A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Inspired by "The Canterbury Tales," as well as the early life of William Marshall (later First Earl of Pembroke), this is the story of William, a young squire with a gift for jousting. After his master dies suddenly, the squire hits the road with his cohorts Roland and Wat. On the journey, they stumble across an unknown writer, Chaucer. William, lacking a proper pedigree, convinces Chaucer to forge genealogy documents that will pass him off as a knight. With his newly-minted history in hand, the young man sets out to prove himself a worthy knight at the country's jousting competition, and finds romance along the way. Written by
Several of the named knights were, in fact, real, though many of them are from different time periods. Ulrich von Lichtenstein was a knight and author who was said to have invented the concept of chivalry and courtly love. Piers Courtenay was a descendant of Edward I, born in the 15th Century. Sir Thomas Colville, Edward III's disguise, was a knight from the 13th Century. Lord Roger Mortimer was the lover of King Edward II's wife - Isabella of France - and was hanged, drawn, and quartered by the Black Prince's father, King Edward III. The real-life Ulrich von Liechtenstein was a real knight, and regular jouster. He boasted that he would give a golden ring to any knight who could break a lance on his armour, giving away 271 in total, but remaining undefeated. See more »
In the final joust just before the first run, Adhemar shuts his helmet and you see a close up of his eyes through the slit. On the bottom right of the screen in this shot, you can see the top edge of his throat guard armor (and therefore its already attached to his helmet and shoulder). In the next shot however, his servant is seen affixing the throat guard to Adhemar. See more »
Absolutely unexpected pleasure. Light-hearted but satisfying on many levels
This wonderfully uplifting little film has a great big heart, good humor, and a classic message about love and honor, and the rarity and preciousness of those who practice both with style. I went to see this with my spouse and a good friend of ours because THEY (the spouse and the friend) wanted to see it. I am a non-fan of comedies, and had been annoyed by the stream of trashy Connecticut Yankee in King Arthur's Court films that had been coming out since the 1980s. My spouse had also informed me that I would be seeing Jousting performed to Bachman Turner Overdrive. My reaction was to reach for the nearest bottle of hard liquor. I didn't need it.
I've now seen this film about six times, and though I can't say that I see something new in it every time (it's just not that complicated), I can say that I have enjoyed it each and every time. The characters, though relatively uncomplicated, are very lovable and the casting is quite excellent all around. Before Brokeback Mountain, William Thatcher was Heath Ledger's most memorable role. He's a poor boy from London's Cheapside who wants to change his stars and to become an honored knight. Travelling from tournament to tournament with his fellow indentured servants, his liege passes on, and William seizes the moment
taking his armor and his horse to become Sir Ulrich Von Liechtenstein
of the Gelderland.
He is joined by the other now-free indentures, and eventually, by Chaucer and a female Farrier played by the wonderful Laura Fraser. Eventually, William falls in love with a princess and is challenged by a rival for her affections with a lot more experience, money and political clout. The love story, which could have easily become a distracting annoyance, in fact, comes to dominate and drive the story very nicely.
Special kudos to Ledger, Alan Tudyk, Rufus Sewell, Paul Bettany and James Purefoy for their awesome performances. And extra special kudos to Director Brian Helgeland for pulling off an impossible task - taking a fairy tale, making us want to believe it, and yet retaining some wonderful elements of silliness often missing in the fairy tale genre. This would make a wonderful romantic living-room double feature with The Princess Bride.
Recommendation: Definitely worth seeing.
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