompson | .... | visual effects coordinator | |
| Matthew Thunell | .... | visual effects production assistant: ILM | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| Marjolaine Tremblay | .... | animator: ILM | |
| Stefano Trivelli | .... | senior compositor: R!OT Pictures | |
| Alex Tropiec Jr. | .... | Sabre artist: ILM | |
| Guerdon Trueblood | .... | digital compositor: ILM | |
| Dennis Turner | .... | technical animation supervisor | |
| Pat Turner | .... | matchmove artist | |
| Imre Tüske | .... | CG artist | |
| Renée Tymn | .... | Inferno artist: Hydraulx (as Renee Chamblin) | |
| Pascale Ville | .... | digital compositor | |
| Eric Voegels | .... | creature developer: ILM | |
| Danny Wagner | .... | model maker | |
| Clint Wallace | .... | CGI artist | |
| Harold Weed | .... | digital modeler | |
| David Weitzberg | .... | digital artist: ILM | |
| Colie Wertz | .... | matte artist: ILM | |
| Earl Wiggins | .... | aerial effects supervisor | |
| Edson Williams | .... | senior digital artist | |
| Ivy Williams | .... | digital plate restoration | |
| Ronnie E. Williams Jr. | .... | lead compositor | |
| Johnny Wilson | .... | visual effects | |
| Sean Wilson | .... | digital compositor | |
| Scott Wirtz | .... | lead animator: ILM | |
| Gordon T. Wittmann | .... | visual effects coordinator: ILM | |
| Loeng Wong-Savun | .... | compositor: Hydraulx | |
| Elbert Yen | .... | viewpaint supervisor | |
| Susumu Yukuhiro | .... | digital matte artist | |
| Heidi Zabit | .... | digital artist | |
| István Zorkoczky | .... | lead cgi artist | |
| Timothy Michael Cairns | .... | quality control supervisor: Efilm/Panavision (uncredited) | |
| Salvatore Catanzaro | .... | apprentice editor: ILM (uncredited) | |
| Michael Cordova | .... | film scanning and recording supervisor (uncredited) | |
| Tommy Dorsett | .... | visual effects editor: R!OT Pictures (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Kenneth Gimpelson | .... | assistant matte painter (uncredited) | |
| Giles Hancock | .... | digital matte artist (uncredited) | |
| Ryan Kautzman | .... | software engineer: ILM (uncredited) | |
| Jeffrey Kember | .... | technical director (uncredited) | |
| Neil Krepela | .... | visual effects second unit director & cameraman (uncredited) | |
| Michael Lafuente | .... | engineer (uncredited) | |
| Maryjane Layani | .... | production accountant: CIS Hollywood (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Mark Moore | .... | concept artist (uncredited) | |
| Brian Pohl | .... | digital effects artist: ILM (uncredited) | |
| Mike Sanders | .... | motion capture (uncredited) | |
| Simon Wakley | .... | motion control operator (uncredited) | |
| Kyle Yamamoto | .... | R&D programmer: CIS Hollywood (uncredited) | |
| David Zbriger | .... | digital asset manager: Giant Killer Robots (uncredited) | |
Animation Department | |||
| Peter Daulton | .... | animator | |
| C. Michael Easton | .... | animator | |
| Jason Galeon | .... | animator | |
| Danny Gordon Taylor | .... | animation director | |
| Marjolaine Tremblay | .... | animator | |
Casting Department | |||
| Courtney Gross | .... | casting associate | |
| Tina Kerr | .... | extras casting | |
| Scott D. Moore | .... | casting assistant | |
| Chris Withrow | .... | extras casting assistant | |
| Carissa Chapman | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Becky Gelbart | .... | costumer | |
| Barry Kellogg | .... | costumer | |
| Donna Marcione Pollack | .... | costume supervisor | |
| Dan Moore | .... | costume supervisor | |
| Bob Moore Jr. | .... | set costumer | |
| Jacqueline Wazir | .... | costume illustrator | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Todd Busch | .... | first assistant editor | |
| Adam M. Duthie | .... | first assistant editor | |
| Michael Eaves | .... | digital intermediate color timer | |
| Jack Lewars | .... | assistant color timer: Efilm | |
| Stewart Maclennan | .... | post-production assistant | |
| Cedric Nairn-Smith | .... | assistant editor | |
| Hilda Saffari | .... | digital intermediate producer | |
| Amy Tompkins | .... | digital intermediate editor | |
| Sam Vanny | .... | assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
Transportation Department | |||
| David R. Blakely | .... | driver: honeywagon | |
| Roger Bojarski Jr. | .... | driver | |
| Denny Caira | .... | transportation coordinator | |
| Lyle Christensen | .... | shotmaker driver | |
| Tyler W. Gaisford | .... | picture car assistant | |
| Robert K. Johnson | .... | picture car coordinator | |
| Paul Jones | .... | driver | |
| Mike Painter | .... | transportation | |
| Mike Shannon | .... | transportation captain | |
Thanks | |||
| Csilla Somogyi | .... | thanks | |
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| Terminator 2: Judgment Day | Live Free or Die Hard | The Terminator | Terminator Salvation | Rambo |
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Have just returned after a triple show of T1 + T2 + T3. An excellent way in which to spend a rainy day!
Before the films my three friends and I were looking very much forward to re-see T1 + T2 on a big screen. As for T3 we didn't expect too much.
While the copies of T1 + T2 were slightly dated, to say the least, both films were absolutely superb, also despite the fact that the effects in T1 were quite primitive compared to today. Nevertheless, T1 remained our favorite not the least because of its very stringent and no-nonsense non-moralistic narrative. T2 was also strong in this aspect, though there were slightly more plot holes and a little too much sentimentality, something which unfortunately plagues many American films. Nonetheless T2 is also great.
Then came T3 ... well, a film taste is very individual. Therefore you, dear reader, should not be deterred from going to see this film, despite the fact that my three friends and I all couldn't care less about it.
Why didn't we like it? Well, surprisingly we were all in agreement about the lack-of-Cameron-touch as one of the worst failings of the film. The new director does not have the ability to time scenes, events, statement and the narrative anywhere near the brilliant level of Cameron.
Therefore the new director tries to make up for this deficiency in making the car chases and the explosions bigger, the new enemy T-X more deadly, and destruction more extreme. But it all lacks energy, soul and credibility. The narrative is messy and coincidental, as if the director thinks "now it will be nice to have this scene from a previous Terminator film included and just beefed up" or "let's try this - it might be funny".
This unfortunately lets the actors down, leaving them with empty hulls and we couldn't care less if they die or live. This, incidentally, is comparable to the Matrix II and the new Star Wars films. The director believes that he has a good film if he/she can include some cool effects. Doesn't work, though!
Furthermore, the scenes lack anything that might even remotely draw the audience into the film. While you can feel the anguish of the humans and the one-mindedness of the robots in the earlier films, this piece of junk left my friends and I with the feeling of "who cares!"
The first and second Hellraiser movies were absolutely splendid. However, what followed should not ever be mentioned anywhere - especially number three sucked big time and should never bee seen by anybody. Terminator 3 is not so bad that it shouldn't be seen, though. However, it is highly advisable that you lower any expectations - and the lower them again. Then you might enjoy this film. Alternatively wait for the cheap version of the DVD.
Finally, if the studio really wants to make a T4, which is highly suggested in T3, then they better get Cameron back on the job. Otherwise they will have just another silly action flick, with no real innovation or originality on their hands, like a gazillion other action flicks from Hollywood - because this is what they have with T3. So unless they rediscover the respect they owe to the great old Terminator-films : Who cares!