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3 articles from 2009
cinemadaily | In Brooklyn, Celebrating So Yong Kim & Bradley Rust Gray
10 December 2009 10:25 AM, PST
| IndieWIRE
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In their annual series spotlighting up and coming directors, the Brooklyn Academy of Music (Bam) is celebrating two of this year’s most buzzed-about minimalist directors, the husband-wife team of “Treeless Mountain”‘s So Yong Kim and “The Exploding Girl”‘s Bradley Rust Gray. The series will feature the directors’ works this week and will screen three of their biggest influences, Jean-Pierre and Luc Dardenne’s “Rosetta,” Tsai Ming-liang’s “Rebels of the Neon God,” and …
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21 New Movies to be shown at Chicago International Film Festival
19 September 2009 11:39 AM, PDT
| The Scorecard Review
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The Scorecard Review will be there to cover the interviews, movie reviews and red carpet moments of the Chicago International Film Festival in October. Here’s a list of 21 movies that will be a part of the event. We’ll have all the news you’ll need to be ready for the fest right here.
October 8 – 22, 2009
Chicago, September 16, 2009 – Cinema/Chicago is proud to announce another 20 films that will appear at this year’s Chicago International Film Festival. From dazzling CGI animation to tales of existential ennui and little white lies gone wrong, The 45th Chicago International Film Festival promises an impressive array of diverse films that will excite cinema fans in Chicago and beyond. Below is a newly released sampling of the 145 films that will be shown at this year’s Chicago International Film Festival, which will take place October 8th through the 22nd at the AMC River East 21 Theater (322 E.
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- Jeff Bayer
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Even Better Than the Real Thing: Jean-Pierre and Luc Dardenne’s “Lorna’s Silence”
30 July 2009 3:01 AM, PDT
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Initial word from Cannes on “Lorna’s Silence” generally dismissed the Dardennes’ latest as a bit of comedown from the dizzy heights of international critical admiration that greeted “Rosetta,” “The Son,” and “L’Enfant.” Even if their new film managed to eke out a Best Screenplay award (not quite the Palme, which they’ve won twice already), it only served to underscore the varied complaints: noirish elements, belabored transcendence, and the overall sense that …
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