| Dick Drost | ... | Himself | |
| Harry Reems | ... | Himself - Contest Judge |
Directed by | |||
| James P. Blake | |||
Produced by | |||
| James P. Blake | .... | producer | |
Original Music by | |||
| Michael Karp | |||
Film Editing by | |||
| Michael Karp | |||
Production Management | |||
| David Hill | .... | unit manager | |
| David Perry | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Theodore J. Spagna | .... | assistant director | |
| Theodore J. Spagna | .... | location director | |
Sound Department | |||
| Steve Datri | .... | sound (as Steve D'Atri) | |
| Herb DiGioia | .... | sound | |
| Tom Haneke | .... | sound | |
| Charles Meyer | .... | sound | |
| Wayne Perkunas | .... | sound | |
| Ron Yoshida | .... | sound | |
Camera and Electrical Department | |||
| Joe Cosentino | .... | camera operator | |
| Sand D'Annunzio | .... | camera operator | |
| Steve Davita | .... | assistant camera (as Steve D'Avita) | |
| Mark Erder | .... | grip | |
| Bill Markle | .... | camera operator | |
| Ed Pincus | .... | camera operator (as Edward Pincus) | |
| Stephen L. Posey | .... | camera operator (as Stephan Possey) | |
| Richard Prokop | .... | assistant camera | |
| Martin Purvis | .... | grip | |
| Jack Reidel | .... | gaffer | |
| Theodore J. Spagna | .... | camera operator | |
| David Tipmore | .... | gaffer | |
| Sandy Wall | .... | assistant camera | |
| Fred Winegardner | .... | grip | |
Editorial Department | |||
| Barbara Palmer Dixon | .... | editing room assistant (as Barbara Palmer) | |
| Steven Kahn | .... | editing room assistant | |
| Oliver Rish | .... | editing room assistant | |
| K. Sakai | .... | editing room assistant | |
Music Department | |||
| Rainbow | .... | music performers | |
| Gordan Wagner | .... | composer: songs "Miss Nude America" and "Salute to our Nudist Queen" | |
Other crew | |||
| Nelson Emmons | .... | production assistant | |
| Jerry Gross | .... | presenter (1980 re-release) | |
| Shana Schlossberg | .... | production assistant | |
| Madeline Sullivan | .... | production assistant | |
Thanks | |||
| Alan Abel | .... | special thanks | |
| Steve Ashley | .... | special thanks | |
| Jonathan Blake | .... | special thanks | |
| Carol Bruckner | .... | special thanks | |
| Ralph Drabkin | .... | special thanks | |
| Dr. Irving Falk | .... | special thanks | |
| Al Greco | .... | special thanks | |
| Al Horowitz | .... | special thanks | |
| Theodore Kamens | .... | special thanks | |
| Bob MacGowan | .... | special thanks | |
| Dianna Masterson | .... | special thanks | |
| Peter Miller | .... | special thanks | |
| Paul Schindler | .... | special thanks | |
| Leigh Sharon | .... | special thanks | |
| Seymour Strauss | .... | special thanks | |
| Dr. H. Stromeyer | .... | special thanks | |
| Bruce Westbrock | .... | special thanks | |
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| A Boy and His Dog | City of Shoulders and Noses | Sweet Movie | Prêt-à-Porter | The Player |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
This film began as a documentary produced by students and instructors at two Ivy League universities in the early 1970s. Its conceptual models were the documentary films of the Mayles Brothers (Grey Gardens, Gimme Shelter,. etc.) and the "New Journalism" of Tom Wolf, Hunter Thompson and other writers on American culture and the "media" like Marshall McLuhan. Regarding Naked City, Indiana--it's long-defunct. Dick Drost's role models were closer to James Bond and Hugh Heffner than anyone else. He was always a controversial figure in the "nudist/naturist" movement, because of the sexy/Playboy overtones. Larry Flynt (The People vs. Larry Flynt) for example, started out running a nightclub in Indiana, and Hustler Magazine was just their newsletter when it started. The traditional "real" Miss America contest--hosted by Bert Parks, etc. --is now mostly a memory. But from the 1950s-into the 1980s it was a huge American cultural icon. Satirized by Wood Allen and protested by the 1970's feminists of MS. Magazine fame. This movie was some kind of ironic comment on its more wholesome Miss America predecessor. Most of the contestants in the Miss Nude America film have some connection to the "adult entertainment" industry.--Not porn stars but strippers. All hoping for their "big break"--(This was the same era when Andy Warhol predicted that "in the future everyone will be famous for fifteen minutes."--A very "fame" and media-conscious era.)
In the late 1960s and early 70s the nudity/glamor industry was somewhat akin to the "dot-com" bubble of the 1990s--a field where people might aspire to sudden wealth and fame. The 1980's movie "Star 80" is a melodrama that shows what happened to a (sort-of famous) playmate of the month.) This documentary is in some was a rather subtle exploration of this phenomenon and its expression in the lives of some people in small town northern Indiana. As a business endeavor the Miss Nude America film was a complete flop. For a "serious" documentary it was too sexy and had too much frontal nudity to be shown in the local mall theaters. As a "skin flick"--it had very limited erotic appeal: --a portrait of a guy in a wheelchair with life-long MS who runs a nudist camp. --Today this could be the subject of a David Lynch movie--with lots of added weird fictional subtext. But in the early 1970s it just wasn't hot enough to compete with, say, 'Deep Throat' or 'The Devl in Miss Jones.' Sometimes this movie is available on VHS--through a Canadian distributor maybe. If you are serious about having a "fair use" DVD of it, drop me a line. --B2