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Directed by | |||
| Matt Williams | |||
Writing credits(WGA) | ||
| Lowell Ganz | (screenplay) & | |
| Babaloo Mandel | (screenplay) | |
| Billie Letts | (novel) | |
Produced by | |||
| Susan Cartsonis | .... | producer | |
| Carmen Finestra | .... | executive producer | |
| Gerrit V. Folsom | .... | co-producer (as Gerrit Folsom) | |
| Rick Leed | .... | executive producer | |
| Diane Minter Lewis | .... | co-producer | |
| David McFadzean | .... | producer | |
| Roz Weisberg | .... | associate producer | |
| Patricia Whitcher | .... | producer | |
| Matt Williams | .... | producer | |
Original Music by | |||
| Mason Daring | |||
Cinematography by | |||
| Richard Greatrex | (director of photography) | ||
Film Editing by | |||
| Ian Crafford | |||
Casting by | |||
| Mali Finn | |||
Production Design by | |||
| Paul Peters | |||
Art Direction by | |||
| John Frick | |||
Set Decoration by | |||
| Amy Wells | |||
Costume Design by | |||
| Melinda Eshelman | |||
Makeup Department | |||
| Felicity Bowring | .... | key makeup artist | |
| Bridget Cook | .... | hair stylist | |
| Beth Miller | .... | key hair stylist | |
| Keith Sayer | .... | makeup artist | |
| Melissa Forney | .... | hair stylist (uncredited) | |
| Tony Gardner | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Patricia Whitcher | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Matt Earl Beesley | .... | first assistant director | |
| Matt Earl Beesley | .... | second unit director | |
| Vincent Palmo Jr. | .... | second assistant director (as Vince Palmo Jr.) | |
| Brian Steward | .... | second second assistant director | |
| Andrew Foster | .... | second assistant director (uncredited) | |
Art Department | |||
| Bart Brown | .... | set dresser | |
| Rodney Brown | .... | gang boss | |
| Don L. Carr | .... | assistant property master | |
| Dan Clermont | .... | construction coordinator | |
| Patricia Dillon | .... | set dresser | |
| Ramona Fabregas | .... | assistant property master | |
| Tommy Fine | .... | gang boss | |
| David Goldstein | .... | paint boss | |
| David Hack | .... | leadman | |
| John Hinkle | .... | paint foreman | |
| Jerry Kilber | .... | general construction foreman | |
| Christopher Martin | .... | greens foreman (as Chrsitopher T. Martin) | |
| Molly Murray | .... | art department coordinator | |
| Darren Patnode | .... | on-set dresser | |
| Shane Patrick | .... | set dresser | |
| Annilee Ballentine Ramirez | .... | graphic designer | |
| Janet Stokes | .... | set designer | |
| Christopher Stull | .... | set dresser | |
| Wallace R. Symns | .... | lead greensman | |
| Byron Scott Thomas | .... | property master (as Byron Thomas) | |
| Tom Ward | .... | gang boss | |
| Jeri Woodward | .... | paint foreman (as Jeri Lowe) | |
| Jack Colmenero | .... | set dresser (uncredited) | |
| Nanci Elfrez | .... | set painter (uncredited) | |
| Archie Hankins | .... | carpenter (uncredited) | |
| Kelley A. Hankins | .... | signwriter (uncredited) | |
| Randy Huke | .... | assistant set decorator (uncredited) | |
| Tracie Laymon | .... | property assistant (uncredited) | |
| Shelly Pond | .... | production buyer (uncredited) | |
| Tony Rycyk | .... | props (uncredited) | |
| Charles Seale | .... | carpenter (uncredited) | |
| Randy Severs | .... | carpenter (uncredited) | |
| Ronnie White | .... | propmaker (uncredited) | |
| Phillip Williams | .... | laborer (uncredited) | |
| Randal Woodward | .... | lead scenic (uncredited) | |
Sound Department | |||
| Kami Asgar | .... | sound effects editor | |
| Richard Burton | .... | sound effects editor | |
| David E. Fluhr | .... | sound re-recording mixer (as David Fluhr) | |
| Linda Folk | .... | adr editor | |
| Hank Garfield | .... | sound mixer | |
| Johnny Gidcomb | .... | group adr supervisor: Loop De Loop | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Suhail Kafity | .... | sound effects editor | |
| Jonathan Klein | .... | foley editor | |
| Michael Magill | .... | dialogue editor | |
| Dennis Meehan | .... | boom person | |
| Douglas Parker | .... | assistant sound editor | |
| Brooke Satrazemis | .... | cable person | |
| Charlie Shepard | .... | sound supervisor | |
| Matt Temple | .... | sound effects editor | |
| Chris Winter | .... | assistant sound editor | |
| Stan Ginsel | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Margaret Johnson | .... | special effects coordinator | |
| Randy E. Moore | .... | special effects supervisor (as Randy Moore) | |
| Kevin Berve | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Scott Dougherty | .... | visual effects producer: Cinesite | |
| David J. Negron Jr. | .... | visual effects supervisor | |
| Thomas J. Smith | .... | visual effects supervisor: Cinesite | |
| Jonathan Alvord | .... | Avid editor (uncredited) | |
| Erin M. Cullen | .... | roto artist (uncredited) | |
| Rodney J. McFall | .... | CG supervisor (uncredited) | |
| Dante Quintana | .... | technical assistant (uncredited) | |
| Dylan Robinson | .... | digital artist (uncredited) | |
| Tiffany Smith | .... | visual effects production coordinator: Cinesite (uncredited) | |
| Tracy Takahashi | .... | visual effects associate producer: Cinesite (uncredited) | |
Stunts | |||
| Randy Fife | .... | stunt coordinator | |
| Sam Fife | .... | stunts | |
| Ken Greaves | .... | stunts | |
| Nadine Grycan | .... | stunts (as Nadine Grycan Hoss) | |
| Jim Henry | .... | stunts | |
| Mark Kay | .... | stunts | |
| Lonnie Nelson | .... | stunts | |
| Mike Norris | .... | stunts (as Michael Norris) | |
| Tim Short | .... | stunts | |
| Diane Towery | .... | stunts | |
| Russell Towery | .... | stunts | |
Camera and Electrical Department | |||
| Richard Ball | .... | key rigging grip | |
| Arthur Blum | .... | dolly grip | |
| Buzzy Burwell | .... | rigging gaffer | |
| Keith Carter | .... | photographer: Novalee | |
| Dwight Cary | .... | generator operator (as Dwight 'Curly' Cary) | |
| Theda Cunningham | .... | second assistant camera | |
| Edison Jackson | .... | electric | |
| Jason Ray Jurica | .... | best boy rigging grip | |
| Paul Kloss | .... | electric | |
| Kurt Kornemann | .... | best boy grip | |
| Paul T. LeBlanc | .... | video playback (as Paul LeBlanc) | |
| Ken Light | .... | photographer: Moses, from Delta Time, Smithsonian Institute Press | |
| Jimmy Lindsey | .... | first assistant camera (as Jimmy W. Lindsey) | |
| Raul 'Bull' Mellow | .... | electric (as Raul 'Bull' Mello) | |
| Danny Navarette | .... | rigging best boy electric | |
| Mary C. Nelson | .... | company grip (as Mary Nelson) | |
| Dayton Nietert | .... | gaffer | |
| Matt Richardson | .... | company grip | |
| Rigney Sackley | .... | camera loader | |
| Ferrell A. Shinnick | .... | key grip (as Ferrell Shinnick) | |
| Peter Simonite | .... | first assistant camera: "b" camera | |
| Kevin Sims | .... | electric | |
| Todd Smiley | .... | best boy electric (as Todd E. Smiley) | |
| Suzanne Tenner | .... | still photographer | |
| Tim Travis | .... | electric | |
| Joseph Vasquez | .... | company grip | |
| Ralph Watson | .... | camera operator: "b" camera | |
| Ralph Watson | .... | steadicam operator | |
| Greg Lomas | .... | grip (uncredited) | |
| Billy MacTavish | .... | electrician (uncredited) | |
| Gabe Proctor | .... | additional video assist operator (uncredited) | |
| Marc Tempest | .... | key grip (uncredited) | |
Casting Department | |||
| Jo Edna Boldin | .... | casting: Texas | |
| Vicki Dempsey | .... | extras casting assistant (as Vicki B. Dempsey) | |
| Dara Gray | .... | extras casting | |
| Lindsey Hayes Kroeger | .... | casting assistant: Los Angeles (as Lindsey Hayes) | |
| Emily Schweber | .... | casting associate: Los Angeles | |
| Kelly Bogdan | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Melissa Economy | .... | assistant to costume designer | |
| Kimmie Furlong | .... | set costumer (as Kimmy Furlong) | |
| Collette Jones | .... | assistant to costume designer | |
| Jo Kissack | .... | costume supervisor | |
| M. Caroline Pruet | .... | set costumer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Eric A. Lewy | .... | assistant editor (as Eric Lewy) | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Sandra Nash | .... | assistant editor | |
| Carrie Shepard | .... | first assistant editor | |
Music Department | |||
| Dana Brayton | .... | orchestrator | |
| Marty Brody | .... | conductor | |
| Marty Brody | .... | orchestrator | |
| Brent Brooks | .... | music editor | |
| Lisa Brown | .... | music supervisor | |
| Paul Bryan | .... | musician | |
| Michael Golub | .... | score recordist | |
| Duke Levine | .... | musician | |
| Dave Mattacks | .... | musician | |
| Billy Novick | .... | musician | |
| John Richards | .... | score mixer | |
| David Shacter | .... | music coordinator | |
| Kenny White | .... | musician | |
| Larry Campbell | .... | musician (uncredited) | |
| Andrew Silver | .... | music editor (uncredited) | |
Transportation Department | |||
| Monica Allen | .... | assistant to transportation coordinator | |
| Greg Faucett | .... | transportation co-captain (as Gregory B. Faucett) | |
| Lonnie Nelson | .... | transportation captain | |
| Phil Schriber | .... | transportation coordinator (as C.P. 'Phil' Schriber) | |
Other crew | |||
| Colleen Arnaud | .... | first assistant accountant | |
| David Bennett | .... | production accountant | |
| Tod Campbell | .... | production assistant | |
| Lisa D. Carey | .... | payroll accountant (as Lisa Carey) | |
| Shanti Delsarte | .... | production coordinator (as Shanti Del Sarte) | |
| Jessica Drake | .... | dialect consultant | |
| Robbie Friedmann | .... | location manager (as Robbie Friedman) | |
| Gina Grande | .... | script supervisor | |
| Susan Hegarty | .... | dialect consultant | |
| Mike Hitch | .... | mechanic | |
| Monica Johnson | .... | office production assistant | |
| Karen Jones | .... | assistant: Ms. Judd | |
| Kristen Lea | .... | assistant: Mr. Williams | |
| Robert A. Levine | .... | unit publicist (as Robert Levine) | |
| Cindy Lindauer | .... | set teacher | |
| Kathleen Lungren | .... | assistant to producers | |
| Mark Miller | .... | second assistant accountant | |
| Travis C. Murphy | .... | production assistant | |
| Shobie Partos | .... | assistant location manager | |
| DeLayne Rasmussen | .... | production secretary (as Delayne Barnett) | |
| Jennifer Spinks | .... | office production assistant | |
| Raigen Thornton | .... | medic | |
| Rose Topping | .... | assistant: Mr. Ganz and Mr. Mandel | |
| Leigh A. Wilbourn | .... | production coordinator (as Leigh Wilborn) | |
| Eric A. Williams | .... | location manager | |
| Jill Wolinsky | .... | assistant: Ms. Portman | |
| Ruhi Zandra | .... | production assistant | |
| Mateo Barnstone | .... | location scout (uncredited) | |
| Thomas Griffin | .... | office runner (uncredited) | |
| K. Todd Lytle | .... | stand-in (uncredited) | |
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Where the Heart Is is a special kind of movie. City of Angels, Message in a Bottle, and Where the Heart Is all have that special ingredient that just grabs the viewer and holds him or her until the very last tear flows from their eye. Natalie Portman is very well cast in her role as Novalee Nation, a 20 year old pregnant woman who decides to move to California with her boyfriend. The sad thing is, when her and her boyfriend stop at a Wal-Mart in the middle of Oklahoma, he leaves her behind, and moves on without her.
The movie follows her life after she realizes that her boyfriend has left her stranded, and is not coming back. A very unique screenplay allows this movie to radiate a love for Novalee, and allows the viewers to develop a friendship with her. Lexie Coop (Ashley Judd) becomes Novalee's best friend when they meet in the hospital after Novalee has her baby. Where the Heart Is has everything it takes to be a great movie. The choice of actors is superb, and the direction is wonderful. Of course with every movie made, at least all that I have viewed, there was a few things wrong with the movie. For instance, Novalee's mother abandoned her when she was about 8 years old. Right after she gives birth to her baby, her mother shows up by her side, and quite frankly, nothing ever becomes of that scene. It's completely irrelevant. Also, there is the whole living in Wal-Mart for six weeks thing to consider. I mean can that really happen?
At any rate, by no means should these `mistakes' thwart your intention of watching this movie, it a real tearjerker, and I believe the best date movie since For Love of the Game.