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Overview
User Rating:
Director:
Writer:
Tomomi Tsukasa (screenplay)
Release Date:
23 May 1967 (Japan) more
User Comments:
fascinating study of passion, more (4 total)
Cast
(in credits order) | Michiko Sakyô | ||
| Yuichi Minato | (as Yuuichi Minato) | |
| Akihiko Kanbara | ||
| Naomi Tani | ||
| Michiko Aoyama |
Directed by | |||
| Seiichi Fukuda | |||
Writing credits(in alphabetical order) | ||
| Tomomi Tsukasa | screenplay | |
Produced by | |||
| Minoru Chiba | .... | planner | |
Cinematography by | |||
| Jirô Ooyama | |||
Camera and Electrical Department | |||
| Ryô Satô | .... | lighting technician | |
Production CompaniesDistributors
- Nihon Cinema Film K.K. (1967) (Japan) (theatrical)
- Audubon Films (1970) (USA) (theatrical) (dubbed)
- Synapse Films (2008) (USA) (DVD)
Additional Details
Also Known As:
Madame O
Vicious Doctor: Part 2 (USA) (literal English title)
more
Parents Guide:
Runtime:
Japan:76 min | 84 min (director's cut)
Country:
Language:
Color:
Black and White | Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Company:
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Discuss this movie with other users on IMDb message board for Zoku akutokui: Joi-hen (1967)Recommendations
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| Boneless | Jotai johatsu | Shiroi kaikan | Bijo komori | Ginda jumon |
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Japan section | Add this title to MyMovies |
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Highly original and involving movie, beautifully photographed in b/w and colour. The colour switching can be a little confusing but another reviewer has suggested that the b/w sequences represent the present whilst the colour is for the past and particularly important moments. They may well be right, I shall have to pay greater attention next time. For surely this exciting tale is well worth seeing more than once. From the opening shots in the hospital operating theatre and the childhood rape sequence , mostly in long shot on the beach, till the denouement in the tunnel, this is a fascinating study of passion, revenge and greed. All told in such a matter-of-fact manner, with no give-away music score, that even when there are slightly creaky moments, we believe it all. NB: Please ignore completely the ridiculous fake review by Mitsukai.